Öykü Sofuoğlu
@feridemercury.com
710 followers 120 following 140 posts
film critic / / Altyazi, Sorociné, Filmexplorer, Swissinfo & Cie. https://oykusofuoglu.com/
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Was planning to share this a bit later, as I didn’t want to take up too much space while 299 students—as well as journalists, politicians, and architects—are being unlawfully imprisoned in my country by a corrupt and inhumane government.
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my humble contributions to this year's viennale catalogue:
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Geçtiğimiz hafta takip etme şansı bulduğum Adana Altın Koza'dan izlenimlerim yayında. Bu ülkede fikirlerimizi, eylemlerimizi, mücadelemizi, hattâ neredeyse tüm varoluşumuzu “rağmen” edatının kırılgan zemini üzerine inşa ettiğimizi hatırlatan filmlere dair...
altyazi.net/yazilar/seyi...
32. Altın Koza İzlenimleri: Ev, Uçan Köfteci, Gündüz Apollon Gece Athena, O da Bir Şey mi, Buradayım, İyiyim - Altyazı Sinema Dergisi
27 Eylül Cumartesi günü ödülleri sahiplerini bulan 32. Uluslararası Adana Altın Koza Film Festivali'nin Ulusal Uzun Metraj Film Yarışması'nda öne çıkan filmlere dair kısa kısa…
altyazi.net
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my man is everywhere... how does he never get a jetlag?
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lee kang-sheng's carbon footprint > taylor swift's carbon footprint
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Had a busy few weeks after Locarno and Venice, so I’m only sharing this now: my interview with the remarkable editor Dominique Auvray, to whom we owe films by Duras, Pedro Costa, Wang Bing and many others, is in @outskirtsmag.bsky.social's 3rd issue. Many thanks to Dominique and Christopher!
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today, i went to a park.
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sorry but i really don’t like when outlets commission filmmakers to write essays or interview other filmmakers. like, girl?? they already have jobs. do you see me directing films? no!! they should stick to their job and you should be commissioning me.
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*fall of capitalism and painful death of a bunch of evil men obviously who am i kidding here
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writing horoscopes, listening to moirée podcast and eating turkish-style pickles dipped in peanut butter... what can a girl want more
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i wasn't raised in a religious family, so the only instance that feels as if i'm committing a sin is when i update my linkedin profile.
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cahiers has Nadav Lapid's yes on their cover in the new issue. and while I can see why some people think it's an important and urgent film, I don't see them ever talking about Palestinian cinema, let alone putting a palestinian film on their cover.
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i have -3.5 diopters of astigmatism and -11 diopters of myopia. if you showed me a shitty 360p copy and another on vistavision, i probably wouldn’t be able to tell the difference. even with glasses, this is pretty much how i see:
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i usually wake up in the morning and wish i were dead or living in my teenage years. i don't know what the next day would bring but usually it's depressing, terribly depressing.
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incompetent, mediocre journalists are creating empty discourses about actors, while intelligent and informed writers and critics, who could have had meaningful conversations about films, are shut out by press agents at festivals because they're not popular enough.
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I had the chance of interviewing Kamal Aljafari at the Locarno Film Festival following With Hasan in Gaza’s premiere. It’s usually really hard to engage in-depth conversations during festivals. But I think I nailed it with this one:
www.filmexplorer.ch/detail/with-...
With Hasan in Gaza | Kamal Aljafari
www.filmexplorer.ch
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hello my hand looks so long and big
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every time i watch a radu jude film, i can't help but find similarities between turkey and romania. i mean, look at this.
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cherche artistes tatoueur-se-s sur paris
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j’aime beaucoup ma boite mail
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with the amount of stress i'm currently experiencing in my life, i'll probably die from colon cancer in 10 years. and it's okay because i'm already too tired of struggling. i want it to stop.
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thank you for edifying my ignorant third-worlder brain about the nyt and making me realize what a terrible person i am for creating a best films of the 21st century ballot! that's so westerner of you, i truly appreciate it.
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I wish Kiyoshi Kurosawa had released Cloud as an NFT and promoted it with the same interface of the website we see Ryosuke using in the film