Anodyne Magazine 🌸 Subs Closed
@anodynemag.bsky.social
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An arts and lit magazine advocating for health equity for the global FLINTA* community. Cofounders @vmkirin.bsky.social + Katarina Eva https://linktr.ee/anodynemag
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anodynemag.bsky.social
The best part of our job... sending out award nominations. Keep an eye on your inboxes. 💙
anodynemag.bsky.social
We want to take a moment to reaffirm our values and make our stance clear. In light of ongoing attacks on DEI, we’re using this space to say: we’re not backing down.

Anodyne exists to provide a safe, cathartic space for FLINTA* creators. We’ve also included resources and ways to support each other.
anodynemag.bsky.social
The #Disabled Writers database is an incredible resource to editors and a fantastic opportunity to writers. Have a look. 👀
www.disabledwriters.com?page_id=140
Welcome to Disabled Writers
www.disabledwriters.com
anodynemag.bsky.social
Our bodies aren’t machines; they’re rivers, sunsets, and succulents. 🌊☀️🌱

Anodyne’s Vol.6 contributors remind us: nature lives under our skin.

Shop the full issue here: anodynemag.com/vol6
anodynemag.bsky.social
Award season’s here! 🌟 Anodyne is nominating our contributors for the big ones: CLMP prizes + the new Monarch Awards for queer short-form work.

Visibility is critical to our mission of advocating for health equity. Which awards do you think should be on our radar this year? 

#flinta #queer #litmag
anodynemag.bsky.social
Vol.6 is full of unique bodies:

🌋 A brain that’s volcanic
🪩 A self that multiplies on a disco floor
✒️ A gut that strings itself into a ceremony

Shop the whole issue here: anodynemag.com/vol6

#poetry #litmag #queerart
anodynemag.bsky.social
Happy Bisexual Visibility Day! 💜💖💙

Bi folks aren’t “half-and-half,” and no, we don’t have to pick a side.

To all the bisexual FLINTA* friends — we see you and we celebrate you.

#BiPride #BisexualVisibilityDay #FLINTA
anodynemag.bsky.social
ANODYNE means many things, but never just one. 📖🩵

Traditionally: to soothe, to numb, to be “harmless.”

Our "anodyne" is LOUD, bright, unapologetic. We are a literary magazine for FLINTA* health, creativity, and resistance. 🌟

#AnodyneMagazine #FLINTA #HealthWriting #QueerArt #LitMag
anodynemag.bsky.social
Surreal hybrids, bathroom odysseys, lipstick-stained matriarchs: Vol.6 never plays it safe.

🐙 Serge Lecomte, "Sharing"
🎾 Titi Kusumandari, "Five Meters Away"
💄 Brandice Askin, "Fragmented Matriarch"

Full pieces → anodynemag.com/vol6

#litmag #flinta #poetry #prose #queerart
anodynemag.bsky.social
IN VOL.6: Bodies carry faith, culture, noise.

“Altar” by Haley Olds: religion collides with desire and guilt
"Ascend/Descend” by Ping Wang: staircases illustrate belonging
“Aubade for ADHD” by Christie Beckwith: the relentless pulse of a neurodivergent mind

anodynemag.com/vol6 🩺

#FLINTA #LitMag
anodynemag.bsky.social
September 10 is World Suicide Prevention Day. According to The Trevor Project, 39% of LGBTQ+ youth considered suicide last year; half couldn’t access care.

If you’re struggling: dial 988 (U.S.) or find global hotlines at iasp.info.
 Learn more about our health-centered stories at anodynemag.com
anodynemag.bsky.social
Your heating pad isn’t just a heating pad. Your pill bottle isn’t just a pill bottle.


A creative prompt for all art forms: turn an everyday health object into something else entirely—a weapon, a cathedral, or a love poem?

Tag us w/ your response. Find inspo in Vol.6 → anodynemag.com/vol6
#prompt
anodynemag.bsky.social
The Indiana Review (out of Bloomington) is open for submission for "carefully strange" work for a nominal honorarium. We fully support this mission. #writingcommunity indianareview.iu.edu/submissions/...
Submissions
Page with information about journal submissions
indianareview.iu.edu
anodynemag.bsky.social
IN VOL.6:
“Misdiagnosis” by Ella Gage: gallbladder 16x normal size.
“Eye Strain” by Jonah Barnett: laser surgeries turned into cyanotype art.
“You definitely don’t have a learning disability” by Caitlin Thomson: words that hurt more than illness.

Read the full pieces → anodynemag.com/vol6
anodynemag.bsky.social
This #OverdoseAwarenessDay (Aug 31), let’s get real:

Bisexual women are over 2× more likely to misuse prescription opioids than straight women. Plus, LGBTQ+ folks face substance use rates 2–3× higher.

Addiction is a public health crisis. Let’s fight stigma and demand better access to care.
anodynemag.bsky.social
The NonBinary Review by @zoeticpress.bsky.social is open for submissions. Current theme is metamorphosis. More here: www.zoeticpress.com/submit #writingcommunity
www.zoeticpress.com
anodynemag.bsky.social
@vestalreview.bsky.social is currently open for submission! They're a paying market. 😉 Check out their guidelines and get your beautiful work in: www.vestalreview.net/guidelines
Submission Guidelines — Vestal Review
www.vestalreview.net
anodynemag.bsky.social
✨ New: our Super Supporter tier on Substack ($150/year).

Support Anodyne’s work advocating for health equity + get editorial critique of your ongoing work.

Join here: anodynemag.substack.com
And don’t miss Vol.6, now in print & ebook!

#LitMag #WritingCommunity
anodynemag.bsky.social
In Vol.6, our contributors write through bleeding bodies, healing botanicals, and the language of loss. ❤️‍🩹

Read their full work in Vol.6 (both print or ebook orders comes with audiobook): anodynemag.com/product/anod...

#FLINTA #litmag #poetry
Excerpt of Heather's artist's statement: "I photographed Celosia argentea var. cristata (Crested Cockscomb) grown lovingly by queer femme artist Caitlin Rose Sweet. This botanical can be used for pain relief (including menstrual cramps), inflammation, and can help relieve uterine bleeding. It also has aphrodisiac properties and is great for pollinators and soil health. To make this work, I use a scanner that I’ve converted into a high-res camera to capture the imagery. I make long exposures to allow the skylight from above to bleed in. The glitch is created from my brightly painted fingernails as I live-collage the botanicals. This results in fragmented rainbowed imagery, which allows me to reflect on our complex lived experience while celebrating the rainbowed spaces we create, that are often outside the understanding of the machine"