Transnational Spaces in Contemporary Cinema
@spacescinema.bsky.social
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Official account of the research project 'From Social Space to Cinematic Space: Mise-en-Scènes of the Transnational in Contemporary Cinema' at the University of Zaragoza https://transnationalspacesinthecinema.wordpress.com/ https://shorturl.at/Wart8
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spacescinema.bsky.social
We've set up our official Google Scholar profile! 🎓
You can now follow us to stay up-to-date with our research and publications, from our earliest to our newest releases📝
Check it out here 👇
scholar.google.com/citations?hl...
spacescinema.bsky.social
We've set up our official Google Scholar profile! 🎓
You can now follow us to stay up-to-date with our research and publications, from our earliest to our newest releases📝
Check it out here 👇
scholar.google.com/citations?hl...
Reposted by Transnational Spaces in Contemporary Cinema
pablogomezm.bsky.social
Today I will be presenting a paper on Villeneuve's Dune adaptations at the SERCIA conference in Cluj-Napoca (panel B2) @sercia.bsky.social @spacescinema.bsky.social @iedis.bsky.social
spacescinema.bsky.social
Happy Before Sunrise Day! 🌅
30 years ago, Jesse and Céline met on a train and decided to get off in Vienna
“If there’s any kind of magic in this world, it must be in the attempt of understanding someone sharing something.”
theconversation.com/parece-que-f...
Parece que fue ayer: 30 años de ‘Antes del amanecer’
En 1995, el encuentro entre dos jóvenes en un tren marcó a una generación e inició una trilogía icónica en la historia del cine.
theconversation.com
spacescinema.bsky.social
We're glad to hear that! Thank you for coming!☺️
spacescinema.bsky.social
¡Gracias a ti, Jordi! Nos ha encantado contar con tu presencia en el congreso y nos alegramos mucho de que hayas disfrutado de estos días en Zaragoza ☺️ ¡Hasta la próxima!🎬
jordisancheznav.bsky.social
Pocos congresos "pequeños"* tan grandes, productivos y amables como #RealandImaginedSpacesinFilm. Qué gran equipo es @spacescinema.bsky.social Gracias y felicidades a Marimar Azcona, @pablogomezm.bsky.social @abuesa.bsky.social y resto del grupo.
Cartel del congreso
Reposted by Transnational Spaces in Contemporary Cinema
jemsaunders1.bsky.social
This was fun! Cliff Richard, Birmingham, and desktop documentary. Thanks Zaragoza! #realandimaginedspacesinfilm
spacescinema.bsky.social
2. Jemma Saunders' "‘Silly Geography’ and the Musical Sequence: Remapping the Birmingham of Take Me High"

3. Zipai Yang's "Emotional Interplay in Eating Spaces: The Relationship between Space, Emotion, and Food in Wong Kar-wai’s In the Mood for Love and Chungking Express"
Reposted by Transnational Spaces in Contemporary Cinema
fersanchezlop.bsky.social
And it's a wrap! Had a wonderful experience at the #RealAndImaginedSpacesInFilm conference organized by @spacescinema.bsky.social. Two intense days of great talks and an amazing venue for the exchange of ideas.

Next stop: Dissertation defense!
spacescinema.bsky.social
Áine O’Healy's plenary session: Reimagining Italy: Borderscapes and Urban Peripheries on Contemporary Screens🎦
spacescinema.bsky.social
6B. Space and the nation:

1. Michael Brodski's "The Concept of Smooth Space in the Soviet Cinema of the Thaw"

2. Christopher Brown's "Island Imagined: cartographyand space in 21st century Taiwanese cinema"

3. Shekhar Deshpande's "Lived Heterotopias of “the Zones” in Recent Russian Films"
spacescinema.bsky.social
3. Nicolas Pillai's "Building Baker Street: setting and space in The Private Life of Sherlock Holmes"
spacescinema.bsky.social
Panel 6A. Constructing imaginary spaces, featuring:

1. @claudiaguas.bsky.social's "Between Dream and Reality: The Transformation of New York City in Vanilla Sky"

