ArtReview
@artreview.bsky.social
The independent critical voice in contemporary art since 1949.
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Artist Ibrahim Mahama is #1 on the 2025 ArtReview Power 100 list.
Find out why, and view the full list now: artreview.com/power-100/
Find out why, and view the full list now: artreview.com/power-100/
Two weeks after the devastating fire in Tai Po, it’s clear the fault lies beyond Hong Kong’s iconic plant artreview.com/on-bamboo-bl...
On Bamboo, Blame and Wang Fuk Court
Two weeks after the devastating fire in Tai Po, it’s clear the fault lies beyond Hong Kong’s iconic plant
artreview.com
December 15, 2025 at 5:18 PM
Two weeks after the devastating fire in Tai Po, it’s clear the fault lies beyond Hong Kong’s iconic plant artreview.com/on-bamboo-bl...
The Whitney Museum has today announced the 56 artists participating in the 2026 Whitney Biennial artreview.com/whitney-bien...
Whitney Biennial 2026 announces artists
The 2026 edition opens 8 March in New York
artreview.com
December 15, 2025 at 4:14 PM
The Whitney Museum has today announced the 56 artists participating in the 2026 Whitney Biennial artreview.com/whitney-bien...
The Diriyah Biennale Foundation has announced the full list of artists for its 2026 edition artreview.com/diriyah-bien...
Diriyah Biennale announces full list of artists for 2026 edition
The 2026 edition, titled ‘In Interludes and Transitions (في الحِلّ والترحال)’, is set to open on 30 January
artreview.com
December 15, 2025 at 3:07 PM
The Diriyah Biennale Foundation has announced the full list of artists for its 2026 edition artreview.com/diriyah-bien...
The Year in Borders: In 2025, tech oligarchs redrew the lines of political power across the world, writes @lalehkhalili.bsky.social artreview.com/the-irration...
The Irrational Market
The Year in Borders: In 2025, tech oligarchs redrew the lines of political power across the world
artreview.com
December 15, 2025 at 2:40 PM
The Year in Borders: In 2025, tech oligarchs redrew the lines of political power across the world, writes @lalehkhalili.bsky.social artreview.com/the-irration...
The Chinese artist comes across most authentic in his stripped-back sketches rather than heavy-handed video work artreview.com/zheng-bo-vib...
Zheng Bo: Aquatics and Eco-Porn
The Chinese artist comes across most authentic in his stripped-back sketches rather than heavy-handed video work
artreview.com
December 15, 2025 at 12:03 PM
The Chinese artist comes across most authentic in his stripped-back sketches rather than heavy-handed video work artreview.com/zheng-bo-vib...
In her two- and three-dimensional works, Young In Hong channels the possibilities of sound into colour, texture and form artreview.com/young-in-hon...
Young In Hong: Look But Don’t Touch
In her two- and three-dimensional works, Young In Hong channels the possibilities of sound into colour, texture and form
artreview.com
December 15, 2025 at 10:53 AM
In her two- and three-dimensional works, Young In Hong channels the possibilities of sound into colour, texture and form artreview.com/young-in-hon...
Reposted by ArtReview
Qu’est-ce que l’art post-IA ? – ArtReview
artreview.com/what-is-post...
artreview.com/what-is-post...
What Is Post-AI Art?
Avery Singer, Simon Denny, Holly Herndon, Mat Dryhurst and Jon Rafman discuss – with the help of a generated AI – what the future holds
artreview.com
December 13, 2025 at 1:05 PM
Qu’est-ce que l’art post-IA ? – ArtReview
artreview.com/what-is-post...
artreview.com/what-is-post...
Reposted by ArtReview
What a (thankfully temporary, though we'll see if it ends up actually hitting its deadlines) loss to London. I hope this renovation will not undermine its legendary incomprehensibility...getting lost in the Barbican is a Londoner's rite of passage!
artreview.com/barbican-to-...
artreview.com/barbican-to-...
Barbican to close for renovation in 2028
The first phase of construction is expected to be completed in 2030, ahead of the Barbican’s 50-year anniversary in 2032
artreview.com
December 12, 2025 at 1:54 PM
What a (thankfully temporary, though we'll see if it ends up actually hitting its deadlines) loss to London. I hope this renovation will not undermine its legendary incomprehensibility...getting lost in the Barbican is a Londoner's rite of passage!
artreview.com/barbican-to-...
artreview.com/barbican-to-...
