The Cincinnati Review
@cincinnatireview.bsky.social
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Publishing great literature and art since 2003. Submissions are CLOSED.
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"I won't call it a detonator. But after pressing the button, I scamper around the refrigerator, taking cover behind layers of sheet metal and white plastic finish from the machine's invisible munitions."

In a miCRo essay, @ellenkfee.bsky.social takes us on a tour of the microwave's origin.
Caption: "I won't call it a detonator. But after pressing the button, I scamper around the refrigerator, taking cover behind layers of sheet metal and white plastic finish from the machine's invisible munitions." Ellen K. Fee stands smiling in front of a window. She has long brown hair and is wearing earrings, a button-down polo style shirt.
cincinnatireview.bsky.social
The 2025 winners of the Robert and Adele Schiff Awards are:

Robert Sorrell Bynum (fiction) for "Like a Star"
@jessicacuello.bsky.social (literary nonfiction) for "Your Life for Another"
A. D. Lauren-Abunassar (poetry) for "Three Bombardments"

See our site for more! Link in first comment.
Photos of the winners of the Schiff Awards under the heading "2025 Robert and Adele Schiff Award Winners." Each photo gets its own post page, to follow. White text on a brick-red background: "Robert Sorrell Bynum, fiction, Robert and Adele Schiff Award winner." Photo is A white man with brown hair to his shoulders and tortoiseshell-frame glasses. He's wearing a black jean jacket over a puffer jacket and shirt, and he's standing on a beach in front of a body of water. White text on a brick-red blackground: "Jessica Cuello, nonfiction, Robert and Adele Schiff Award winner." Photo is a black-and-white photo of a white woman with curly hair. she is wearing a dark sweater and light-colored shirt and sitting oustide. White text on a black background: "A.D. Lauren-Abunassar, poetry, Robert and Adele Schiff Award winner." Photo is A Palestinian American woman with brown hair and hazel eyes. She's wearing a dark shirt, dangling earrings, and a necklace chain, and standing in front of a white window shade.
cincinnatireview.bsky.social
As September draws to a close, we celebrate the inclusion of CR contributors (and a former editor!) in lists from @clmporg.bsky.social. Check out work by @cdonosowriter.bsky.social , @memi-writes.bsky.social , Inger Christensen, and José Angel Araguz!
cincinnatireview.bsky.social
Now on our site, three writers from Nigeria share their experiences of the literary culture there and in the US. Thanks to Frances Ogamba, Hussain Ahmed, and KÁNYIN Olorunnisola! Link in thread.
In three columns, pictures (from left to right) of Hussain Ahmed, Frances Ogamba, and Kanyin Olorunnisola, three Nigerian writers. The CR logo in red is on the bottom right.
cincinnatireview.bsky.social
"...even if the task is to leap across the aporia or the big vacuous gap, if that is the task that sits before you, then that is your task."

Today on the site, Edgar Garcia discusses research, collaborative listening, and dreams.

Link in thread.
cincinnatireview.bsky.social
"...sometimes I dream about her thigh tattoo: 'Call your mother,' inked in curling script above a dolphin with an M16 clutched in its tiny, perfect flippers."

This week's miCRo by Sarah Chin navigates the sticky terrain of grief.

Link in thread.
White text on a black background, which is the quote that starts the text of the post. Sarah Chin, pictured in front of a flight of a stairs. Chin is wearing gold hoop earrings and a black and white graphic dress.
cincinnatireview.bsky.social
This evening at 5:30 pm in the Elliston Room we have the privilege of hosting three very successful UC creative writing alumni: @mariannelchan.bsky.social , @litmagreject.bsky.social , and Emma Hudelson. Assistant Editor Blessing Christopher asked each of them about legacy.
Marianne Chan, an Asian-American woman, stands in front of a white background. She has long dark hair draped over her left shoulder and wears dangly earrings and a black secretary blouse with large pink flowers on it. She glances away from the viewer. Quote from Chan: "This is what I hope for--that when I look back at the work at the end of my life, I will find a speaker--a writer--striving, humbly, to understand this great mystery of what it means to be human on Earth." Maggie Su, an Asian-American woman, smiles up at the camera. Her long, dark hair has streaks of green and she wears a black blouse. She stands next to a tree in a wooded setting. Quote from Su: "I do hope that perhaps my novel can spark a feeling of recognition in a reader or, maybe, make them feel less alone." Emma Hudelson, a white woman with shoulder-length brown hair with bangs, stands in front of a black background holding the reins of a black horse with a white star on its nose. It peers over her shoulder right at us. Hudelson wears a denim jacket. She smiles at us. Quote from Hudelson: "Every horse girl knows that horses need to be turned loose sometimes, and I guess I try to apply that principle to my writing, too."
cincinnatireview.bsky.social
"Clear. Nuclear. Like the Visible Woman in her plexiglass-clear skin once lied to me I wouldn’t grow to be. One button for her heart to light up red. One for the nervy, branching rivers in her head."

Alexandra Teague floods nervy, hot branches of language in this week's miCRo.
Excerpt: Clear. Nuclear. Like the Visible Woman in her plexiglass-clear skin once lied to me I wouldn’t grow to be. One button for her heart to light up red. One for the nervy, branching rivers in her head. Alexandra Teague smiles while sitting on yellow furniture in front of a sage colored wall. She wears red lipstick, eyeliner, and has a stud nose piercing.
cincinnatireview.bsky.social
A very special congratulations today to two friends of the magazine: former Assistant Editor @hollicarrell.bsky.social 's debut, APOSTASIES, releases today from @perugiapress.bsky.social , alongside contributor (& former UC faculty member) Brock Clarke's SPECIAL ELECTION from @acrebooks.bsky.social
CR book release graphic featuring cover of APOSTASIES: a sepia photo of a child's hands folded on her knees. She wears a white smock. CR book release graphic featuring the cover of Brock Clarke's SPECIAL ELECTION: a black-and-white photo of an accordion player framed in a white circle sits atop two thick stripes of color--red on top and blue on the bottom.
cincinnatireview.bsky.social
"We know that literary journals often come from a deep place of admiration and love, and to see this piece of literary past is akin to napping under a handmade quilt, hearing an old 45 as it spins, taking a sip of localized, antiquated soda."
An image of a hand wearing a watch, reaching toward potted meat, released from its can, sitting atop a folded paper on what appears to be a truck dashboard. There is a soft rain evident upon the windshield. The Kitty Snacks logo is transposed atop the image.