Quinn Bilodeau 🏳️⚧️🦇
@horrorbiwriter.bsky.social
Bylines - SlashFilm / Bloody Disgusting / Dread Central / ELF Magazine / Shuffle Online / Horror Slut - (she/they) 💙💖💜
THE FUGITIVE (35MM) - Its no wonder this became a cable mainstay. The kind of insanely well-directed thriller where a phone call or database search is as exciting, if not more so, than something like the waterfall confrontation. Ford latches onto every moment of air and so do we.
December 1, 2025 at 12:47 AM
THE FUGITIVE (35MM) - Its no wonder this became a cable mainstay. The kind of insanely well-directed thriller where a phone call or database search is as exciting, if not more so, than something like the waterfall confrontation. Ford latches onto every moment of air and so do we.
THE UNTOUCHABLES (35MM) - First time! DePalma and Mamet channeling their bloodlust in ways that complement the other (external pulp vs. internal power fantasy). The result is a helluva fun piece of violent blockbuster fluff set to the legendary Ennio Morricone.
December 1, 2025 at 12:31 AM
THE UNTOUCHABLES (35MM) - First time! DePalma and Mamet channeling their bloodlust in ways that complement the other (external pulp vs. internal power fantasy). The result is a helluva fun piece of violent blockbuster fluff set to the legendary Ennio Morricone.
Caught up with Danishka Esterhazy’s MATCH, a fun and disgusting little exploitation horror movie about the dangers of fulfilling the social contract when things seem weird. Now streaming on Tubi!
www.slashfilm.com/2038473/matc...
www.slashfilm.com/2038473/matc...
One Of 2025's Most Bonkers Horror Movies Is Streaming For Free - SlashFilm
If you're looking for a wild ride into one of the most bonkers horror movies of the year, it's currently streaming for free.
www.slashfilm.com
November 30, 2025 at 5:11 AM
Caught up with Danishka Esterhazy’s MATCH, a fun and disgusting little exploitation horror movie about the dangers of fulfilling the social contract when things seem weird. Now streaming on Tubi!
www.slashfilm.com/2038473/matc...
www.slashfilm.com/2038473/matc...
It all comes back around.
November 29, 2025 at 5:10 PM
It all comes back around.
HEARTBREAK RIDGE - I thought I would come around this time, but sadly this kind of military machismo still just doesn’t work for me. Eastwood’s colorful insult grab bag only does so much to elevate a movie that I think feels sluggish and slight on account of the Malpaso style.
November 29, 2025 at 4:26 PM
HEARTBREAK RIDGE - I thought I would come around this time, but sadly this kind of military machismo still just doesn’t work for me. Eastwood’s colorful insult grab bag only does so much to elevate a movie that I think feels sluggish and slight on account of the Malpaso style.
Reposted by Quinn Bilodeau 🏳️⚧️🦇
KING OF THE MONSTERS - The kind of appalling bastardization of a genre titan that amounts to little more than underwritten fan fiction. The nerve to mostly omit America’s complicity in Godzilla’s creation to give grace to Raymond Burr would be laughable if it weren’t so tedious.
November 23, 2025 at 11:44 PM
KING OF THE MONSTERS - The kind of appalling bastardization of a genre titan that amounts to little more than underwritten fan fiction. The nerve to mostly omit America’s complicity in Godzilla’s creation to give grace to Raymond Burr would be laughable if it weren’t so tedious.
NOBODY’S FOOL (35MM) - There’s a really touching thread about the effects of generational trauma and how it’s not too late to course correct. At its heart though, this is a such a cozy little movie with Paul Newman exuding laughs, tenderness and the right amount of melancholy.
November 21, 2025 at 8:43 PM
NOBODY’S FOOL (35MM) - There’s a really touching thread about the effects of generational trauma and how it’s not too late to course correct. At its heart though, this is a such a cozy little movie with Paul Newman exuding laughs, tenderness and the right amount of melancholy.
SISU - Is it not enough to revel in Jorma Tommila turning a bunch of nazis into mulch? The seemingly impenetrable pissed-off old man revenge spree boiled down to its bare essentials. It’s like a storybook legend but with more mine explosions and head shots.
November 20, 2025 at 11:56 PM
SISU - Is it not enough to revel in Jorma Tommila turning a bunch of nazis into mulch? The seemingly impenetrable pissed-off old man revenge spree boiled down to its bare essentials. It’s like a storybook legend but with more mine explosions and head shots.
It’s always too good to be true
November 19, 2025 at 7:42 PM
It’s always too good to be true
I did not care for THE RUNNING MAN, which already feels so late to the television dystopia party.
www.slashfilm.com/2025091/edga...
www.slashfilm.com/2025091/edga...
Edgar Wright's The Running Man Remake Botches Its Own Message - SlashFilm
Edgar Wright's The Running Man is meant to satirize the violence of dystopian entertainment, but it has a hard time sticking the landing due to one big problem.
www.slashfilm.com
November 16, 2025 at 11:54 PM
I did not care for THE RUNNING MAN, which already feels so late to the television dystopia party.
www.slashfilm.com/2025091/edga...
www.slashfilm.com/2025091/edga...
HAMNET - Wasn’t taken at all by Chloé Zhao’s latest, a nuclear grade weepie in which its thinly-written characters are solely defined by their tragedy. A often distant camera discovers intimacy at the first sight of tears, and it gets so exhausting.
November 14, 2025 at 10:21 PM
HAMNET - Wasn’t taken at all by Chloé Zhao’s latest, a nuclear grade weepie in which its thinly-written characters are solely defined by their tragedy. A often distant camera discovers intimacy at the first sight of tears, and it gets so exhausting.
