Kayleigh | Developmental Editor ✍🏻📚
@editsinthemargins.com
1.4K followers 1.9K following 4.4K posts
I help writers to shape their stories and hone their skills via developmental editing, coaching, beta reading, workshopping, and more. As a writer, I enjoy kid lit and exploring fantastical worlds. 🐉 https://editsinthemargins.com/social
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editsinthemargins.com
Now that I have a new service to offer, it’s time to update these slides.

Editing means something different to everyone, and each writer has a different journey from blank page to finished product. I started In the Margins to support fiction authors in their creative journey, and that means . . . ⬇️
Which of my services is best for your needs? The services I offer:
Developmental editing
Skilled beta reading
Coaching
1:1 workshopping

Which one is right for you? It depends on your needs & budget.

Let's break it down. Developmental Editing

Goal: Strengthening a completed manuscript

What I do: A manuscript deep dive. I provide detailed feedback and suggestions on big picture elements (i.e. timing, characters, plot lines).

What you get: Detailed marginal notes, light inline edits, and a 10- to 20-page feedback letter.

Time and cost: $$$$
Because it takes about one week per 20,000 words, developmental editing is the most expensive of my services. Skilled Beta Reading

Goal: Getting general feedback

What I do: A temperature check. I respond to your story as a (skilled) reader, providing my thoughts on strengths and weaknesses, and my overall questions and suggestions.

What you get: Occasional marginal notes and a 2-3 page feedback letter.

Time and cost: $$
Because it requires significantly less time and feedback, skilled beta reading costs far less than developmental editing.
editsinthemargins.com
Today is Let Freedom Read Day.

It closes out Banned Books Week and serves as a call to action: to defend books against censorship and to protect library staff (and teachers, writers, publishers, and booksellers) who bring us those books.

So many of us first found ourselves within books, and...⬇️
"Harvey harrumphs, pushes his gold wire-frame glasses up his nose. 'It’s a library, Daphne. If you can’t be human here, where can you?'"

—from FUNNY STORY by Emily Henry
editsinthemargins.com
We went from having a string of days in the 80s to a high of 57 yesterday. It was 32 when I woke up this morning. (And I stubbornly refuse to turn on the heat until November 1. 😂)
editsinthemargins.com
Sir, I had on a pair of thick socks, with a pair of fuzzy socks over them!
editsinthemargins.com
I think the second one is out next month! (Now I have to figure out if I pre-ordered it or not... 😆)
editsinthemargins.com
I do! I wonder if there's a similar process. If I see any weird posts about shoulder wounds, I'll send them your way. 😂
editsinthemargins.com
✨ Friday Tip ✨

Comp titles help agents and editors understand the key audience for your book/how it may sell, and they help self-publishing authors to identify their reader base and shape their marketing strategy.

But finding comps can feel daunting to any writer. So, where should you start? ⬇️
editsinthemargins.com
Oh gosh. 😂 In the middle sounds perfect to me.
editsinthemargins.com
Agreed! I can just keep piling layers onto myself in the cold. But I can't even breathe in the heat!
editsinthemargins.com
Oh, I get this! I definitely will find myself picking up on repetitive words or descriptive phrases. My clients are probably sick of me commenting that they need to trust their readers to clock details and remember them.
editsinthemargins.com
😂 A friend was visiting from the west coast a couple weeks ago to attend a work conference in Haverhill. When I picked her up she was like, "Someone told me at the end of the day that it's not pronounced Haver-hill?!?!"
editsinthemargins.com
It should! I was wearing two pairs of socks earlier—a regular pair and then fuzzy ones over that and I was still cold. 😂
editsinthemargins.com
This cliche seems like a right of passage, but once a line like that becomes poked at enough that jokes/memes are made of it (and they are), the reader is much more likely to pause on it. They become more aware of the writer. And that’s a risk to the experience and a risk to the story.
editsinthemargins.com
Today’s #EditorsTeaClubCommunity prompt: What's an editorial hill you'll die on?

I can name 7 breaths that characters didn’t know they were holding from manuscripts I’ve read just this year. I flagged every single one of them.

Why? ⬇️
editsinthemargins.com
I know this is so low on the list of world problems, but I'm a baby and I'm cold.