2. Raúl García Egüés' "The filmic landscape in the rear projections of Hitchcock and De Palma"
spacescinema.bsky.social
3. Alexandra Semenova's "The Logic of Disorientation: Real, Imagined, and Pictorial Space in Albert Serra´s Afternoons of Solitude"
spacescinema.bsky.social
and Panel 5B: Theorizing space and place, featuring:

1. Fady Atallah's “Unreal” Spaces as Meaning Bearers: Anti-Realist Cinema Through a Philosophical Lens"

2. Aleksi Rennes' "Pure Mathematics and Armed Struggle: Practices of Cinematic Placemaking in Ici et ailleurs (1976) and Incendies (2010)"
spacescinema.bsky.social
2. Jemma Saunders' "‘Silly Geography’ and the Musical Sequence: Remapping the Birmingham of Take Me High"

3. Zipai Yang's "Emotional Interplay in Eating Spaces: The Relationship between Space, Emotion, and Food in Wong Kar-wai’s In the Mood for Love and Chungking Express"
spacescinema.bsky.social
Day 2 of the #RealandImaginedSpacesinFilm Conference has arrived!☀️😄
It has started with two simultaneous panels, 5A: Cinematic cities (II), featuring:

1. Vicente Rodriguez Ortega's "Ephemeral Reciprocity in Wong Kar Wai’s Urban Films"
Reposted by Transnational Spaces in Contemporary Cinema
spacescinema.bsky.social
3. Ifigenia Dimitriou's "Reconstructing Urban Narratives: Jim Jarmusch's Permanent Vacation as a Cinematic-Spatial Representation of 1980s New York City"

4. Flavia Garrigós Cabañero's "Afropessimist Cities in Western Cinema: Bird's-Eye View of African Spaces"
spacescinema.bsky.social
and, lastly, panel 4B, on Cinematic cities (I), featuring:

1. Vincenzo Bavaro's "Cinematic Representation of the Los Angeles Freeways: Mobility, Isolation, and Urban Identity"

2. @abuesa.bsky.social's "Grounded Mobilities and the Street-Child Film"
spacescinema.bsky.social
2. Wing-Fai Leung's "Traversing Imagined Homes: Riceboy Sleeps and Return to Seoul"

3. Anissa Medjebeur's "A Virtual Travel Experience in a Chinese Ghost Town: Shadow Days"

4. @isabeltrevi.bsky.social's "North, South, Anywhere: Spaces of a Mobile Life in Zero Fucks Given"
spacescinema.bsky.social
That's a wrap!🎬
We closed up the first day of the conference with two wonderful simultaneous panels, 4A: Cinematic journeys, featuring:

1. Karolina Ginalska's "Non-liminal space in representation of indigenous peoples in Ciro Guerra’s The Wind Journeys (2009)"
spacescinema.bsky.social
3. Fabio Pezzetti Tonion's "Beyond the narrative, towards the mental landscape. Forms of landscape and space in the cinema of Ingmar Bergman"

4. Louise Radinger Field's "Dreaming Houses and Housing Dreams: Cinema, Architecture & Psyche"
spacescinema.bsky.social
3C: Actors/characters in space:

1. Emma Bauer's "The “Real” versus “Imagined” Southern Space(s) in American Culture: The Example of Ray McKinnon’s Rectify"

2. Sara Pesce's "Space, mise en scène and performance. A perspective on the actor’ work in the Stanislavski legacy"
spacescinema.bsky.social
3. Sanja Garic-Komnenic's "Remembering Sarajevo"

4. Rob Stone's "One’s Place in the World: Dead Man, First Cow, Meek’s Crossing and The Sisters Brothers"
spacescinema.bsky.social
Panel 3B: Lost, erased, and missing spaces:

1. Moha Boutahir's "Reconstructing Space, Borders and Erased Narratives in Narjiss Nejjar’s Apatride (2018)"

2. Jill Daniels' "Place, Temporality and the Imagined Witness"