Shelly Kraicer
@shellyk.bsky.social
3K followers 810 following 1.2K posts
Cinema / film art in China, Hong Kong, & Taiwan especially independent films & films from within the Chinese borderlands (Tibet, Xinjiang, Inner Mongolia, Hong Kong…). And I create English subtitles for Chinese-language films.
Posts Media Videos Starter Packs
shellyk.bsky.social
At the Leeum Museum of Art, Seoul. Lost in Lee Bul.
shellyk.bsky.social
One advantage of jet lag that somehow lasts a week (!) is being able to enjoy the sunrise over the lake
shellyk.bsky.social
Looking forward to learning how Palmer illuminate and complicates what I imagine I already know. 4/4
shellyk.bsky.social
Also shunted off to the side: New Rome (the “Byzantine empire”), where Greek and Latin learning were preserved continuously since ancient times. The “Renaissance” as conventionally taught organizes our knowledge to make some things clear even as it hides other things. 3/
shellyk.bsky.social
Things that had to be awkwardly marginalized: the “Dark Ages”, the Middle Ages as something clearly distinct from the Renaissance (where do you put Sienese trecento art? What about Giotto, who’s way “too early”). 2/
shellyk.bsky.social
Reading Ada Palmer’s @adapalmer.bsky.social stunning INVENTING THE RENAISSANCE. Whose thesis may be super roughly described as: what we think we know as “the Renaissance” didn’t exist: it was a way later historians organized certain facts (& excluded others) to serve & justify ideologies of power 1/
Reposted by Shelly Kraicer
lrb.co.uk
‘The theme of exile guides the utilitarian design of the new show. Around a hundred archaeological finds from Gaza are laid out in a ground-floor bunker space, complete with strip lights, cold grey-blue walls and chilly steel benches.’

@josephinequinn.bsky.social: www.lrb.co.uk/the-paper/v4...
Josephine Quinn · At the Institut du monde arabe: ‘Trésors sauvés de Gaza’
This show has excited controversy: should we even be talking about damage to antiquities in the context of so much...
www.lrb.co.uk
Reposted by Shelly Kraicer
Reposted by Shelly Kraicer
tabathasouthey.bsky.social
You don’t need Doug Ford qualifiers in this headline. The Hospital for Sick Children’s study showing “automated speed cameras reduce aggressive driving and speeding by almost half” didn’t make the cut.
Just call them speed cameras.
Reposted by Shelly Kraicer
shellyk.bsky.social
Roger Cohen has a long, long article in the NYT today that examines, with a performatively thoughtful, “taking into account the sufferings of all peoples” tone, to ultimately conclude that committing acts of genocide against Gazans has been a terrible, painful experience for *Israelis*…. 1/
shellyk.bsky.social
4/ Having been victims of genocide imposes higher ethical requirements on Jews; it doesn’t release us from basic standards of humane behaviour in the interests of perpetuating survival.
shellyk.bsky.social
3/ The article is high point in the Jews as eternal victims narrative, an ideology, integral to Zionism, under whose soothing moral comfort I grew up in and had to slowly, with difficulty, reject as ideologically based.
shellyk.bsky.social
2/ A perfectly symptomatic example of who — in the eyes of increasingly marginalized U.S. conservative voices — are considered humans worthy of compassion, & who are marginalized victims condemned to passive-voice-inflicted suffering. Cohen seems oblivious to the moral pit he’s buried himself into.
shellyk.bsky.social
Roger Cohen has a long, long article in the NYT today that examines, with a performatively thoughtful, “taking into account the sufferings of all peoples” tone, to ultimately conclude that committing acts of genocide against Gazans has been a terrible, painful experience for *Israelis*…. 1/
shellyk.bsky.social
I’m not sure if Lou Ye was searching for a form that could monumentalize trauma and loss, but I fear his up-to-the-minute festival-ready hybrid of fictionalized documentary, or “documentalized” fiction, isn’t adequate to the task. 5/5
shellyk.bsky.social
Wang Bing’s THE DITCH 夹边沟 (2010) struggles to commemorate, through fiction, the 1960 anti-rightist repression, labour camps, and famine. But it’s hard to mobilize fictional narrative to do this, especially for a famous documentarian like Wang. 4/
shellyk.bsky.social
Films certainly can be monuments: Xu Xin’s KARAMAY 克拉玛依 (2009) is the missing monument to the 796 victims of the 1994 Karamay theatre fire (“Let the officials exit first”). Xu accomplishes this with a meticulously structured 356 minute documentary of searing power. 3/
shellyk.bsky.social
As if the film is a necessary monument to their experience, or as you say, one part of their experience, that they can’t find adequately articulated elsewhere yet in Chinese contemporary culture. 2/
shellyk.bsky.social
When I talk about AN UNFINISHED FILM with my Chinese friends who have seen it, either in Taiwan or overseas, they with few exceptions report being emotionally overwhelmed by their viewing experience. 1/
shellyk.bsky.social
I wish I had written this sentence: “The most important question, then, is not whether An Unfinished Film is a masterpiece — it is not — but why so many people demand it to be.” That’s absolutely the crux of this film’s reception and significance. Great piece by Yangyang Cheng.
yangyangcheng.bsky.social
For @npr.org, I review Lou Ye's acclaimed Covid movie "An Unfinished Film," its courage in venturing into the forbidden, and limitations in what it seems unable or unwilling to confront. The Chinese people deserve better, more honest stories. The work remains unfinished.
www.npr.org/2025/10/04/g...
Reposted by Shelly Kraicer
patrickiber.bsky.social
It was a true honor to talk to legendary political scientist Adam Przeworski about how he understands the present crisis, what he learned from Chile and Poland, and how to move forward from here www.dissentmagazine.org/article/how-...
How Democracies Fall Apart - Dissent Magazine
An interview with Adam Przeworski.
www.dissentmagazine.org
shellyk.bsky.social
*Written yesterday when I was in China; posted today from South Korea, where every website (except Apple Maps & Google Maps) virtually leaps into my iPad — much faster than my home Canadian web (4/4)
shellyk.bsky.social
Very much into pork! (I’ll look them up, though my retention of Korean vocabulary seems to be dismal-to-zero).
shellyk.bsky.social
I wonder if web censorship has effectively flipped here in China, so that (almost) all websites not from China are routinely blocked unless the relevant authorities decide to make them available? Has China switched the default setting from permitted to blocked? 3/3