Jonathan Gibbs
@jonathangibbs.bsky.social
2.8K followers 1.1K following 4.5K posts
Senior Lecturer in Creative Writing at City St George's, Uni of London. I curate the short story project apersonalanthology.com. Novels are Randall or The Painted Grape, and The Large Door. Poetry is Spring Journal. https://linktr.ee/jonathangibbs
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jonathangibbs.bsky.social
2025 Reading 1: Fifty Sounds by Polly Barton. A fascinating use of format for a memoir/linguistic commentary: Barton picks fifty onomatopoeic or more broadly 'mimetic' Japanese phrases and explores their meaning to her, using the form to narrate her experience of working in Japan as a teacher.
White paperback book with dark blue text giving title, author and publisher (Fitzcarraldo Editions), set on a wooden table.
Reposted by Jonathan Gibbs
saloneurope.bsky.social
1 place left for 'Writing from Rage' with @markabowles.bsky.social now, then we will open a waitlist.

Don't miss out, come hang out with us in London!

26 November

🖊 🎤 🖊 🎤
saloneurope.bsky.social
Paris and Madrid sold out super fast.

Don't miss us in London!

26 November
The Queen's Larder, Holborn

Salon and writing class with @markabowles.bsky.social
jonathangibbs.bsky.social
Looks a bit like your copy is heading for the same fate as mine.
A copy of Funeral in Berlin by Len Deighton that has started to fall apart. Left to right you can see: the cover, two separated individual pages, and the main body of the book.
jonathangibbs.bsky.social
Books Do Furnish a Room (part of Anthony Powell’s Dance to the Music of Time) has long been a favourite book title, but I’d forgotten that it’s named for a character whose nickname is “Books-do-furnish-a-room Bagshaw”, and who everyone calls, affectionately, “Books”.

I now have a new life-goal.
jonathangibbs.bsky.social
And off it goes – better later than never: entirely my fault! – Niall Griffiths's Personal Anthology, clambering up and along the gangway carrying a big pole, going quietly among the chalets of the asylum park, moving its jaw, slow and bovine, frequenting neither churches nor poor men's homes...
A Personal Anthology, by Niall Griffiths
By way of an introduction, what introduction can there be, that you, dear reader, since you’re visiting here, will not have heard before?
apersonalanthology.substack.com
jonathangibbs.bsky.social
Let's be charitable and go with (b)!
jonathangibbs.bsky.social
Looks like someone was learning to play Minecraft but then got bored.
jonathangibbs.bsky.social
I’d have cut that too! 😼
jonathangibbs.bsky.social
Agreed. I liked the Charlene/Bob ending, despite as you say its incongruity, especially the final exchange: “be careful”/“I won’t”.
jonathangibbs.bsky.social
In narrative terms it’s pointless. We learn nothing new about them or him. It’s like the short final shot you get in an advert when it recaps the comic element from the main part of the ad that is then followed by the brand announcement.
jonathangibbs.bsky.social
I can imagine that! (Especially if you edit out the flagrantly unnecessary ’welcome to your office’ segment.)

£20 was also what I paid for VistaVision at Odeon Leicester Square, which seems poor value by comparison.
jonathangibbs.bsky.social
I’m not sure. I’m hoping someone will enlighten me! My sense is that it was a higher resolution format that was superseded by imax. The image wasn’t the problem: the screen/auditorium relationship was.
jonathangibbs.bsky.social
So the Vista Vision presentation of One Battle After Another at Odeon Leicester Square was very disappointing, in high-up circle seats at least. The screen is tiny for such a big auditorium. (Amazing soundsystem, though.)

Happy to be educated if anyone can explain why it’s so great!
jonathangibbs.bsky.social
Certainly not worth the candle to my mind, at Leicester Square at least. Perhaps if you’re in the best seats. The screen really is quite small for such a huge auditorium. The soundsystem, however, is top-notch: real seat-shaking bass.
jonathangibbs.bsky.social
(It’s Odeon Leicester Square - one of only four screens worldwide that can show VistaVision. I went just to see it as it’s such a rarity. Certainly way below IMAX in terms of quality I’d say.)
jonathangibbs.bsky.social
Vista Vision very much not worth the extra money I’d say, at this cinema at least – unless you pay top dollar for best seats. The screen really is quite small. The soundsystem, however, is top-notch: real seat-shaking bass.
jonathangibbs.bsky.social
One Battle After Another in Vista Vision, hell yeah! But damn I forgot to bring my binoculars…
Screen One at Odeon Luxe Leicester Square. Yes the chairs are luxurious and the sound is good, but the screen is… small, and… far away.
jonathangibbs.bsky.social
It's Thursday afternoon, and so nearly the weekend – and A Personal Anthology! This week's guest editor, picking and introducing a dozen favourite short stories, is Niall Griffiths (@niall2025.bsky.social), author of Grits, Sheepshagger, Kelly + Victor (*shivers*), Stump, Broken Ghost etc!

Details:
About - A Personal Anthology
A weekly guest-editor picks and introduces a personal anthology of twelve favourite short stories. Click to read A Personal Anthology, by Jonathan Gibbs, a Substack publication with thousands of subsc...
apersonalanthology.substack.com
Reposted by Jonathan Gibbs
jonathangibbs.bsky.social
Not read the Raven - have heard similar things!
jonathangibbs.bsky.social
Books on the tube

Atomic Habits by James Clear
A Court of Silver Flames & Throne of Glass by Sarah J Maas
Everything is Tuberculosis by John Green
Grunwick by Jack Dromey
The Trading Athlete by Shane Murphy
Let the Snog Fest Begin by Louise Rennison
Villains Academy by Ryan Hammond