Meet the designer of issues 04 & 05 of a Dance Mag.
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"I’m more eloquent with silence."¬—Lindsay Kemp. The man who taught Bowie mime, Kate Bush drama, and a generation how to dance through the gloom. Revisiting an unpublished 2001 interview—because 2025 could use more romance, fantasy, and play. Read Full Interview:

Last summer, Yara discovered how dance and verse share the same heartbeat: bim bim bim.
A story on flow, Bukowski’s drunken wisdom, and why art happens inside the body first.

In a 1970s essay, scholar Joann Kealiinohomoku argues that ballet can be considered an ethnic dance. Read more about her perspective here: buff.ly/86Pz9ky. And Let us know if you agree or disagree in the comments!

Ellen Jeffrey's the After-Hours challenges the boundaries between doing and dancing.

In the Structure Issue, coming soon.

#adancemag #structure

"From running to dancing—one summer changed it all."

Erick Hawkins' Naked Leopard wasn’t just a performance; it was a revelation. Discover how dance and Zen philosophy transformed Jim Ross' life.

#Dance #ZenPhilosophy #ErickHawkins #NakedLeopard #LetItHappen #MovementIsLife

From farm work to contemporary dance training, the body remembers. In The After-Hours, Ellen Jeffrey explores how movement patterns shaped by labor, childhood play, and neurodivergence challenge the boundaries between doing and dancing.

In the Structure Issue, coming soon.

#adancemag #structure

In Singapore, where public spaces feel constrictive and personal connections often seem elusive, three extraordinary artists—Kai, Madison, and Zarina—used their art to challenge rigid societal norms and transcend limitations.

From sweaty rooftops to packed basements, the dance floor has always been more than just a space—it’s been a teacher, a safe haven, and a place where strangers connect through rhythm. It’s where I’ve danced like no one’s watching, only to find an audience cheering me on.

✨ Read the full story