πŸ³οΈβ€πŸŒˆ ⚧️ THRaKaTTaKeR πŸ€˜πŸ»πŸ³οΈβ€βš§οΈ
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thrakattaker.bsky.social
πŸ³οΈβ€πŸŒˆ ⚧️ THRaKaTTaKeR πŸ€˜πŸ»πŸ³οΈβ€βš§οΈ
@thrakattaker.bsky.social
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β€œ[I] want no confusion in this matter. If you are racist, sexist, homophobic, transphobic etc. please do this one favour for [me]. Leave [me] the fuck alone.” Crushes on dolls. Laura is the One. πŸ‘ΉBlackened grindgazer: https://hermeticabyss.bandcamp.com/
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THRaKaTTKeR’s albums of 2025: A 🧡

Here, I’ll be posting a few words about each album released this year that has stayed with me. As I move through them it won’t be in any sort of ranking, more like chronological order of when I heard them.
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This is the inevitable outcome that the normalisation of racism online, and also by the media and political class has propagated. The genie is out of the bottle, and we need to figure out how we get in back in and quickly
Racism towards nurses has hit a 'crisis point' in the UK. That's the stark warning from the nursing and midwifery regulator.

It comes as a report from the Nurses' Union finds that incidents of racism have increased by 55% in the last three years.
Love that the artist behind SM delivers flowers during the day. Like some sort of inverse superhero! 🫑
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β€˜Worthless’ is my favourite track so far, @vanessafunke.bsky.social. Gorgeous first half and then πŸ’₯! 🫢🏻
I’ve had a strained relationship with Megadeth for decades. Got into em in 1990 with β€˜Holy Wars’/β€œRiP”, aged 13. Never bettered it, imho. I was into the next two albums through singles and my bezzy’s continued fandom. Nothing after β€œYouth” ever grabbed me again. Realised they’re not really for me!
I think the original radio broadcast from 1977 (?) where he played the whole original vinyl test pressing in air used to be on YouTube. I definitely listened to it somehow many years ago. It was great.
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My new album Requiem is out now!
Check it out on Bandcamp:

vanessafunke.bandcamp.com/album/requiem
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I love how this new @agriculturemusic.bsky.social album sleeve echoes the psychedelic eroticisms of those classic My Bloody Valentine singles aesthetics.
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Bandcamp Friday

MILIM KASHOT VOL. 6 - Compilation supporting World Central Kitchen

Feat. Krallice, DΓ©hΓ , Serpent Column, Genital Shame, Teardrinker, Zeresh, Choshech, Holocausts, NUR, and more.

machinemusic1981.bandcamp.com/album/milim-...
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Excited to release Mark Fell’s β€˜Psychic Resynthesis’ today. This feels like a landmark album for Mark, a perfect realisation of his unique methods of cross-discipline collaboration, which ties up many threads of his musical history in one enigmatic statement. frozenreeds.bandcamp.com/album/psychi...
Psychic Resynthesis, by Mark Fell
10 track album
frozenreeds.bandcamp.com
Even in terms of its artwork and packaging alone, #KidA is jaw-dropping. I’ve lived in those snow-covered fields and hills, under that apocalyptic sky. To me it’s so β€œEnglish” in a hyper-romanticised sense: all those hedgerows. Like something from the flying sequence in Raymond Briggs’s The Snowman.
#Radiohead
#KidA
#October2025
#25YearsOld

It was *so* exciting that Radiohead weren’t releasing singles from β€œKid A”. That they were really inverting the typical marketing strategy process. Seeing these blipverts on TV was alien, intriguing, magical, enticing. A whole world was being created.
And about a month later Colin and Jonny appeared on Radio 3’s (sadly missed) Mixing It show in January 2001 for some in-depth chat and a bunch of the records that had influenced #KidA. I also recorded this and played the tape to ☠️ Another absolute portal!

www.youtube.com/watch?v=bnHJ...