David Colarusso
@davidcolarusso.com
2.6K followers 1.2K following 1.6K posts
Co-director @suffolkLITLab.org (Legal Innov. & Tech). Attorney & science educator by training & practice. Data scientist, craftsman, & writer by experience. No mannels. My bots: @icymilaw.org, @news.bot.suffolklitlab.org & @lolscotus.bsky.social
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davidcolarusso.com
One of my favorite things about working at Suffolk is how frequently I get to walk through the Boston Public Garden. Here’s a painting based on a picture I took before class this week.
A finished watercolor and ink illustration depicts a collection of the swan boats in front of a bridge at the Boston Public Garden. The boats are painted green and red, with swan figures at their backs and rows of empty brown seats in front of them. The bridge has stone towers topped with lamps and elegant railings, leading to a staircase on the right side. Behind the bridge, lush trees in shades of green, gold, and purple fill the background under a bright blue sky. The ink outlines add sharp definition to the architectural details, foliage, and reflections in the water. The date “9/5/25” is written in the lower left corner, and a hand holds the sketchbook open against a wooden surface. A photo of the iconic swan boats docked in the Boston Public Garden lagoon. The green boats, each with a large white swan figure at the back and rows of wooden passenger seats, are reflected in the calm water. Behind them stands the elegant pedestrian suspension bridge with stone towers, white railings, and globe-topped lampposts. Lush greenery fills the background, including a large weeping willow and other trees, all under a bright blue, cloudless sky. A watercolor painting in a sketchbook shows a scenic park scene with a set of swan boats in the water. The boats are painted red and white with swan-shaped figures. Behind it stands a bridge with stone towers on either side, surrounded by lush greenery. Trees in shades of green, gold, and purple rise in the background under a bright blue sky, their colors reflected in the rippling water below. The painting is surrounded by the artist’s tools: an open watercolor palette with pans of vibrant colors, a brush, and a mixing tray with green, yellow, and purple washes.
davidcolarusso.com
If you complete the maze without taking any shortcuts, they give you sticker. Apparently, it’s the largest hedge maze in North America. Who knew?
A hand holds a colorful sticker from the Big Green Monster Maze at Honey Pot Hill Orchards. The sticker shows a cartoon bear in a red shirt peeking out from between tall green hedges, accompanied by the punny caption: “I couldn’t BEAR it, so I got out.” The bottom text reads “Largest hedgemaze in North America – Honey Pot Hill Orchards.” The sticker’s design uses bold green and white lettering on a dark background, playfully celebrating the experience of navigating — and escaping — the giant hedge maze.
Reposted by David Colarusso
davidcolarusso.com
The kids are playing a game. One is saying that the other is under arrest, and the one in custody is saying, “I won’t talk without my attorney.” At this moment I’m a very proud parent/former public defender.
davidcolarusso.com
Look at that. The media team sent me this snazzy promo image and some links. Anywho, if you're looking for something to listen to on your commute home, or over the weekend while doing dishes, you could do worse:

Apple: podcasts.apple.com/us/podcast/n...
Spotify: open.spotify.com/show/3wgtF6v...
A promotional graphic for a podcast episode of ***Adventures in Legal Tech***. The title reads: *“Stay of Execution: AI May Not Kill Us All, But It Will Change Legal Practice & Legal Education Like Nothing Else Before It.”* Below the title is a circular photo of **David Colarusso**, the featured guest, wearing a multicolored scarf and smiling outdoors. The text beneath the photo reads *“With David Colarusso”* followed by *“New Episode”* in bold blue letters. At the bottom, icons for **Apple Podcasts** and **Spotify** indicate where listeners can tune in. The overall design uses a clean geometric white and blue background with the show’s microphone logo at the top.
davidcolarusso.com
Give "us A follow" darn you lack of Edit button. Darn you!
davidcolarusso.com
Look at that. @suffolklitlab.org just hit 900 followers! Go team! You really should give us follow if you don't already. ;)
A screenshot of the Suffolk LIT Lab’s social media profile page, highlighting that the account has reached 900 followers. The username “@suffolklitlab.org” appears below the lab’s name, with a red arrow and underline emphasizing the follower count. The profile description explains that the Legal Innovation & Technology Lab is part of the clinics at Suffolk University Law School, where the team builds tools to help people navigate and understand legal systems. The header image shows a close-up view of the intricate brass gears and numbered columns of a replica of Charles Babbage’s Difference Engine.
davidcolarusso.com
High marks for being the first time I saw someone make this observation.
davidcolarusso.com
A few post up the thread, "prat of my AI & the Law course." It was "part," "prat of my AI & the Law course." When will be get an edit button? When!?
a bald man is wearing a red sweater with a star trek logo on it
Alt: Captian Picard doing a facepalm
media.tenor.com
davidcolarusso.com
Also on the cutting room floor: a few of my observations about how wildly wrong LLMs can be, but I think all told it was a pretty good reflection of the conversation. If you want to know more about my work, see suffolklitlab.org If any of the above sounds interesting, give the pod a listen & share.
Suffolk Law School's Legal Information & Technology Lab (LIT Lab)
The LIT Lab at Suffolk University Law School is an experiential learning program where students participate in an R&D consultancy on legal tech and data science issues.
suffolklitlab.org
davidcolarusso.com
Some of the edits are a little rough (they had to trim off my endless rambling), for example it wasn't entirely clear that "this is coming from someone who no longer eats [mammals to cut down on my CO₂ footprint]." For more on that, you might want to check out this piece. Deeplink to CO₂ section.
Protective randomness: why we fear the AI unknown and what to do about it — Suffolk LIT Lab
Why people resist the change promised/threatened by AI and what one can do to prepare for the unknown.
suffolklitlab.org
davidcolarusso.com
Wait, did #StarTrek really deal with deepfakes 30 years ago? Yes. Yes they did. For your consideration:

Dr. Brahms standing next to a holographic copy of herself.