Maria Balshaw, who has helmed Tate since 2017, will step down from her role artreview.com/tate-directo...
Tate director Maria Balshaw to step down
Maria Balshaw will step down next spring
artreview.com
December 12, 2025 at 12:38 PM
Maria Balshaw, who has helmed Tate since 2017, will step down from her role artreview.com/tate-directo...
The City of London Corporation has approved a £191 million investment towards the Barbican Centre’s five-year renovation plan artreview.com/barbican-to-...
Barbican to close for renovation in 2028
The first phase of construction is expected to be completed in 2030, ahead of the Barbican’s 50-year anniversary in 2032
artreview.com
December 12, 2025 at 12:19 PM
The City of London Corporation has approved a £191 million investment towards the Barbican Centre’s five-year renovation plan artreview.com/barbican-to-...
Maybe it’s Brexit. Maybe it’s COVID. Maybe it’s just a solemn event space-cum-speaker’s corner with nobody listening. artreview.com/why-no-one-l...
Why No One Likes the Tate Anymore
Maybe it’s Brexit. Maybe it’s COVID. Maybe it’s just a solemn event space-cum-speaker’s corner with nobody listening.
artreview.com
December 12, 2025 at 11:47 AM
Maybe it’s Brexit. Maybe it’s COVID. Maybe it’s just a solemn event space-cum-speaker’s corner with nobody listening. artreview.com/why-no-one-l...
The conceptual artist Ceal Floyer died on December 11 after a long battle with illness, Esther Schipper gallery has announced artreview.com/ceal-floyer-...
Ceal Floyer, conceptual artist, 1968–2025
The Pakistan-born artist has died after a long battle with illness, Esther Schipper gallery has announced
artreview.com
December 12, 2025 at 10:46 AM
The conceptual artist Ceal Floyer died on December 11 after a long battle with illness, Esther Schipper gallery has announced artreview.com/ceal-floyer-...
In the cursed year 2025, art staged the increasing centrality of a technological revolution that most people didn’t ask for but can’t escape artreview.com/the-year-ai-...
The Year AI Captured Art
The year in art: In the cursed year 2025, art staged the increasing centrality of a technological revolution that most people didn’t ask for but can’t escape
artreview.com
December 12, 2025 at 10:31 AM
In the cursed year 2025, art staged the increasing centrality of a technological revolution that most people didn’t ask for but can’t escape artreview.com/the-year-ai-...
Each month, we publish an original poem, written in response to a work of contemporary art. This month, poet Tishani Doshi chose ‘Drachmas’ (2018) by Ala Younis. Read it here: artreview.com/childhood-as...
December 12, 2025 at 10:16 AM
Each month, we publish an original poem, written in response to a work of contemporary art. This month, poet Tishani Doshi chose ‘Drachmas’ (2018) by Ala Younis. Read it here: artreview.com/childhood-as...
The Rijksmuseum, Amsterdam will open its first satellite branch in Eindhoven, the museum has announced. ASML, the leading chip manufacturer based in nearby Veldhoven, is a founding partner of the project artreview.com/rijksmuseum-...
Rijksmuseum expands to Eindhoven
The new satellite branch is expected to open in six to eight years
artreview.com
December 11, 2025 at 2:39 PM
The Rijksmuseum, Amsterdam will open its first satellite branch in Eindhoven, the museum has announced. ASML, the leading chip manufacturer based in nearby Veldhoven, is a founding partner of the project artreview.com/rijksmuseum-...
The Year in Eating: In 2025 we ought to be asking not just why ‘thin is in’, but more specifically why appetite should now be out artreview.com/make-somethi...
Make Something From Nothing
The Year in Eating: In 2025 we ought to be asking not just why ‘thin is in’, but more specifically why appetite should now be out
artreview.com
December 11, 2025 at 12:39 PM
The Year in Eating: In 2025 we ought to be asking not just why ‘thin is in’, but more specifically why appetite should now be out artreview.com/make-somethi...
Our editors on the exhibitions they’re looking forward to around the world this month, from Bangkok and Kochi to New York and London artreview.com/the-8-exhibi...
The 8 Exhibitions to See in December 2025
Our editors on the exhibitions they’re looking forward to around the world this month, from Bangkok and Kochi to New York and London
artreview.com
December 11, 2025 at 12:00 PM
Our editors on the exhibitions they’re looking forward to around the world this month, from Bangkok and Kochi to New York and London artreview.com/the-8-exhibi...
