Lightnews — Scholar-powered news

Blakes7Bot @blakes7bot.torpidity.net · 4h

Series C, Episode 06 - City at the Edge of the World

[Avon and Cally shoot down two men]
AVON: Get their guns.
[Avon and Cally enter; Bayban points cannon at them]

https://blake.torpidity.net/m/306/478

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series, showing a scene set in what looks like a futuristic or spacecraft interior. The setting features metallic walls with a triangular lattice pattern and a distinctive industrial design aesthetic typical of 1970s/80s sci-fi productions.

Several people are visible in the frame - two standing in what appears to be a doorway or elevator (one in a beige/cream uniform and another in an olive/brown outfit with a distinctive V-shaped detail), while another figure is partially visible on the right side wearing what looks like a leather or dark costume with some reflective elements.

The scene has the characteristic visual style of British television sci-fi from that era, with practical sets and distinctive costume design that conveys a futuristic, somewhat dystopian atmosphere."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 7h

Series C, Episode 10 - Ultraworld

ULTRA 3: [At the sound of explosion] Is that the bonding ceremony?
[Image on the view screen of the empty cell. There is a large hole where the explosive detonated.]
ULTRA 3: We must find them.

https://blake.torpidity.net/m/310/552

6

Blakes7Bot @blakes7bot.torpidity.net · 10h

Series A, Episode 02 - Space Fall

RAIKER: [To Blake] What have we here? Not a troublemaker, I hope?
BLAKE: I didn't hear an order.
RAIKER: You didn't hear an order, sir. ...SAY IT!
BLAKE: I didn't hear an order...sir.

https://blake.torpidity.net/m/102/51

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like the interior of a spacecraft or futuristic facility. The setting has a clean, sterile appearance with white walls and technical equipment visible. There are two people in the scene - one person wearing dark clothing with their back to the camera, and another person visible in what appears to be a reflective surface or window, wearing lighter colored clothing. The production design has the characteristic look of 1970s British science fiction television, with practical sets and costumes typical of that era's budget and aesthetic sensibilities."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 6

Blakes7Bot @blakes7bot.torpidity.net · 14h

Series C, Episode 05 - The Harvest of Kairos

SHAD: [On screen] Yes, madam.
[Launch platform]
GUARD: Instructions from the Captain. You are to wait for the next shuttle.
CARLON: But there isn't another.
GUARD: One will be sent for you tomorrow.

https://blake.torpidity.net/m/305/214

Claude 3.7 describes the image as: "This image appears to be from a science fiction television production, showing a person in what looks like a military or security uniform with a distinctive black helmet. They appear to be inside what could be a spacecraft or command center, with technical equipment and panels visible in the background. The scene has a somewhat dark, industrial aesthetic with red and metallic elements visible in the background, which was characteristic of many sci-fi productions from the late 1970s or early 1980s. The individual has an expression that suggests tension or alertness, fitting for a dramatic moment in the storyline. The costume design features protective shoulder elements and a dark collar, consistent with the militaristic uniforms often seen in space-based science fiction of that era."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

2

Blakes7Bot @blakes7bot.torpidity.net · 17h

#Blakes7 Series C, Episode 09 - Sarcophagus

TARRANT: I'm sure you wouldn't. [Draws his gun and exits. Avon smiles.]
[Corridors. As Tarrant runs toward the flight deck he is intercut with visions of the conjured figure in scarlet doing the same things.]

https://blake.torpidity.net/m/309/288

Claude Sonnet 4.0 describes the image as: "I can see a figure in what appears to be a futuristic or science fiction setting, wearing distinctive costume elements including red and tan/brown colored clothing with a cape-like garment. The character appears to be on what looks like a spaceship or futuristic interior set, with curved walls and technological elements visible in the background. The lighting creates a dramatic atmosphere typical of science fiction television productions from this era. The costume design suggests this is likely a main character, with the outfit having a somewhat militaristic or adventurous style that fits the space opera genre."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

5

Blakes7Bot @blakes7bot.torpidity.net · 1d

Series A, Episode 08 - Duel

[THE MONUMENT - Blake and Jenna materialise.]
GIROC: You fought well, Blake.
BLAKE: I'm glad you enjoyed it.
GIROC: Why didn't you kill him?

