Today is the first day of the KMHD fall membership drive! Support the jazz radio you love and become a member of the rhythm section by donating whatever makes sense for you and let us enjoy this great music together!
Just before his show tomorrow night at @getdownpdx.bsky.social, check out Alex Newman's talk with @natesmithdrums.bsky.social about his career, his fellow musical companions, and the importance of connection.
Happy Labor Day! If you're out and about around Portland, checking out a record store isn't a bad idea, and we've got recommendations for you at KMHD.org
Before they play Portland's Revolution Hall next Wednesday night (9/3), listen to BADBADNOTGOOD's talk with @anthonydeanharris.com about their latest album-- 'Mid Spiral'
KMHD is excited to present 'Round Midnight' at the Clinton Street Theater this Tuesday, May 27th starring saxophonist and Academy Award-nominee Dexter Gordon, a cast of heavy hitters, and Oscar-winning score writer Herbie Hancock.
Before his performance this Saturday at the Mt. Hood Jazz Festival, check out pivotal saxophonist Gary Bartz' talk w/ Justin Meyer about Charles Mingus’ jazz workshop in NYC, his stint with Miles Davis’ band in the early 70’s, & the formation of Gary’s project NTU Troop
It was a rainy night in Southeast Portland, like one of many, but the hang with the artist @omarijazz.bsky.social going in depth on his quietly thumping 2020 album, 'Dream Child', was a solid one.
It's time for our annual Spring Membership Drive. Join the Rhythm Section today and support the jazz radio you love. Make Jazz Without Boundaries happen at www.kmhd.org/give/
The Greatest Living Improviser, Sonny Rollins, chats with Justin Meyer about nostalgia for the old days, Coleman Hawkins, and the art of improvisation on the latest episode of Sounds Visual Radio.
Samm Culley, the bassist for the one-hit wonder band of the 1970s, SKULL SNAPS, talks about the band’s lasting legacy in the latest Sounds Visual Radio.
The piano giant Carla Bley's classic electric zig of an album opposes the jazz world’s acoustic zag of the late ‘80s, and it's Meg Samples' latest pick for Records We Love.
