Tahoma Literary Review
@tahomareview.bsky.social
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We publish poetry, fiction, and nonfiction twice a year. Professional pay rates. All online since 2024! Current issues, submission periods, etc. at tahomaliteraryreview.com
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Our new issue is here and it's a stunner! Cover art by Vivienne Strauss.

Check it out here: tahomaliteraryreview.com/issues/issue...
TLR's Issue  29 cover features a collage of a bird driving a car with a cat and a can of cat food in the back. A fish is tied to the top of the car.
tahomareview.bsky.social
Spotlight this week on Betty J. Cotter, writing what she initially thought of as the “field trip story,” which then evolved into a greater examination of aging, memory, and our threatened environment.
The Memory Root - Tahoma Literary Review
For a while, Doris remembered when it started. A January day. Mild: 65 degrees, gentle breeze blowing in from the Gulf. She had brought her biology
tahomaliteraryreview.com
tahomareview.bsky.social
Poet’s Note:

This piece is part of a larger project called “My Prayer a Slit Throat: erasing the inheritance of war.” My source materials come from war ephemera in the Western canon; different modes of erasure are explored with each source text.
tahomareview.bsky.social
Spotlight this week on poet Ellen Kombiyil, whose gorgeous erasures can be seen on our website.
tahomaliteraryreview.com/selections/s...
Reposted by Tahoma Literary Review
jessicacuello.bsky.social
I'm heartbroken that poet Jennifer Martelli has died. Her poem "Teeth" appeared in Issue 21 of @tahomareview.bsky.social - one of my first issues as editor. I fell in love with her poems and was lucky to become her friend. She was funny, brilliant, deeply generous, & kind. She will be very missed 🐈‍⬛💔
Text of poem "Teeth" Photo of poet Jennifer Martelli
tahomareview.bsky.social
What archival traces do our intimate relationships leave behind?
What happens to intimate relationships when forced to produce proof of their legitimacy, or "good faith," to the bureaucratic immigration system? What is lost, diminished, or silenced in the process?
Read this essay by Vanessa Freije
Good Faith Marriage - Tahoma Literary Review
I’ve taken 1,112 photos since December 8, 2023, the day we got married. Three hundred ninety-three are from my research in historical archives, large
tahomaliteraryreview.com
tahomareview.bsky.social
“And everywhere she went, always in the distance lay o le sami, the sea, turquoise indigo with a faint silver lining that caught her eye, glittering in the sun.”
tahomareview.bsky.social
Includes Two Poems by Susana Thénon

Translated from the Spanish by Karen Elizabeth Bishop
Tahoma Literary Review | 2025
Reposted by Tahoma Literary Review
tahomareview.bsky.social
We’re ready to read! Reading period for #TLR30 opens via #submittable on Friday, August 15. We publish poetry, poetry in translation, fiction, nonfiction, flash prose, and new for us, #graphicnarrative.
Peep our latest issue to see what we like to read and feature. #litmags
Issue 29 (Summer 2025) - Tahoma Literary Review
Here is our twenty-ninth issue, published August 2025, when the summer heat is peaking in the northern hemisphere. We'd like to offer this issue as a
tahomaliteraryreview.com
tahomareview.bsky.social
We’re ready to read! Reading period for #TLR30 opens via #submittable on Friday, August 15. We publish poetry, poetry in translation, fiction, nonfiction, flash prose, and new for us, #graphicnarrative.
Peep our latest issue to see what we like to read and feature. #litmags
Issue 29 (Summer 2025) - Tahoma Literary Review
Here is our twenty-ninth issue, published August 2025, when the summer heat is peaking in the northern hemisphere. We'd like to offer this issue as a
tahomaliteraryreview.com
Reposted by Tahoma Literary Review
tahomareview.bsky.social
Especially exciting about this piece by Abhinav, it's after a piece by Ryan Brod that we published in Issue 20: tahomaliteraryreview.com/selections/f...
Reposted by Tahoma Literary Review
patriciaqbidar.bsky.social
Lara shakes her head slightly, and the woman’s hair becomes wild, electrified.

“Then I need you to leave,” the woman says.

“I can’t. My life is here.”

The woman laughs, crests a hand over her eyes. “What life?”

@kellypedro.bsky.social in @tahomareview.bsky.social !!
Preserves - Tahoma Literary Review
In winter, Lara eats root vegetables from the cellar—crisp carrots and sugar beets that snap between her calcified teeth. Outside, the snow is like
tahomaliteraryreview.com
tahomareview.bsky.social
Especially exciting about this piece by Abhinav, it's after a piece by Ryan Brod that we published in Issue 20: tahomaliteraryreview.com/selections/f...