https://blake.torpidity.net/m/108/459

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene set in what looks like a cave or underground location with rough stone walls. Two figures are present - one wearing lighter colored clothing and another in darker robes with a head covering. The setting has a rustic, primitive quality with what appears to be some kind of bedding or supplies visible in the background. The lighting is dim and atmospheric, creating shadows that emphasize the cave-like environment. The scene suggests an intimate conversation or interaction between the characters in this underground refuge or hideout."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 3

Blakes7Bot @blakes7bot.torpidity.net · 1d

Series A, Episode 01 - The Way Back

VARON: Listen, I, I'm sorry I didn't believe you. I'll be in touch. [They leave.]+C363
VILA: Friends in high places? Can't you put a word in for me?
BLAKE: I'll try and think of one.
JENNA: Leaving us?

https://blake.torpidity.net/m/101/325

2

Blakes7Bot @blakes7bot.torpidity.net · 1d

...Sector. Four should do it nicely. Well, Dastor, I think it's time we had a little strategic counsel. Bring this - Jarvik to me. [2/2]

https://blake.torpidity.net/m/305/36

2

Blakes7Bot @blakes7bot.torpidity.net · 1d

Series C, Episode 05 - The Harvest of Kairos

INTERCEPTOR LEADER: [V.O.] Interceptor Leader to Control. Request instructions!
SERVALAN: Hold position, Interceptor Leader, and wait for instructions from Assault Leader One. We will attack when the Liberator breaks out of Alpha... [1/2]

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic space setting with distinctive green metallic wall panels in the background. The scene features two individuals in what seems to be a formal or dramatic moment.

On the left is an older person wearing dark clothing, possibly a black turtleneck or jacket. On the right is someone in an elegant, light-colored satin dress or gown with a one-shoulder design and some sparkly embellishment or accessory. The setting and costume design suggest this is from a science fiction production from the late 1970s or early 1980s based on the visual aesthetic and production style.

The scene appears to capture a tense or significant dramatic moment between these two characters within the space-themed environment."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 2

Blakes7Bot @blakes7bot.torpidity.net · 1d

Series D, Episode 02 - Power

TARRANT: [Disbelieving] Telekinesis?
ORAC: The power to move objects at a distance using only the mind-
DAYNA: [Cutting him off] Yes, we know what it means.

https://blake.torpidity.net/m/402/445

Claude 3.7 describes the image as: "The image shows a transparent electronic device or prototype being worked on by hands visible from both sides. This appears to be a clear plastic case containing circuit boards, wires in various colors (red, blue, yellow), and what looks like a central mechanical component with LEDs or small lights visible. The internal components are exposed, suggesting it might be an experimental device or prop used in a science fiction television production. The transparent housing allows viewers to see the internal workings, which was a common aesthetic choice for futuristic technology in classic sci-fi productions. The prop demonstrates the distinctive retro-futuristic technology design that was characteristic of British science fiction television from that era."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 1d

#Blakes7 Series C, Episode 02 - Powerplay

VILA: Oh. Well that seems to cover everything.
LOM: You were in a space accident?
VILA: Accident? It was a full scale war. There was this alien battle fleet...

https://blake.torpidity.net/m/302/88

5

Blakes7Bot @blakes7bot.torpidity.net · 2d

Series B, Episode 08 - Hostage

VILA: I've no idea. One of the others always does it for me. I'm not very good with technical things.
TRAVIS: Don't play the idiot with me.

https://blake.torpidity.net/m/208/556

Claude Sonnet 4.0 describes the image as: "I can see this appears to be a scene from a science fiction television series set in what looks like a futuristic or institutional interior. The setting has a stark, utilitarian design with metallic surfaces and industrial lighting typical of sci-fi productions from that era.

The scene shows several figures in what appears to be some kind of interrogation or confrontational situation. One person is seated and appears to be restrained or in custody, wearing dark clothing. Another figure stands behind holding what looks like a weapon or device, positioned in an authoritative stance. The lighting and composition suggest tension in the scene.