Reposted by ArtReview
Excellent piece here on the state of cinema in 2025. #filmsky
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say? artreview.com/dialogue-is-...
Dialogue Is Over
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say?
artreview.com
December 10, 2025 at 2:05 PM
Excellent piece here on the state of cinema in 2025. #filmsky
Reposted by ArtReview
On EDDINGTON:
"I had thought the film gleefully nihilistic; later I saw what it was trying to say. Our petty human vanities and differences and quibbles, the film suggests, pale against the world-dominating visions of our titans of capital..." - Rebecca Liu, @artreview.bsky.social
"I had thought the film gleefully nihilistic; later I saw what it was trying to say. Our petty human vanities and differences and quibbles, the film suggests, pale against the world-dominating visions of our titans of capital..." - Rebecca Liu, @artreview.bsky.social
Dialogue Is Over
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say?
artreview.com
December 10, 2025 at 9:41 PM
On EDDINGTON:
"I had thought the film gleefully nihilistic; later I saw what it was trying to say. Our petty human vanities and differences and quibbles, the film suggests, pale against the world-dominating visions of our titans of capital..." - Rebecca Liu, @artreview.bsky.social
"I had thought the film gleefully nihilistic; later I saw what it was trying to say. Our petty human vanities and differences and quibbles, the film suggests, pale against the world-dominating visions of our titans of capital..." - Rebecca Liu, @artreview.bsky.social
Reposted by ArtReview
"films from C20, struck by the richness, even wackiness of the dialogue, fast-talking screwball heroines of 30s, delightful camp of 80s action capers. Now our presiding aesthetic is laconic world-weariness set against thumping techno+droning ambience. Dialogue is over."
artreview.com/dialogue-is-...
artreview.com/dialogue-is-...
Dialogue Is Over
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say?
artreview.com
December 10, 2025 at 2:26 PM
"films from C20, struck by the richness, even wackiness of the dialogue, fast-talking screwball heroines of 30s, delightful camp of 80s action capers. Now our presiding aesthetic is laconic world-weariness set against thumping techno+droning ambience. Dialogue is over."
artreview.com/dialogue-is-...
artreview.com/dialogue-is-...
The artist Lina Lapelytė’s commission for this year’s Performa Biennial certainly has emancipatory intentions. But is freedom ever a realistic aim of performance?
artreview.com/notes-from-n...
artreview.com/notes-from-n...
Notes from New York: Child’s Play
The artist Lina Lapelytė’s commission for this year’s Performa Biennial certainly has emancipatory intentions. But is freedom ever a realistic aim of performance?
artreview.com
December 11, 2025 at 11:19 AM
The artist Lina Lapelytė’s commission for this year’s Performa Biennial certainly has emancipatory intentions. But is freedom ever a realistic aim of performance?
artreview.com/notes-from-n...
artreview.com/notes-from-n...
“I’m thinking about an institution as some kind of archaeological truth”, says Ibrahim Mahama, No.1 on this year’s ArtReview Power 100 list artreview.com/the-intervie...
The Interview: Ibrahim Mahama
“I’m thinking about an institution as some kind of archaeological truth”
artreview.com
December 10, 2025 at 3:16 PM
“I’m thinking about an institution as some kind of archaeological truth”, says Ibrahim Mahama, No.1 on this year’s ArtReview Power 100 list artreview.com/the-intervie...
Nnena Kalu is the winner of the 2025 Turner Prize artreview.com/nnena-kalu-w...
Nnena Kalu wins 2025 Turner Prize
She is the first artist with a learning disability to receive the Turner Prize
artreview.com
December 10, 2025 at 2:23 PM
Nnena Kalu is the winner of the 2025 Turner Prize artreview.com/nnena-kalu-w...
Reposted by ArtReview
In Milwaukee? My upcoming collaborative exhibition is one of ArtReview's The 8 exhibitions to see in December (in the world!)
artreview.com/the-8-exhibi...
artreview.com/the-8-exhibi...
December 10, 2025 at 1:10 AM
In Milwaukee? My upcoming collaborative exhibition is one of ArtReview's The 8 exhibitions to see in December (in the world!)
artreview.com/the-8-exhibi...
artreview.com/the-8-exhibi...
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say? artreview.com/dialogue-is-...
Dialogue Is Over
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say?
artreview.com
December 10, 2025 at 1:18 PM
The year in film: 2025 was the year of the social-politics drama. Did any of them have much to say? artreview.com/dialogue-is-...