Benjamin L. Clark
@benjaminlclark.com
2.6K followers 2.4K following 2.9K posts
Eisner-winning comic museum curator and book writer. PERSONAL acc’t. Big fan of Snoopy and the gang. AKA BenjClark, BLClark 📷 by Chris Eliopoulous @chriseliopoulos.com Nebraska/ Santa Rosa, CA https://benjaminlclark.com
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Hey, new folks! INTRO — I'm Benjamin. I write comic history, curate museum exhibitions, and other stuff. I've won some awards, and I'm open to other projects when I'm available. Find me other places:
🌐 benjaminlclark.com
📰 buttondown.com/benjaminlclark
📷 instagram.com/benjaminlclark (if you must)
We were looking at zipatone from the 1990s on Peanuts strips, and this particular pattern ages the worst it seems. Other patterns don't age as badly for some reason.
Reposted by Benjamin L. Clark
We all need to hear it sometimes 🥹
4 panel comic in which a cute bunny works all day until after sundown and when it’s late his friend brings a cup of tea and says ‘hey.. you’re doing great!’  and joins him for a bit while the moon comes out
Reposted by Benjamin L. Clark
Oh, yes! Maybe that's why it seems science fiction ages at a different rate than other genre fiction.
Oh, that first phrase is, "I like spicy" b/c no one will believe you, and some kind granny will try to warn you off. Someone will ask, "Do you know how to eat that?" and you tell them this. The last one is "Thank you." Just say that all the time.
Plan for the aftermath accordingly. Don't sue me if you die.
Find when the closest Thai temple to you celebrates Loy Krathong (soon). Go. You'll enjoy the festival, but you'll also find "Thai spicy" there that you won't find at any restaurant. Bring the phrase, "Chahn chow pit," and "Khap khun khrap," and a little cash, and you'll have the best time.
Definitley read this from my dad's childhood collection
Love how the overstaying guest breaks the panel border with his face! LOL
A couple of cool panels from Garfield in the Sunday funnies today.
Garfield in silhouette kicks Odie off the table. In the panel below the word Snap is drawn to fill the panel.
“Cathy fucks” as someone wise once said.
ALT TEXT: A black and white Peanuts Sunday comic strip shows Snoopy imagining himself as a World War I fighter pilot, flying his doghouse and battling the Red Baron. Linus surprises him, and it ends with Snoopy considering a commercial airline job instead.
Happy 60th Anniversary, Flying Ace!

Peanuts by Charles M. Schulz, originally published October 10, 1965
"Ultraviolence" wowsers that sounds dain-jer-US!
She's CLIFFORD!! (But not) LOLLL
YES. Actually, like a whole Norbit episode where he plays his whole extended family.
... it was his dream, his lifelong goal to become a successful newspaper cartoonist. Why would he achieve it only to hand it all over to someone else??
Charles Schulz was asked why he didn't hire assistants to help out on the Peanuts comic strip — some of his contemporaries had staff who thought up gags, wrote story arcs, drew in backgrounds, inked the pencils, etc. etc. Schulz would point out that ...
I get that popular outlets will ask creators about AI — too many people in their audiences are curious about it, and have been sold an idea that "AI" is somehow useful and saves effort. But the framing here is really disappointing.
I'm sorry, I can't shake this. Does Ari Shapiro think The Wire wasn't very good? Does he wish it were more derivative? That the tropes of the genre were applied less creatively? That everything was more evident and well-worn? Was it *too* clever? Too well made?
David Simon has worked incredibly hard and dreamed big dreams to get where he is to write shows like The Wire. WHY IN GOD'S NAME would he work and fight for that only to give it up to a machine that doesn't even do it well?
David Simon, creator of ‘The Wire’, being interviewed by Ari Shapiro (NPR)
SHAPIRO: OK, so you've spent your career creating television without Al, and I could imagine today you thinking, boy, I wish I had had that tool to solve those thorny problems...
SIMON: What?
SHAPIRO: ...Or saying...
SIMON: You imagine that?
SHAPIRO: ...Boy, if that had existed, it would have screwed me over.
SIMON: I don't think Al can remotely challenge what writers do at a fundamentally creative level.
SHAPIRO: But if you're trying to transition from scene five to scene six, and you're stuck with that transition, you could imagine plugging that portion of the script into an Al and say, give me 10 ideas for how to transition this.
SIMON: I'd rather put a gun in my mouth.