Dysart opens this acclaimed war comic of the immediate Post-9/11 era criticizing a white celebrity
framing the Ugandan people as victims above any level of personal identity. It feels like an apology upfront for the shortcomings of what we’re about to read.
Dysart opens this acclaimed war comic of the immediate Post-9/11 era criticizing a white celebrity
framing the Ugandan people as victims above any level of personal identity. It feels like an apology upfront for the shortcomings of what we’re about to read.