Sabzian
@sabzian.bsky.social
360 followers 76 following 150 posts
Sabzian is an international film journal, hailing from Belgium. → www.sabzian.be
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sabzian.bsky.social
Clip from his film Little Stabs at Happiness (1960)
sabzian.bsky.social
American experimental filmmaker Ken Jacobs (1933-2025) passed away this weekend.
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False Improvisation and “Memory Lapses” on TV, André Bazin, Film Fest Gent 2025, Shiguéhiko Hasumi, @AdrianMartin25, Valeska Grisebach, ... all included in our Weekly Review newsletter: shorturl.at/3IVOo.

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Sabzian and Bozar present:
State of Cinema 2025 / Isabelle Huppert
9 November 2025
sabzian.be/event/state-of-cinema-2025-isabelle-huppert
sabzian.bsky.social
“But let this interlocutor stumble ..., and the falseness of this illusory situation is brutally revealed, because we can do nothing for him and he, many kilometers away from us, finds himself alone, if not disabled, in front of soulless recording machines.”
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aaburke.bsky.social
News via @sabzian.bsky.social that Hartmut Bitomsky has died. I've, embarrassingly, seen only a few of his works, but there's no doubt he's central to the history of the essay film. sabzian.be/news/hartmut...
Hartmut Bitomsky (1942-2025)
The German writer, film critic, documentary and essay filmmaker Hartmut Bitomsky has passed away.
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sabzian.bsky.social
🍂📚 Just published: the autumn edition of our seasonal roundup of recently released and upcoming film publications!
sabzian.be/news/new-book-releases-autumn-2025
sabzian.bsky.social
Anna Magnani, Pier Paolo Pasolini, Cristina Fernandes, State of Cinema 2025 / Isabelle Huppert, New Book Releases, ... all included in our latest Weekly Review newsletter: shorturl.at/0Uvhc.

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In its section Passage, Sabzian invites film critics, authors, filmmakers and spectators to send a text or fragment on cinema that left a lasting impression.
sabzian.bsky.social
“‘Let cinema go to its ruin, that is the only cinema. Let the world go to its ruin, ... that is the only politics.’ This is perhaps the boldest statement I have come across because it is violent and moves beyond the field of cinema.” – Cristina Fernandes
Passage: Cristina Fernandes, Cristina Fernandes, 2025
“Let cinema go to its ruin, that is the only cinema. Let the world go to its ruin, let it go to its ruin, that is the only politics.” This is perhaps the boldest statement I have come across because i...
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sabzian.bsky.social
Johan van der Keuken in conversation with Frans van de Staak, Frank Vande Veire on Teorema, Film Fest Gent, Nicolas Roeg, Shhh, ... all included in our latest Weekly Review newsletter: shorturl.at/2RaUx.

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aaburke.bsky.social
Feels unlikely that I will be in Bologna anytime soon, but I would love to see this. sabzian.be/event/george...
Georges Simenon: A Novelist in Eight Journeys
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laurentktz.bsky.social
A punch up between Deleuze and Ruiz witnessed by Daney? Incredible.
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Next week at Cinema RITCS, we launch a new publication: the Dutch translation of ‘WHO IS ME,’ Pasolini’s paradoxical “bio-bibliographic poem,” written “in the August sun of a deserted Manhattan” during his visit to the New York Film Festival.
sabzian.be/event/teorema-pier-paolo-pasolini-1968
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New in our Screening Room: Adrian Martin's recorded introduction to Raúl Ruiz’s City of Pirates (1983), initially presented in the context of our Serge Daney programme at ICA London.
sabzian.be/screening-room/la-ville-des-pirates-introduction
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Observations on the Long Take, Pier Paolo Pasolini, Teorema, Nicolas Philibert, André Bazin, Frans van de Staak Retrospective, .... all included in our latest Weekly Review newsletter: shorturl.at/eShOB.

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“So long as I’m not dead, no one will be able to guarantee he truly knows me, that is, be able to give meaning to my actions, which, as linguistic moments, are therefore indecipherable.” - Pier Paolo Pasolini, Observations on the Long Take (1967)
Observations on the Long Take, Pier Paolo Pasolini, 1967
Man expresses himself above all through his action – not meant in a purely pragmatic way – because it is in this way that he modifies reality and leaves his spiritual imprint on it. But this action la...
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