Annie Abrahams
@anniea.bsky.social
610 followers 240 following 80 posts
artist, performer, net art and poetry, likes to dance
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anniea.bsky.social
Art Monthly is a contemporary art magazine based in London.
Artists considered in the article are Aisling Phelan, Moon Ribas, Yasuaki Onishi, Benjamin Gaulon, Utterings and me.
anniea.bsky.social
“Fallowing is allowed, wallowing should be done in mud.”

In ‘The Stones We Carry’, cultural worker @ilshuygens and artist @annie.abrahams exchange letters on failure, exhaustion, care, and the stones we pick up along the way.

Part of the publication ‘The Audacity to Listen’, available at argos.
anniea.bsky.social
listened to this yesterday = good!
cronicaelectronica.org
Super happy to announce that “INvolution” by [MONRHEA] and @poemproducer.bsky.social is now available to download or stream! Get it from www.cronicaelectronica.org/240/
Cover of “INvolution” by [MONRHEA] + agf
Reposted by Annie Abrahams
anniea.bsky.social
3 pooms published in Bisphenol-a, une revue mensuelle des éditions du Respirateur respirateur.com/bisphenola/
anniea.bsky.social
With Sergei Demin. Preparing an album. Reverb Beeld en Geluid Hilversum. Thanks gregory @gym
anniea.bsky.social
Protocol and comments of Distant Feelings published in Infinity's Kitchen #11 in 2020.
Reposted by Annie Abrahams
anniea.bsky.social
With Nerina Cocchi, Constança Carvalho Homen and Curt Cloninger.
anniea.bsky.social
Utterings June 3 Brussels.
anniea.bsky.social
tinkering attending moving erasing evolving rhizomatic uncontrolled
Reposted by Annie Abrahams
fetishisminsound.bsky.social
Zaterdag 10 mei 2025

‘GARDEN OF ANALOGUE FETISHISM’

Een ontspannen middag en avond rond het onderwerp TAPE en andere analoge zaken.
Tekst, beeld, geluid.

Aanvang: 13:00.

In een privétuin in Arnhem
anniea.bsky.social
"Artistic, intellectual and political work that cannot be made fascist, or co-opted or used for authoritarian power politics – if that is even possible – requires more complex concepts than a simple binarity of ‘regulation’ and ‘transgression;’ it requires permanent (self-) critical work."
Transgression and disruption as aesthetic ideology, from Marinetti to experimental art, counterculture, neoliberalism, and Trump
cramer.pleintekst.nl