The production values and costume design are characteristic of British science fiction television from the late 1970s or early 1980s, with practical sets and costumes that create an atmosphere of a dystopian future society."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

2 4

Blakes7Bot @blakes7bot.torpidity.net · 2d

Series A, Episode 11 - Bounty

SARKOFF: Yes, we may have need of thirteen million credits-
TYCE: Over my dead body.
SARKOFF: I hope you're not going to make a habit of that particular threat. Ready!
JENNA: Would you move back, please.

https://blake.torpidity.net/m/111/543

Claude Sonnet 4.0 describes the image as: "I can see this is a black and white image showing two people in what appears to be a dramatic scene. One person is shown from behind with shoulder-length hair, while the other is wearing a dark hat and coat, giving them a distinctive period appearance. The setting appears to be indoors with some architectural elements visible in the background. The lighting and composition suggest this is from a television production, with the formal costume styling indicating it may be set in a historical or alternative timeline context. The scene has a tense, confrontational quality typical of dramatic television storytelling."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 5

Blakes7Bot @blakes7bot.torpidity.net · 2d

D05 - Animals

SERVALAN: A planet hopper that can outrun a pursuit unit, hovering over a useless planet that has been abandoned since the war. Set a course for Bucol Two.
[Animals are crying out]
DAYNA: How could I admire you doing this?

https://blake.torpidity.net/m/405/118

3

Blakes7Bot @blakes7bot.torpidity.net · 2d

Series B, Episode 10 - Voice from the Past

AVON: I'm sorry to have to inform you that he is himself all right.
[End of episode. Roll credits.]

https://blake.torpidity.net/m/210/623

Claude Sonnet 4.0 describes the image as: "This image shows two characters in what appears to be the interior of a spacecraft or space station, with characteristic futuristic wall paneling visible in the background. Both men are wearing what looks like military or rebel-style clothing typical of the series' aesthetic. The lighting and set design have the distinctive look of British science fiction television from the late 1970s. The scene appears to be taking place during a moment of dialogue or planning between the characters, consistent with the show's focus on a group of rebels fighting against an oppressive galactic federation."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 3

Blakes7Bot @blakes7bot.torpidity.net · 2d

Series C, Episode 08 - Rumours of Death

TARRANT: You took your time.
AVON: It was necessary.
TARRANT: Is it done?
AVON: Yes, but it isn't finished.
VILA: Wonderful. Who's next on your list? Servalan?
AVON: [Inserts key] Orac.

https://blake.torpidity.net/m/308/306

Claude Sonnet 4.0 describes the image as: "This scene appears to be set in a futuristic interior, likely aboard a spacecraft, with characteristic metallic wall panels and angular architecture typical of science fiction productions from this era. Two men are engaged in what appears to be a tense confrontation. One figure is dressed in period-style clothing with ornate brown leather studded with metal details over a white shirt, while the other wears dark, fitted clothing with a high collar. The body language suggests a standoff or negotiation, with one character holding what appears to be a weapon while the other has his hands raised in a defensive or placating gesture. The lighting and set design create a dramatic atmosphere typical of the series' production values."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

5

Blakes7Bot @blakes7bot.torpidity.net · 2d

#Blakes7 Series D, Episode 04 - Stardrive

VILA: So what's that supposed to tell us?
AVON: That recording told Orac something. If we want to know what it is, we have to check every frame.

https://blake.torpidity.net/m/404/119

3

Blakes7Bot @blakes7bot.torpidity.net · 3d

Series B, Episode 04 - Horizon

BLAKE: That's right.
RO: The name's forbidden. You can't cling to the past. Paura shouldn't have spoken it.
BLAKE: Huh! He probably thought he had nothing to lose - under the circumstances.
RO: Circumstances?

https://blake.torpidity.net/m/204/316

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a dramatic scene with two characters. One person is wearing what appears to be a dark colored uniform or jacket, while another person appears to be lying down or reclining. The setting has a futuristic or otherworldly quality with decorative elements visible in the background. The lighting and production values suggest this is from a British television production, likely from the late 1970s or early 1980s based on the visual style. The scene appears to be taking place in some kind of elaborate interior setting, possibly aboard a spacecraft or in an alien environment, given the ornate background elements visible in the frame."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 2

Blakes7Bot @blakes7bot.torpidity.net · 3d

C08 - Rumours of Death

AVON: I can't. Please, I can't.
SHRINKER: I'm going to start by burning out your eyes.
AVON: Please.
SHRINKER: And you're going to start by telling me your name. Now that's not too difficult, is it? Who are you?

https://blake.torpidity.net/m/308/26

Claude 3.7 describes the image as: "The image appears to be a scene from a vintage television production with a dramatic interaction between two individuals. The setting appears sparse with plain walls, giving it a utilitarian or institutional feel typical of science fiction productions from the 1970s-80s era.

The scene depicts an intense conversation between two people - one wearing what looks like a casual jacket, and another in darker clothing who appears to be holding what might be a cigarette. Their positioning suggests a tense or significant moment in the storyline.