BRAHMS: How dare you use me like this? How far did it go anyway? Was it good for you?

LA FORGE: Nothing like that happened.
This image is from the Star Trek: The Next Generation episode “Galaxy’s Child.” It features a dramatic confrontation between the real Dr. Leah Brahms (in the foreground, wearing a purple uniform and visibly upset) and Geordi La Forge, who is seen from behind in his Starfleet uniform and VISOR. Standing off to the side is the computer-generated version of Dr. Brahms, dressed in green, arms crossed and expression neutral. The setting is a Starfleet engineering lab aboard the Enterprise, with LCARS computer interfaces in the background. The subtitle reads, “How dare you use me like this?”—a pivotal moment in the episode where the real Dr. Brahms discovers that Geordi previously interacted with a holographic version of her. This image is also from the Star Trek: The Next Generation episode “Galaxy’s Child.” It captures a tense moment in Engineering where the real Dr. Leah Brahms, dressed in a purple outfit, confronts Geordi La Forge after discovering he had previously interacted with a holodeck simulation of her. She stands with a pointed, incredulous expression, one hand gesturing outward, and the subtitle reads, “How far did it go anyway?”—highlighting her shock and hurt. Behind her stands the holographic version of herself, arms crossed, wearing a green uniform. This emotionally charged image is from the Star Trek: The Next Generation episode “Galaxy’s Child.” It captures a critical confrontation between the real Dr. Leah Brahms and Geordi La Forge in the Enterprise’s Engineering section. Dr. Brahms, dressed in a deep purple outfit, stands front and center, looking directly at Geordi with a mix of anger and disbelief. The subtitle reads, “Was it good for you?”—a scathing line delivered as she confronts Geordi about his previous interactions with a holodeck simulation of her, which stands behind her silently in a green outfit with arms crossed. Geordi, seen from behind in his Starfleet uniform and VISOR, listens silently. This image is from the Star Trek: The Next Generation episode “Galaxy’s Child.” It shows Geordi La Forge in a defensive posture, standing at the base of a ramp and addressing both the real Dr. Leah Brahms (in purple) and her holodeck counterpart (in green), who stand with their backs to the camera. The subtitle reads, “Nothing like that happened,” as Geordi attempts to explain or deny the implications of his previous interaction with the holographic version of Brahms.
davidcolarusso.com
This was a wild wide-ranging conversation. I mean it included talking about how #StarTrek #TNG beat #BlackMirror to deepfakes by decades. Remember this episode? TNG was talking about vibe coding, chat bot replicas, and even deepfakes back at the turn of the century.
This image is from the Star Trek: The Next Generation episode “Booby Trap.” It features Geordi La Forge in his gold Starfleet uniform and VISOR, standing in the Enterprise’s holodeck and speaking to a computer-generated simulation of Dr. Leah Brahms, a renowned Starfleet engineer. The two are engaged in a conversation near a futuristic control console, with a starfield visible in the background. The subtitle reads, “Computer, exit holodeck,” indicating that Geordi is preparing to leave the simulation. In this episode, Geordi collaborates with the holodeck version of Dr. Brahms to solve a deadly energy trap threatening the Enterprise.
davidcolarusso.com
Also it’s Ada Palmer. I’m blaming autocorrect
davidcolarusso.com
I could keep going but that defeats the purpose of helping narrow things down. So, I’ll stop for now. Also, I have to get the kids ready for school. You, however, have to share some of your favorite non-fiction books. I would have said Sagan’s A Demon Haunted World, but I think you’ve read that. ;)
davidcolarusso.com
The Weinersmith’s A City on Mars was a fun read.
davidcolarusso.com
Ad Palmer’s Inventing the Renaissance. I’m close to the end and don’t want it to stop.
davidcolarusso.com
Note to self: When you think someone’s doing a bad job, you and they probably have different ideas about what their job is.
Reposted by David Colarusso
davidcolarusso.com
DevOps & looking for a job? Come work with me @suffolklitlab.org. It's a great team and we do important work helping to address the access to justice crisis. See e.g., papers.ssrn.com/sol3/papers....
davidcolarusso.com
Generally speaking, I’m not a fan of earlier sunsets, but there’s something to be said for that brief window in the fall when they coincide with my commute.
A sunset view of the Boston skyline seen from Boston Common. The glassy John Hancock Tower reflects the warm orange and gold light of the setting sun, while the nearby Prudential Tower and other historic Back Bay buildings stand silhouetted against the glowing sky. The foreground is shaded by the dark outline of trees in the park, and a single lamppost glows softly as daylight fades. Overhead, scattered clouds catch the last vivid colors of dusk.