DIE MY LOVE - Gripped by Lynne Ramsay’s darkly funny and often startling psychodrama about the intensity of feeling stuck. Actualizes those intrusive thoughts we store away. Jennifer Lawrence’s physical performance here is riveting, as is Robert Pattinson’s mess of a husband.
November 14, 2025 at 7:46 PM
DIE MY LOVE - Gripped by Lynne Ramsay’s darkly funny and often startling psychodrama about the intensity of feeling stuck. Actualizes those intrusive thoughts we store away. Jennifer Lawrence’s physical performance here is riveting, as is Robert Pattinson’s mess of a husband.
I feel that NIGHT MOVES gets lost in the shuffle of Kelly Reichardt’s best films and you should definitely check it out!
www.slashfilm.com/2024487/nigh...
www.slashfilm.com/2024487/nigh...
This Underseen 2010s Crime Thriller Streaming On Prime Video Deserves Your Attention - SlashFilm
Kelly Reichardt is one of our great modern directors, and this crime thriller on Prime Video is a terrific example of her signature minimalist filmmaking.
www.slashfilm.com
November 14, 2025 at 1:51 AM
I feel that NIGHT MOVES gets lost in the shuffle of Kelly Reichardt’s best films and you should definitely check it out!
www.slashfilm.com/2024487/nigh...
www.slashfilm.com/2024487/nigh...
Less than 12 hours after last night's episode of SOUTH PARK aired, Iger announced that Disney+ users will soon be able to make their own short form AI-generated content. We live in hell.
www.slashfilm.com/2025937/sout...
www.slashfilm.com/2025937/sout...
South Park Season 28 Has Declared War On AI Deepfakes (And The Results Are Shocking) - SlashFilm
In season 28 of South Park, an artificial intelligence war goes too far as the show tackles deepfakes in a way that only South Park can.
www.slashfilm.com
November 13, 2025 at 10:29 PM
Less than 12 hours after last night's episode of SOUTH PARK aired, Iger announced that Disney+ users will soon be able to make their own short form AI-generated content. We live in hell.
www.slashfilm.com/2025937/sout...
www.slashfilm.com/2025937/sout...
GODZILLATHON 2025 - Nothing like spending your entire Saturday with over 13 hours of Shōwa Era gems, followed by MINUS ONE at 1am in one of Boston’s greatest movie houses. It’s definitely incentivized me to fill in the rest of my GODZILLA gaps.
November 9, 2025 at 10:43 PM
GODZILLATHON 2025 - Nothing like spending your entire Saturday with over 13 hours of Shōwa Era gems, followed by MINUS ONE at 1am in one of Boston’s greatest movie houses. It’s definitely incentivized me to fill in the rest of my GODZILLA gaps.
Spending the next 12 hours with the King of the Monsters 💨🌆💥
November 8, 2025 at 6:45 PM
Spending the next 12 hours with the King of the Monsters 💨🌆💥
It’s time @warnerbrospictures.bsky.social stop playing games with THE DEVILS and give Ken Russell’s undisputed horror masterpiece over to the @criterion.bsky.social folks for the restoration/physical media release it’s been LONG overdue for 🦴
www.slashfilm.com/2018354/the-...
www.slashfilm.com/2018354/the-...
This Controversial '70s Horror Movie Is One Of The Most Provocative Films Ever Made - SlashFilm
This provocative '70s horror movie still feels dangerous to this day, and it's long overdue for a restoration and physical media release.
www.slashfilm.com
November 7, 2025 at 2:52 AM
It’s time @warnerbrospictures.bsky.social stop playing games with THE DEVILS and give Ken Russell’s undisputed horror masterpiece over to the @criterion.bsky.social folks for the restoration/physical media release it’s been LONG overdue for 🦴
www.slashfilm.com/2018354/the-...
www.slashfilm.com/2018354/the-...
THE TESTAMENT OF ANN LEE (35MM) - For all of its structural conventions, Mona Fastvold’s 18th century folk musical is a gorgeously surreal religious fable. Song and dance as euphoric (and often rapturous) autonomy to cope with a broken world. Amanda Seyfried is phenomenal.
November 6, 2025 at 7:03 PM
THE TESTAMENT OF ANN LEE (35MM) - For all of its structural conventions, Mona Fastvold’s 18th century folk musical is a gorgeously surreal religious fable. Song and dance as euphoric (and often rapturous) autonomy to cope with a broken world. Amanda Seyfried is phenomenal.
FRANKENSTEIN (35MM) - Jacob Elordi gives such a soulful performance, which sadly exacerbates the lack of thematic nuance. I love Del Toro’s work, but here he draws such an easily defined line between man and monster that there’s little room for one to challenge the other.
November 5, 2025 at 7:01 PM
FRANKENSTEIN (35MM) - Jacob Elordi gives such a soulful performance, which sadly exacerbates the lack of thematic nuance. I love Del Toro’s work, but here he draws such an easily defined line between man and monster that there’s little room for one to challenge the other.
HIGHEST 2 LOWEST - Spike Lee transformed Kurosawa’s classic crime drama into a satirical odyssey where the beauty of New York reminds an ivory tower artist why he fell in love with the music. Don’t really understand the ambivalence. I thought this was a damn good time.
November 4, 2025 at 11:49 PM
HIGHEST 2 LOWEST - Spike Lee transformed Kurosawa’s classic crime drama into a satirical odyssey where the beauty of New York reminds an ivory tower artist why he fell in love with the music. Don’t really understand the ambivalence. I thought this was a damn good time.