Find out how the audio team designed sounds for new alien species, corporation-specific technologies, eerie ship environments, facilities, and labs + what Tasmanian Devil screams have to do with an evil sheep & tons more:

⏰ Don't miss your chance to get this premium horror sound effects library for free!

How Mattia Cellotto's extraordinary sound effects library was created - from preparation and recording, to editing, mixing and the creation of the final product:

Wanted: Sound Design Intern, Audio Director, Senior Sound Designer, Junior/Mid level Audio Designer, Editor, Lead Audio Designer, Composer, Principal Audio Engineer, Streaming and Audio Specialist, Associate Technical Audio Designer, Junior Music Producer, Manager, APAC Music Supervision, Sound Designer, Industrial Designer, Audio Engineer, Acoustic Systems Engineer, Mid-Senior Sound Designer, Principal Sound Designer, Music Coordinator, and PhD Student in EE or CS

⏰ Don't miss your chance to get this premium horror sound effects library for free!

⏰ Don't miss your chance to get this premium horror sound effects library for free!

How the sound team created teeth-rattling hits, designed heart-pounding chase scenes, used wind recorded from a motorcycle helmet to add character to an ultra-punk-rock Toyota Celica, and tons more!

“Less is more” has become a mantra in sound design — but in this story, Dr Iain McGregor shows why, sometimes, more really is more:

Wanted: Foley Mixer and Editor, Audio Specialist, Game Audio Support, Foley Artist / Sound Designer, Senior Unreal Technical Sound Designer, Audio Director, Associate Technical Audio Designer, Music Composer, Manager, Audio (Sound & Music) - Global Production Technology, Audio Visual Engineer, Audio Director, Full Stack Mobile Developer - Music Tech, Audio Media Planning & Buying Lead, Apple Services, Experienced Sound Designer, Senior Technical Sound Designer, Head of Meta Music and Partnerships, VO Sound Engineer, Bass Lead / Piano Lead, Sound Designer, and Senior Media Data Specialist

Hear excellent sound stories in these new podcast episodes from Audio Podcast Alliance members:

2096 Animal sound effects / recordings: Animal Hyperrealism Vol IV is a sound library containing animal vocalisations, from real to designed creatures totaling more than 2000 individual sounds in 294 files. The sounds were recorded in zoos, and wildlife centers. The asset list includes but is not limited to: hippos, hyenas, vultures, dwarf mongooses, elephants, African cranes, parrots, tigers, pigmy hippos, rhea ostriches, brown bears, pheasants, wildebeests, African wild dogs and many more. The content has been recorded at 192KHz with a Sanken CO100K, an Avisoft CMPA and a Sennheiser 8050 for center plus two Sennheiser MKH8040 for stereo image. The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.

Wanted: Audio Intern, Audio Engineer, Audio Designer, Manager of Music Supervision, Lead Audio Designer, Sound Designer, Senior Sound Designer, Director, Digital Music, Video Editor & Sound Designer, Audio Programmer, Technical Art Lead (Audio) - UFC/NHL, Audio Producer, Sound Editor, Audio Engineer, Audio Producer, Sound Engineering + Post Production Manager, and Hardware Engineer

Skywalker Sound's supervising sound editor/sound designer Samson Neslund and re-recording mixer Onnalee Blank dive into the details of crafting 'Thunderbolts*' — now available on Disney+. They talk about using realistic sounds to create a grounded vibe for the superheroes, using dissonant drones and abstract textures for Sentry's dark mindspace called 'the Void,' creating fun and chaotic fight scenes, and more!

Mattia Cellotto’s highly anticipated ANIMAL HYPERREALISM IV launches soon - get your pre-release discount here!

Check out the highlights from this year's Airwiggles Audio Challenge:

The Loader makes it easier than ever to get your independent sound effects - try it here:

Mattia Cellotto’s highly anticipated ANIMAL HYPERREALISM IV launches soon - get your pre-release discount here!

Learn more about this game audio job:

Wanted: Audio Expert, Voice Actors, Coordinator, Music Creative Production – Series, Product Manager, Acoustics Working Student - Headphones, Sound Designer, Full-time Faculty, Music History, Composer, Sr Manager, Music Research, Lead Sound Designer, Sound Designer, VR Sound Designer (Revenue Share), Senior Technical Audio Designer, Junior DSP Engineer, Professional Audio Sales Specialist, Tech Audio Designer, Research Scientist Intern, Audio User Experience (PhD), Audio Engineer, DSP Engineer, Publishing & Administration Coordinator (Freelance), and Senior Sound Designer

Sound supervisor/re-recording mixer Luciano Vignola and sound designer/re-recording mixer Filipe Messeder share their experience of creating realistic, disturbing sound for director Zach Cregger's hit horror film 'Weapons.' Vignola and Messeder talk about their unique 'contraption' (called the Rumbler), which was used to create rattle layers for the end chase scene. They talk about their approach to panning foley, designing intricate reverbs to highlight the emptiness of spaces, working with the foley team to create believable gore, and much more!

Wanted: Sound Engineer, Senior Software Engineer - Audio/Video Infrastructure, BGM Sound Artist, Assistant, Music, Freelance AI Sounds Designer / Game Musician, Audio Producer, Music Supervisor, Audio Engineer, Producer, Audio, Atmos QC Engineer - Brazilian Portuguese, Producer II, Manager, Podcast Partnership Operations, Senior Audio Producer, Lead Audio Mixer, Technical Sound Designer (Wwise), Technical Audio Designer, Technical Support Engineer - Audio, C++ Engineer - (Embedded) AI Inference, and Senior Sound Designer