Paula Albuquerque
@paalbuquerque.bsky.social
150 followers 140 following 32 posts
Artist and researcher working on film archives, decoloniality and surveillance.
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paalbuquerque.bsky.social
Participating in the AICA’s webminar at 17:00. Join us:
aicainternational.news/agora/2025/9...
paalbuquerque.bsky.social
Happy to contribute to this incredible and very relevant book organized by Carolyn Strauss. It will be launched soon.
paalbuquerque.bsky.social
Back at ANIM, the Portuguese Cinematheque Archive.
paalbuquerque.bsky.social
Oh, perfect. I loved Nadine’s presentation and already cited her during the Q&A interview EYE on Art two days ago. Wonderful to know it’s online.
paalbuquerque.bsky.social
Q&A after Like the Glitch of a Ghost at EYE on Art, Filmmuseum, in Amsterdam. Thank you all so much for coming.
paalbuquerque.bsky.social
In thirty minutes in Cinema 2 at EYE Filmmuseum, my film Like the Glitch of a Ghost is shown as part of EYE on Art. With Q&A.
paalbuquerque.bsky.social
My film Like the Glitch of a Ghost will be on EYE on Art at EYE Filmmuseum on the 9th of September. See the programme here: www.eyefilm.nl/en/programme...
paalbuquerque.bsky.social
Siluman will be at MUTA festival in Lima, Peru.
paalbuquerque.bsky.social
Happy to share the new edition of ANIKI (Portuguese Journal of the Moving Image) where I was invited to co-edit a special section on Artistic Research with Francisco Paiva: aim.org.pt/ojs/index.ph... (scroll down for English
paalbuquerque.bsky.social
Editing has become my favorite activity. Happy to be working on this project with EYE Filmmuseum for group show in February 2026 (Amsterdam, NL).
paalbuquerque.bsky.social
An early morning presentation at NECS Conference discussing the comparative analysis of EYE Filmmuseum’s and the Portuguese Cinematheque’s colonial film collections. Thank you, Cátia Rodrigues, for the photo.
paalbuquerque.bsky.social
Masculinization of the Motherland, Vandana Shiva, & this chapter by Mies are central in the book Ecofeminism. Even though knowing of this publication for the past 10 years, it is the first time I am able to read it back to back. Perfect for a low-energy weekend in-between travels and conferences.
paalbuquerque.bsky.social
It was pretty amazing to be at ANIM again at the start of the week. Now watching Ruy Cinatti’s films shot in Timor.
paalbuquerque.bsky.social
Working on my next article. Presenting first approach at the NECS Conference on my next trip to Lisbon.
paalbuquerque.bsky.social
Presenting at this great congress at Algarve University. Happy to be back at AIM (Association of Moving Image Researchers) and (re)connecting with fellow researchers and filmmakers.
paalbuquerque.bsky.social
Siluman was just shown in this very interesting section during Strangloscope Experimental Film Festival in Brazil.
paalbuquerque.bsky.social
Throwback to last week’s magnificent show by Tyler the Creator
paalbuquerque.bsky.social
Siluman at UnArchive Found Footage Fest
paalbuquerque.bsky.social
Still enjoying my post-25 de Abril 51 years celebration. SEMPRE!
paalbuquerque.bsky.social
If interested in an internship during my coming project with EYE Filmmuseum, please message me. You are at home with film editing and post-production (including masking). Premiere and After Effects are a pre.
Reposted by Paula Albuquerque
jennifervanderpool.bsky.social
"Art is the highest power of falsehood, it magnifies the ‘world as error’, it sanctifies the lie; the will to deception is turned into a superior ideal.’ (Deleuze 1983: 102)."
Palgrave Macmillan, 2024
@bramleytweets.bsky.social @paalbuquerque.bsky.social @huongngo.bsky.social
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