I recently watched a few excellent talks by Patric Heart about procedural music and I've been trying to recreate some of it.

I've enjoyed generating some mosaic-like patterns with this one and I highly recommend the procedural music talks over at the Unreal Engine channel on YouTube.

A simple Doppler effect. Though rudimentary, this is perfect for those new to Snap Heap. The approach uses a frequency shifter—while not the most sophisticated method, it's straightforward. I may explore more advanced techniques in the future.

I've broken down the steps here. buff.ly/yUoKsDt

I've decided to start sharing my game audio breakdowns. I'm taking a sound from a game, dissecting it, and putting it back together. The goal is to train my ears and get a sense of what other designers are thinking.

Here's the final redesign. Check out the full breakdown here youtu.be/flmInfrTC4U

TIL this jellyfish has built in version control. en.wikipedia.org/wiki/Turrito... if it’s injured, sick or old it literally resets its life cycle and starts over.

This is me every time I try to make anything remotely musical.

If I knew IGN was going to feature my game as a standalone video I might have reconsidered doing the VO myself 😅 www.youtube.com/watch?v=F48e...

I recently shared a redesigned dinosaur vocal. Here's the dive into the full design process! 👇 🦖

youtu.be/8EIwH-dENR8

Diving into the realm of magic sound design🌊
Every source is recorded using a Diety S-Mic 2. Or synthesized in Phase Plant
#sounddesign #gameaudio

www.youtube.com/watch?v=3-ny...

Titanfall 2’s campaign is a masterpiece of FPS storytelling! 🎮

The sound design is incredible, so I couldn’t resist giving the cinematic a fresh take. #gameaudio #sounddesign

youtu.be/NVXbRWGV7S0?...

www.youtube.com/watch?v=4Jy3...

I've always admired the work the audio team does over at Frontier Developments. Their sound design is top-notch, and I was inspired to try my hand at creating something similar.
Here's a creature sound redesign from Jurassic World Evolution II