Joel Morris
@gralefrit.bsky.social
15K followers 520 following 20K posts
Writer & highwayman. Ladybird, Cunk, Wipe, Be Funny Or Die, Framley, Candidate band, Comfort Blanket, Broken Veil etc https://ko-fi.com/gralefrit AGENTS, website, links, bio etc: www.gralefrit.co.uk
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gralefrit.bsky.social
Hello new followers!

If you want to know anything, it’s all on my website…

www.gralefrit.co.uk

I’m doing lots of stuff on Substack, including podcasts and writing and that.

joelmorris.substack.com

Also: Be Funny Or Die, How Comedy Works and Why It Matters… from all the usual book places.
Be Funny Or Die book jacket
Reposted by Joel Morris
nottomburgess.bsky.social
Truly believe there should be more space for multi-cam drama on TV. Just as comedies are made in different ways to suit the material, so it should be for drama.
andreworton.bsky.social
The death of multi-camera TV: a thread. I know most of you will know the technical parts of this (and may have read it in the other place) but bear with me. 1/ 🧵
A shot from the studio rehearsal of Doctor Who: The Daleks' Master Plan episode 'Volcano', showing several actors ont he TARDIS set, with various video cameras around the scene.
Reposted by Joel Morris
gralefrit.bsky.social
It’s my new advice for writers. There’s nothing else worth saying.
gralefrit.bsky.social
Like most reality formats, it’s a daily newspaper. A habit that’s easy to break if you miss a few.

Episode one introduces the new characters; if you don’t get to know them as they enter the arena, why would you care? They’re not *your* guys.
gralefrit.bsky.social
“Have you thought about going on Top Of The Pops?”

Thanks, Nan.
gralefrit.bsky.social
The practical advice is usually pretty slim; either for fear of being seen as prescriptive, or revealing you’re a formulaic hack, or because the Very Respected Writer doesn’t know how they do it, but gets asked all the time, so has prepared some vague assurances.
gralefrit.bsky.social
The really useful part of most of these is the comradely assurance that writing is hard and nobody does it well without fucking up a lot first.
gralefrit.bsky.social
Most writing guides can be summarised as:

“Be brilliant. When you can’t be brilliant, try going for a walk.”

Stephen King’s is the same but instead of the walk, it’s cocaine.
gralefrit.bsky.social
Reading another guide to the craft of writing by a respected and bestselling author.

“Basically, you sit in front of the typewriter, here, and move your hands up and down the keys like this.”

“Thanks, Jackie.”
How To Do It: Monty Python’s Flying Circus
gralefrit.bsky.social
Which is handy, bearing in mind it’s almost impossible to bring the law effectively to bear in cases of coercion and sexual abuse. We have to be allowed to feel creepy around someone instead.
gralefrit.bsky.social
It’s more like we feel odd when a beloved artist reveals different politics than we expected. Nobody needs to be a convicted criminal for us to think “oh. Oh dear. No.”
gralefrit.bsky.social
It’s not about “breaking the law” or not, it’s about how we *feel* about someone. Do we feel comfortable with them entertaining us?
gralefrit.bsky.social
Ditto our relationship with the music of our teens. Those songs belong to us and have a meaning way beyond the artist’s personality flaws - especially if those personality flaws are not bound up in the music itself. We give it a separate meaning.
gralefrit.bsky.social
Enjoying the work has the implication that the victims are somehow not real, or their suffering is worth less than your enjoyment of the art, worth sacrificing in the name of fun.
gralefrit.bsky.social
Or at least, enjoying it without acknowledging that the abusers are shitheels. People want to be heard.
gralefrit.bsky.social
Very much so. I know friends who have suffered coercive control and abuse, and seeing people enjoying the work of their abusers is hugely triggering.
gralefrit.bsky.social
Maybe the exception should be if the film has Broadway in the title.
gralefrit.bsky.social
Jerry Lee Lewis’ music still works, because he’s clearly fucking horrible.
gralefrit.bsky.social
It’s almost like hypocrisy is the thing we can’t forgive in art. If we end up misreading the art itself because of what we know about someone.
gralefrit.bsky.social
The bits of Morrissey that are about narcissism and self pity are still enjoyable, I think. Because that’s all in keeping. Similarly, despite everything, I find Alec Baldwin still watchable in 30 Rock because his character has *definitely* killed people and shown zero remorse.
gralefrit.bsky.social
It’s strange that the Tracy story now reads as a brave depiction of power imbalance and coercion, but one that never pays off. As society evolves and faces some of its nasty habits, old art becomes not simply “problematic”, but actually unreadable. Which is healthy.
gralefrit.bsky.social
Everything made sense when I learned that PR only developed after WW1, when experts in propaganda and psychological operations needed to find something to apply their skills to after hostilities ceased. It was originally branded “peacetime propaganda” before the term Public Relations caught on.
gralefrit.bsky.social
Tim Heidecker thread muted.
gralefrit.bsky.social
Yeah. Just started to get people saying he’s not a very good stand up.