Popcasting
@popcasting.bsky.social
690 followers 500 following 640 posts
Desde 2005, podcast quincenal de música: pop, americana, instro, synth, r'n'r. 1920s-2020s. “It's the song, not the singer”. Escúchalo en popcastingpop.com. Además escribo en jenesaispop.com
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popcasting.bsky.social
Popcasting cumple 20 años: “Su archivo sonoro no es solo pop: es memoria personal, es intuición narrativa. Popcasting no es un desfile de novedades ni una lección de historia de la música —aunque tiene de ambas cosas— sino una forma de resistencia íntima.”(Borja Coquillat) atonal.net/20-anos-de-p...
20 Años de Popcasting - Atonal
Webzine sobre música y otras disciplinas relacionadas.
atonal.net
popcasting.bsky.social
Alucinante, 😆😆😆😆
popcasting.bsky.social
¿¿En serio?? ¿Ya ni se respeta la línea tácita de Halloween?
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wafflecut.bsky.social
Stravinsky saw Charlie Parker play at Birdland
club of all time by performing for Igor Stravinsky at Birdland. Alfred Appel tells it definitively in his book Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce:
The house was almost full, even before the opening set - Billy Taylor's piano trio - except for the conspicuous empty table to my right, which bore a RESERVED sign, unusual for Birdland.
After the pianist finished his forty-five-minute set, a party of four men and a woman settled in at the table, rather clamorously, three waiters swooping in quickly to take their orders as a ripple of whispers and exclamations ran through Birdland at the sight of one of the men, Igor Stravinsky. He was a celebrity, and an icon to jazz fans because he sanctified modern jazz by composing Ebony Concerto for Woody Herman and his Orchestra (1946) - a Covarrubias
"Impossible Interview" come true.
As Parker's quintet walked onto the bandstand, trumpeter Red Rodney recognized Stravinsky, front and almost center. Rodney leaned over and told Parker, who did not look at Stravinsky.
Parker immediately called the first number for his band, and, forgoing the customary greeting to the crowd, was off like a shot. At the sound of the opening notes, played in unison by trumpet and alto, a chill went up and down the back of my neck.
They were playing "Koko, which, because of its epochal breakneck tempo
- over three hundred beats per minute on the metronome - Parker never assayed before his second set, when he was sufficiently warmed up. Parker's phrases were flying as fluently as ever on this particular daunting "Koko." At the beginning of his second chorus he interpolated the opening of Stravinsky's Firebird Suite as though it had always been there, a perfect fit, and then sailed on with the rest of the number. Stravinsky roared with delight, pounding his glass on the table, the upward arc of the glass sending its liquor and ice cubes onto the people behind him, who threw up their hands or ducked.
Parker didn't just happen to…
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manmademoon.bsky.social
Well played, Merriam-Webster!
Well played.
merriam-webster.com
We are thrilled to announce that our NEW Large Language Model will be released on 11.18.25.
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jaime-souvenir.bsky.social
Me han entrevistado en Mondo Sonoro, una conversación muy amena con Jerry Corral.
mondosonoro.bsky.social
Jaime Cristobal, todo un clásico-no-popular del pop y el rock como filigranas, ahora vuelve a utilizar su seudónimo afrancesado, J'aime, para seducirnos de nuevo con un segundo álbum, también de título gálico. Entrevista en Mondo Sonoro.
www.mondosonoro.com/entrevistas/...
Entrevista a J'aime por “Anachronistic amour” (2025)
Jaime Cristobal, todo un clásico-no-popular del pop y el rock como filigranas, vuelve a utilizar su seudónimo afrancesado, J'aime...
www.mondosonoro.com
popcasting.bsky.social
Increíble, jajaja ❤️❤️❤️❤️
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ashcanpress.com
I'm going to share the weird William Friedkin story that's been stuck in my head almost my whole life. Some folks know this, I guess. But it always blows people's minds.
popcasting.bsky.social
Bien observado, yo no había visto eso. Crudo el importarlo, pero esperanzador, tal como dices!!
popcasting.bsky.social
Al loro 👇🏻
mikeachim.bsky.social
Damn. This is amazing. £325 per week, paid monthly, for 3 years - and the result was a profit for the Irish economy:
www.citizensinformation.ie/en/employmen...
Post from Threads user rodneyowl: "Ireland has declared the Basic Income for Artists scheme permanent. This will be officially announced in tomorrow’s budget. Details to follow. Congratulations to all who fought for it and the present and future artists of all sorts in Ireland. That includes me 👌We’re just comin to the end of a 3 year pilot scheme. It’s been a roaring success. For every €1 paid out to the 2000 participants, the government got €1.46 back. Can’t argue with that. Other countries are already taking note."
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dieworkwear.bsky.social
jane goodall releasing a video of her listing the people she dislikes and ending with a vague message of hope is so iconic. truly someone i aspire to model myself after
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wfmu.bsky.social
WFMU's Hellraiser Fundraiser runs through Oct. and gets us through the winter months, when the funds we raised in our spring Marathon are dwindling. There's new swag, and special programs will happen throughout the month! Help us out with a donation and grab one of two new T-shirts. pledge.wfmu.org
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popcasting.bsky.social
Popcasting #494: Paul Jones, English Teacher, The Beautiful Losers, Supertramp, Sandy Denny, The Count Bishops, Mike Scott, Tricky, The Chieftains, Tom Jones, Robyn Hitchcock… popcastingpop.com/2025/10/01/p...
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jaime-souvenir.bsky.social
Jen Matson del programa Cycles per Second (KHUH-LP Radio, en Seattle) pinchó ‘(Strictly Not) Thinking of You)’ en su último programa, que podeis escuchar aquí (es excelente, lleno de jangle, indie pop y shoegaze): www.mixcloud.com/nstop/cycles... TY @nstop.com!!
popcasting.bsky.social
El DAT con el master de The Beautiful Losers que menciono en el programaf
popcasting.bsky.social
Popcasting #494: Paul Jones, English Teacher, The Beautiful Losers, Supertramp, Sandy Denny, The Count Bishops, Mike Scott, Tricky, The Chieftains, Tom Jones, Robyn Hitchcock… popcastingpop.com/2025/10/01/p...
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troubleinmind.bsky.social
This was a lovely post courtesy of Atonal: “…a beacon of independent music thanks to an eclectic and bold curation” 😭
atonalweb.bsky.social
Tras años de actividad, Trouble In Mind Records cierra como sello activo. Fundado en Chicago por Bill y Lisa Roe, fue hogar de Jacco Gardner, Melenas o The Limiñanas. Su catálogo seguirá vivo, recordando que lo independiente también puede ser esencial.

atonal.net/trouble-in-m...

#troubleinmind
Trouble In Mind Records: El Cierre de un Faro del Pop Independiente (2009–2025) - Atonal
Webzine sobre música y otras disciplinas relacionadas.
atonal.net
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katie0martin.ft.com
We worry about Very Online Kids much more than their Very Online Parents, and I'm not sure that's wise
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stereogum.bsky.social
from the latest print edition of ‘The Onion’