That final Jupiter hit -- it'd also be a Jupiter Return tied to the 25A chart -- on 47's natal vulnerability is next May and June so I wonder what other stuff and/or people w/further synastry tie-ins might be in play.

Very rarely do I see laypeople-posts that refer to astrology except to disparage it. I hope the weather cooperates for you!

Genuinely worth catching "Pride." A more current film with an extraordinary long dance-centerpiece scene is "Sinners" which I'm sure you know about! Bests from NYC.

Have you seen the movie "Pride"? At the end, a guy from this Welsh town who can't dance asks Jonathan (Dominic West) to teach him! Great cast.Yes, that's Jessica Gunning! One of my fave films.
www.youtube.com/watch?v=pBn3...

Any Theodorakis concert I've ever been to - even on various live recordings -- the BIG finish is "Zorba" which by its end is on steroids. (John Lennon: "I've got blisters on my fingers.") This clip uses the lyra not bouzouki, accelerates at the 3:12 mark. www.youtube.com/watch?v=PW_w...

You need to hear speeded-up solo Zorba bouzouki. (The movie keeps the tempo languid.)
www.youtube.com/watch?v=G7VK...

Also worried about all that mid-Gem + mid-Sag on our Sibly! And Jup murmuring to 47: "I'm gonna puff up your total sense of worthlessness." And the Pope saying, "Hey, I'm religiously up for that task." The only word I can think of this minute is "swarming." LIke bees prepared to dive in w/stingers.

Dustin Hoffman: You get "All the Presidents Men," "Tootsie," "Kramer vs Kramer"...

Agreed. Thought the scene where Hart castigates Rodgers for his terrible unreliable work ethic and the ordeal on everyone to try to find Hart at all was stunning.

And the staffers who investigated plagiarism in "Shattered Glass," a film too under the radar.

Typically one associates non-profits with the goal to help "victims." But the reversal is for some of these non-profit entities, in turn, to "victimize," create chaos and lie. Two sides of the same archetype.

The movie "The English Patient" comes to mind: many critics have commented that the novel (Michael Ondaatje) was incomprehensible and the film provided a satisfying narrative (Anthony Minghella directed and wrote the screenplay).