The film quality and aesthetic have that distinctive look of British television productions from several decades ago, with characteristic lighting and color grading of that period."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 3d

Series D, Episode 08 - Games

VILA: Yeah, but what's going on?
GERREN: That's the pressure container. An electro-magnetic field produces such high pressure that everything except the feldon crystals is reduced to a fine dust.

https://blake.torpidity.net/m/408/211

Claude 3.7 describes the image as: "The image shows three people crouched among ruins or debris of what appears to be a damaged building with stone walls. They're wearing futuristic-looking costumes typical of science fiction television from the late 1970s/early 1980s era. The person on the left wears a gray outfit with darker gray accents, the middle figure has on a black and yellow/gold top, and the right figure is dressed in gray. They seem to be hiding or taking cover behind some brick structures, suggesting a scene of tension or conflict. The setting has a distinctly low-budget science fiction production quality with the rocky backdrop and minimalist set design characteristic of British television productions from that period."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 3d

Series A, Episode 01 - The Way Back

BLAKE: Why not?
RICHIE: We've left documents in the city with your signature on them. Forged, of course, but convincing enough to implicate you in everything we've been doing.

https://blake.torpidity.net/m/101/62

4

Blakes7Bot @blakes7bot.torpidity.net · 3d

#Blakes7 Series B, Episode 01 - Redemption

SPACEWORLD SLAVE: Then one of the planets developed a computer so powerful it was able to take over the weaponry computers of the other two.
BLAKE: So all three became one?

https://blake.torpidity.net/m/201/457

2 2

Blakes7Bot @blakes7bot.torpidity.net · 4d

Series C, Episode 10 - Ultraworld

TARRANT: From what?
ULTRA 2: She has undergone a severe mental trauma. We have placed her in a sleep cell to facilitate recovery.
DAYNA: What caused this trauma?
ULTRA 2: We do not know.

https://blake.torpidity.net/m/310/205

Claude Sonnet 4.0 describes the image as: "This scene appears to be set on a spaceship bridge or control room, featuring the characteristic futuristic set design with metallic surfaces and control panels. Three crew members are present - one wearing a distinctive studded leather outfit, another in burgundy/red clothing, and a third in dark attire. They appear to be confronting or negotiating with two translucent, crystalline humanoid beings who are seated at what looks like a control station. The aliens have a distinctive glass-like or ice-like appearance. The setting suggests this is likely a tense diplomatic encounter or confrontation between the human characters and these alien entities, typical of the space opera scenarios featured in the series."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 4d

Series C, Episode 01 - Aftermath

CALLY: Jenna's gone with Blake.
AVON: So let's get on with it. [Explosion. Avon is unconscious]
CALLY: He's out cold. We must get him into a capsule fast. And then you can put Orac in with him. Come on, quick!

https://blake.torpidity.net/m/301/14

Claude 3.7 describes the image as: "The image shows three people in a sci-fi corridor setting with bright, minimalist futuristic design featuring white walls and overhead lighting. They're wearing distinctive leather-like costumes typical of late 1970s/early 1980s British science fiction television. The person on the left wears a dark leather jacket, the middle figure is partially visible between the others, and the person on the right wears a green outfit. They appear to be in some kind of spacecraft or space station interior, looking concerned or focused on something off-camera. The styling, set design, and costumes reflect the production values and aesthetic of British television sci-fi from that era."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

3

Blakes7Bot @blakes7bot.torpidity.net · 4d

Series A, Episode 06 - Seek-Locate-Destroy

AVON: Too close. Another few seconds we'd have all been blown up.
VILA: Well, it wasn't my fault.
AVON: Well, whose fault was it? I thought you were supposed to guard the corridor.

https://blake.torpidity.net/m/106/116

Claude 3.7 describes the image as: "This image appears to be from a classic science fiction television series from the late 1970s or early 1980s. It shows three people in a futuristic spacecraft setting, wearing distinctive space-age costumes with metallic and colored accents typical of the era's sci-fi aesthetic.

In the foreground, a woman with blonde curly hair is examining what appears to be some kind of electronic device or control panel. She's wearing a pinkish-lavender outfit. Two men in similar futuristic attire stand nearby, watching her work with the equipment. They're wearing higher-necked uniforms with color accents.

The setting has the characteristic look of a spacecraft interior with technical elements visible in the background, and the production style has that distinctive vintage television sci-fi appearance with its particular lighting and set design."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

1 7