Jonathan Gibbs
@jonathangibbs.bsky.social
2.8K followers 1.1K following 4.5K posts
Senior Lecturer in Creative Writing at City St George's, Uni of London. I curate the short story project apersonalanthology.com. Novels are Randall or The Painted Grape, and The Large Door. Poetry is Spring Journal. https://linktr.ee/jonathangibbs
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jonathangibbs.bsky.social
2025 Reading 1: Fifty Sounds by Polly Barton. A fascinating use of format for a memoir/linguistic commentary: Barton picks fifty onomatopoeic or more broadly 'mimetic' Japanese phrases and explores their meaning to her, using the form to narrate her experience of working in Japan as a teacher.
White paperback book with dark blue text giving title, author and publisher (Fitzcarraldo Editions), set on a wooden table.
jonathangibbs.bsky.social
I’d have cut that too! 😼
jonathangibbs.bsky.social
Agreed. I liked the Charlene/Bob ending, despite as you say its incongruity, especially the final exchange: “be careful”/“I won’t”.
jonathangibbs.bsky.social
In narrative terms it’s pointless. We learn nothing new about them or him. It’s like the short final shot you get in an advert when it recaps the comic element from the main part of the ad that is then followed by the brand announcement.
jonathangibbs.bsky.social
I can imagine that! (Especially if you edit out the flagrantly unnecessary ’welcome to your office’ segment.)

£20 was also what I paid for VistaVision at Odeon Leicester Square, which seems poor value by comparison.
jonathangibbs.bsky.social
I’m not sure. I’m hoping someone will enlighten me! My sense is that it was a higher resolution format that was superseded by imax. The image wasn’t the problem: the screen/auditorium relationship was.
jonathangibbs.bsky.social
So the Vista Vision presentation of One Battle After Another at Odeon Leicester Square was very disappointing, in high-up circle seats at least. The screen is tiny for such a big auditorium. (Amazing soundsystem, though.)

Happy to be educated if anyone can explain why it’s so great!
jonathangibbs.bsky.social
Certainly not worth the candle to my mind, at Leicester Square at least. Perhaps if you’re in the best seats. The screen really is quite small for such a huge auditorium. The soundsystem, however, is top-notch: real seat-shaking bass.
jonathangibbs.bsky.social
(It’s Odeon Leicester Square - one of only four screens worldwide that can show VistaVision. I went just to see it as it’s such a rarity. Certainly way below IMAX in terms of quality I’d say.)
jonathangibbs.bsky.social
Vista Vision very much not worth the extra money I’d say, at this cinema at least – unless you pay top dollar for best seats. The screen really is quite small. The soundsystem, however, is top-notch: real seat-shaking bass.
jonathangibbs.bsky.social
One Battle After Another in Vista Vision, hell yeah! But damn I forgot to bring my binoculars…
Screen One at Odeon Luxe Leicester Square. Yes the chairs are luxurious and the sound is good, but the screen is… small, and… far away.
jonathangibbs.bsky.social
It's Thursday afternoon, and so nearly the weekend – and A Personal Anthology! This week's guest editor, picking and introducing a dozen favourite short stories, is Niall Griffiths (@niall2025.bsky.social), author of Grits, Sheepshagger, Kelly + Victor (*shivers*), Stump, Broken Ghost etc!

Details:
About - A Personal Anthology
A weekly guest-editor picks and introduces a personal anthology of twelve favourite short stories. Click to read A Personal Anthology, by Jonathan Gibbs, a Substack publication with thousands of subsc...
apersonalanthology.substack.com
Reposted by Jonathan Gibbs
jonathangibbs.bsky.social
Not read the Raven - have heard similar things!
jonathangibbs.bsky.social
Books on the tube

Atomic Habits by James Clear
A Court of Silver Flames & Throne of Glass by Sarah J Maas
Everything is Tuberculosis by John Green
Grunwick by Jack Dromey
The Trading Athlete by Shane Murphy
Let the Snog Fest Begin by Louise Rennison
Villains Academy by Ryan Hammond
jonathangibbs.bsky.social
Books on the tube (this morning)

The Goldfinch by Donna Tartt
Infinite Jest by David Foster Wallace
The Dispossessed by Ursula K Le Guin
The Miseducation of a 90s Baby by Khaholi Bailey
In Search of Fatima: A Palestinian Story by Ghada Kharti
Unidentified blue Fitzcarraldo edition
jonathangibbs.bsky.social
Books on the tube (last night)

Babel by RF Kuang
Intimacy With God by Randy Clark
My Favourite Mistake by Marian Keyes
The Song of Achilles by Madeline Miller
jonathangibbs.bsky.social
Ha. At his best he’s superb. “I am living at the Villa Borghese. There is not a crumb of dirt anywhere, nor a chair misplaced. We are all alone here and we are dead.” At his worst (The World of Sex or whatever it’s called) … shudder!
jonathangibbs.bsky.social
Two books I happen to be reading at the moment.
Books Do Furnish a Room by Anthony Powell and So Many Books by Gabriel Zaid.
Reposted by Jonathan Gibbs
tomwoodhead.bsky.social
Anyone got a SAD lamp they'd recommend? Ideally one that's dimmable and can change colour temperature for the evening (but nothing that needs an app to control it)
jonathangibbs.bsky.social
If you choose to wear smart glasses then my first assumption right off the bat will be that your glasses are smarter than you are.
jonathangibbs.bsky.social
I’ll reread Day one day, but the book of yours I reeaaally want to take in for the second time is Everything You Need – BUT I want a holiday on a remote island to do it properly.
jonathangibbs.bsky.social
And a late addition from last week, which I didn’t post because it was just two books, but which seems appropriate to post today:

A Court of Thorn and Roses by Sarah J Maas
Riders by Jilly Cooper
jonathangibbs.bsky.social
Books on the tube

Intermezzo by Sally Rooney
Our Evenings by Alan Hollinghurst
Boys in Zinc by Svetlana Alexievich
Hello Beautiful by Ann Napolitano
The Bee Sting by Paul Murray
Detransition Baby by Torrey Peters