Bachtrack
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larkingrumple.bsky.social
Buon compleanno, Giuseppe! 🥳 My top ten Verdi playlist... bachtrack.com/playlist-top...
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Contrasting splendors at New York City Ballet: Robbins and Balanchine @nycballet.bsky.social
✍️ Carla Escoda
bachtrack.com/review-nycb-...
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Some enchanted evening: Rolando Villazón’s staging of La sonnambula charms The Met Opera
✍️ Susan Stempleski
bachtrack.com/review-sonna...
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Franz-Welser Möst leads a profound Cleveland Orchestra pairing @clevelandorch.bsky.social
✍️ Sam Jacobson
bachtrack.com/review-welse...
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Camille Saint-Saëns was born OTD in 1835. The Carnival of the Animals features in our top ten playlist, of course, but there's so much more music to celebrate... including the first original score for a silent film!
bachtrack.com/playlist-cam...
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Consensus in sound: ICE plays Jennie C Jones at the Metropolitan Museum @metmuseum.org
✍️ Kurt Gottschalk
bachtrack.com/review-jenni...
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Musical histories in transit: Andrew Arceci
✍️ Danny Riley
bachtrack.com/interview-an...
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A birthday retrospective in Boston: Andris Nelsons and the @bostonsymphony.bsky.social perform Debussy and Mahler
✍️ Kevin Wells
bachtrack.com/review-nelso...
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Daniela Candillari makes her @chicagosymphony.bsky.social debut like it's her own living room
✍️ Graham Meyer
bachtrack.com/review-candi...
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Exploding fixed views of Pierre Boulez with the London Sinfonietta and Sir George Benjamin
✍️ Roy Westbrook
bachtrack.com/review-boule...
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chienakano.bsky.social
“…more akin to the contemporary gilded canvases of Klimt in a deliquescence of musical gesture, as notes inexorably [dissolve into] silence.”

I love reading reviews that feel as inspired – and as inspirational – as the performance itself! 💕
#Mahler9
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Choose life: Oramo's Mahler 9 leaves death for the last page
✍️ Peter Quantrill
bachtrack.com/review-oramo...
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Gustavo Dudamel drives the LA Phil like a Ferrari through Stravinsky's Rite of Spring
✍️ Matthew Richard Martines
bachtrack.com/review-dudam...
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A meditative Estonian celebration of 90 years of Arvo Pärt
✍️ David Smythe
bachtrack.com/review-part-...
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Choose life: Oramo's Mahler 9 leaves death for the last page
✍️ Peter Quantrill
bachtrack.com/review-oramo...
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A magnificent Tosca from Welsh National Opera at the Mayflower @welshnatopera.bsky.social
✍️ David Truslove
bachtrack.com/review-tosca...
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Esa-Pekka Salonen leads an electrifying New York Philharmonic centenary tribute to Pierre Boulez @nyphilharmonic.bsky.social
✍️ Susan Stempleski
bachtrack.com/review-salon...
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Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City
✍️ Hilary Stroh
bachtrack.com/review-cinde...
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María Dueñas wows Dublin with poise, warmth and a touch of drama
✍️ Andrew Larkin
bachtrack.com/review-graf-...
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Brilliant Bartók from Yunchan Lim and an Adams premiere from the Philadelphia Orchestra @philorch.bsky.social
✍️ Cameron Kelsall
bachtrack.com/review-alsop...
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A tale of two Stabat Maters in Auckland
✍️ Simon Holden
bachtrack.com/review-staba...
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Opera North stages Handel’s Susanna: how a woman stood up to her abusers @operanorth.co.uk
✍️ Richard Wilcocks
bachtrack.com/review-hande...
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Mahler magic: @rsno.bsky.social opens season with the Seventh Symphony
✍️ Simon Thompson
bachtrack.com/review-sonde...
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Delving the depths of sorrow: Barbara Hannigan conducts the Royal Concertgebouw @concertgborkest.bsky.social
✍️ Clare Varney
bachtrack.com/review-hanni...
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Mao Fujita and Semyon Bychkov deliver a virtuoso pairing in Prague
✍️ Frank Kuznik
bachtrack.com/review-bychk...
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Wheeldon's Like Water for Chocolate for The Royal Ballet is sumptuous but complex
✍️ Amanda Jennings
bachtrack.com/review-like-...