I love me some brain juice that results in narrative creations, and yours are prime for musing!! Pardon future reply spam essays,,

Of scare-rousal and makes a meek face out of habit like it’s such a quiet choice you’ve made but it’s tumbling around in my head like shoes in a clothes dryer??? Thank you chef, i’m mulling over this half awake and thriving

Like?? Load bearing blue stripe?? And Ampersand’s pose and GAZE is so important like you’d think she’d be focused on the hair since that’s what she’s interacting with but it seems that maybe she’s glanced into the mirror’s reflection at Claudine and felt somethin like shame or admiration or a bit >

Im obsessing over this and absolutely hungry like?? The overall choices in shape and the arcs and the angles of strokes and perspective choice feels so prime with how you chose your values like

TWO colors in that vase and I get a story that it is pearlescent compared to the gargoyle which is matte>

Process!

Im still mirin’!! The intensity of the gaze is perfect 🥰

Ty!! I want those reds popping!!

Assldsjdkja ty Cam!! Yer deserving of all the praise, so art will do where my words fail!!

My limbS ARE FLAILING TY!! I feel the same about your aRT!!

Oh this goes hard

Brings me right back to when i first saw the mv! 🤌

Cacio e pepe (aka they found someone’s cheese about to go bad and slapped it in there. The black bits are still an unknown to them)

Want a nice underpainting look?

2 layers. One layer filled with white set to Color burn. One layer normal on top of the CB layer, clipping mask down to CB. Paint/sketch on the clipping mask. Use a mid >light value peachy tone for burnt sienna, adjust opacity/ hue/value as you please.

Hehe issaight, I didn’t make my intention or reasoning very clear. Cal looks so lovely in warm lighting!