Author | Lightnews

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Gabino Iglesias @gabino.bsky.social · 1h

Here’s your morning mood, courtesy of Benjamin König.

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_Mostly_Ghostly_ @mostlyghostly.bsky.social · 3h

Oldie that I feel like still counts as “Halloween themed” 🍷🧛🏻‍♀️🥃🧟‍♂️🍺🎯

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Nat Brehmer @natbrehmer.bsky.social · 2h

Halloween Week continues, and I'm here to plead the case for Tina. People talk a lot of shit about the only character in a HALLOWEEN movie to literally jump onto Michael's knife to save a child. medium.com/@nbrehmer/ju...

Justice for Tina: Defending the Most Divisive Character of ‘Halloween 5’

Halloween 5 is known for a lot of things. A mysterious Man in Black, a belligerent Dr. Loomis, a big-necked Michael Myers, a mute, psychic…

medium.com

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Josh Williams 🎃 @bisexualhorrorfan.bsky.social · 5m

I can’t stop laughing at this

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Max Yeager 🔜 Lighbox Expo 528 @jaegerpilotmax.bsky.social · 52m

Baby Godzillas

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Daniel Dockery @dandock.bsky.social · Nov 29

I'm glad BTAS understood that Joker is most fun when he's deeply petty. His best stories are rarely "tries to destroy Gotham" but rather "gets mad that someone cut him off in traffic" or "wants to copyright fish" or "bombed during stand-up" or "a casino stole his likeness."

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𝔾𝕆ℝ𝔸ℕ @gorangligovic.bsky.social · 1d

been a while since I went hard on patina

A pseudo-Roman mask helmet thingy. It's greenish and bent and there's a red jewel in one of its eyes.

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Jayce @jayceb.bsky.social · 16h

Carpenter’s Mouth of Madness tackles head on the evil in believing in Revelation. Rapture is selfish, sociopathic. People as inward fanatics assured in faith, justified in whatever cruelty it demands of them, because they “know” how it ends. Let the world burn. “I’ve read to the end.”

A young boy aged to an exaggerated old man on a bicycle

A demonic child

In the Mouth of Madness (1994), John Carpenter

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Jayce @jayceb.bsky.social · 16h

John’s last greatest. Stephen King’s ballooning legacy ribbed into one of the few equals to Stuart Gordon’s Lovecraft absurdity (and easily surpassing it). Like Prince of Darkness, gallingly nasty to Christendom and the very idea of faith rotting inside of you as an ignorance, an infection.

A person’s eyes, extreme close up and caught in catch light, the irises fragmented

Sam Neill having a great time at the movies

Sutter Cane peeling his face (and the space behind him) like paper

In the Mouth of Madness (1994), John Carpenter

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Jayce @jayceb.bsky.social · 16h

It’s a wicked hoot and a half, sharply funny and oozing with a cackling glee, but FUCK it’s so scary. Prince of Darkness feels radioactive and creeping, echoing. This is an aggressive mental breakdown of some of Carpenter’s all-timer editing and scope at the pitch of a villain’s laughter.

A naked old man handcuffed to the ankle of his wife behind a hotel counter

Blood dripping upside down against white

A painting of a couple taking a stroll along a river bank

A gilded tower cathedral

In the Mouth of Madness (1994), John Carpenter

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Jayce @jayceb.bsky.social · 16h

Sam Neill understood the assignment to a degree that would carry (or catapult) a lesser movie, but here he’s only one working part in a true blue fucking triumph. The Apocalypse Trilogy closes with its Rapture, the legacy of horror itself the new gospel of the Wall of Monsters’ invasion of cinema.

Sam Neill peeling a horror poster to reveal himself on another

Space torn open like the pages of a book revealing pure back within

A woman contorted horrifically, crab walking while her neck is twisted to be in the “right” position

In the Mouth of Madness (1994), John Carpenter

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Josh Williams 🎃 @bisexualhorrorfan.bsky.social · 17h

Now watching.

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The Count von Curdles @thecountvoncurdles.bsky.social · Apr 29

It's my strong desire to make a horror movie that features some really busted, grimy, powered by magic and spite EC Comics zombies.

Zombie covered in cobwebs from BONE SICKNESS

Zombie with long wispy hair covering its skeletal face like a curtain, from THE HAUNTED MANSION

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mega them @megathem.bsky.social · 1d

alright arnold

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Jayce @jayceb.bsky.social · 1d

Michiko Ikeda’s editing is so beyond special. The storytelling and tempo of this movie remains so unique, the whole thing is paced and cut like this scene, and with the mood and look it’s kinda the only one that feels it could have just as easily been made by Hong Kong’s best.

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Daniel Dockery @dandock.bsky.social · 1d

It's fun to see people on here reappraise Godzilla's "monster island" era where, with relatively little budget to spend on big city sets, Godzilla was typically dropped somewhere sweaty and tropical. These flicks have a vibe all their own.

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Kly (𝔐egalith) @klyart.bsky.social · 1d

A lot of sudden expenses are putting me in a real bind. I'm opening emergency comm slots with negotiable prices!
Please dm me with any offers, time is of the essence.

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Josh Williams 🎃 @bisexualhorrorfan.bsky.social · 1d

Scrimm flexes his gothic chops and delicious devilish scripture while studio budget gives way to bespoke set-pieces and bombastic style; you can practically feel Coscarelli kicking his feet behind the camera during the last hour. That quad-barrelled shotgun is still total dopamine.

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Josh Williams 🎃 @bisexualhorrorfan.bsky.social · 1d

More conventional, more slicker, but Coscarelli still retains his adolescent fantasia in the spirit of it all. Only this time it’s funnelled into gun splatter, chainsaw swordfights, bucketloads of goop/slime, and pulpy practical SFX-heavy gore.

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Josh Williams 🎃 @bisexualhorrorfan.bsky.social · 1d

PHANTASM II sheds the original’s mournful tone and artful ambiguity for amped-up action and sprawling excess. The quiet whisper of the first film turned explosive, lonely suburbs traded for cross-country apocalypse where familial death and abstract fate still thrums in the gut.