"most, no" lol what planet do you even live on?

actually, lowe fessed up on how the thin lizzy song came first and influenced him.

there's also a song of his from that period called "i love the sound of breaking glass" which seems to be an homage to bowie's "sound and vision".

en.wikipedia.org/wiki/So_It_G...

brilliant thing about the first two seasons of ITYSL is how often the "embarrassing" character hijacks the narrative - "gift receipt" in the first episode is a great example - robinson's character starts out as a laughable crank but somehow "wins" (though it's admittedly short-lived lol).

i am the only person in the world who thinks paul newman and julie andrews have interesting chemistry together - wish they were in a better movie though - all i remember about TC is how much i liked the star pairing, *that* scene in the deserted farmhouse and how dull the climax on the bus was.

does season 1 work as a stand-alone thing that one can watch and feel it tells a complete story?

makers seem to be constructing a counternarrative to what most people know as the truth: that racism in america was (lately is) usually a matter of state policy - in the 1950s there were still plenty of "whites only" establishments of all kinds (including hospitals) and not just in the south either.

hospital and he never hears a peep from them regarding skin color - all the overtly racist sentiments spoken in the film come from working class folks - PUH-lease! the first black doctor at a hospital catering to whites in the 50s would likely get an awful hazing from white colleagues but the film

counterpoint: i just block stupid people so as to avoid having my time wasted.

Serena makes an appearance on "Bewitched", so that's a lock for me - then it's a toss up btwn "Scott Free" and "Ah, Wilderness!" with the latter likely winning.

not a big country music guy but i'm still impressed by the "Dolly" line-up.