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Léa Seydoux attends the Louis Vuitton show in Paris

March 10, 2025 at 8:39 PM

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Chris Berube

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I'm a fan of the Konbini Video Club series. It's like the Criterion Closet, but the celebrities are in a Paris video store, so they can choose any movie they like. This means you get moments where they pick absolute garbage, I love it (Note: most of the videos are in French) youtu.be/1Lxbi6KysAQ?...

Lea Seydoux holding a copy of "Look Who's Talking," a film she chose over, say, "The Sorrow and the Pity," or something else that denotes good taste

January 20, 2025 at 2:33 AM

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小島秀夫

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January 14, 2025 at 1:46 PM

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Léa Seydoux was the 7th most watched actress on Letterboxd in 2024.

January 13, 2025 at 12:48 AM

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Film Updates

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Most watched actresses of 2024 on Letterboxd:

1. Zendaya
2. Margaret Qualley
3. Emma Stone
4. Florence Pugh
5. Rebecca Ferguson
6. Catherine O’Hara
7. Léa Seydoux
8. Charlotte Rampling
9. Anne Hathaway
10. Scarlett Johansson

January 9, 2025 at 9:30 AM

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Léa Seydoux’s upcoming projects:

• Ildikó Enyedi’s SILENT FRIEND w/ Tony Leung (2025)
• Hideo Kojima's DEATH STRANDING 2: ON THE BEACH (2025)
• Arthur Harari’s THE UNKNOWN (2026)
• Zellner brothers’ ALPHA GANG (2026)
• Luca Guadagnino’s SEPARATE ROOMS (TBD)

January 2, 2025 at 8:05 PM

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O filme “A Besta”, protagonizado por Léa Seydoux, está disponível na MUBI Brasil 🇧🇷

December 28, 2024 at 7:25 PM

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Isaac Feldberg

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Bertrand Bonello on opening THE BEAST with a green screen and why the subject of his film is not just Gabrielle but Léa Seydoux: www.rogerebert.com/interviews/u...

Interview with Bertrand Bonello on “The Beast”

IF: “The Beast” begins by depicting Léa Seydoux’s Gabrielle in front of a green screen, taking direction from you, and cowering from an imaginary threat. You expose the artifice of filmmaking so early, in connecting it to that preoccupation with our fear of something that’s not actually there. Was this always your opening scene?

That was the first thing I wrote. When I started to write the film, I wrote this prologue, and I knew that it would stay there and make it through the final edit. There are many reasons for this. One of them is for the audience, so that everyone watching can make the connection between a green screen and virtuality. If you enter the film in 1910, it looks like a period film. If you go before that with a green screen, the audience understands that it’s going to be weirder than that, that everything will not be real, and so on. I wanted that to be clear.

Secondly, I have for three minutes Léa Seydoux alone in this green ocean, which is another way to say that one of the subjects of my film—perhaps the subject of my film—is going to be her: Gabrielle, but also Léa Seydoux. This scene is divided in two. One’s not quite a documentary but is me talking to her and saying, “Now you’ll do this, and we’ll see that. Are you ready? Action. Let’s go.” And the second is her acting in fear without anything around her, just in her mind. When you enter 1910, you enter loaded: with a scream, with this discussion of the beast, with the idea the beast might be something horrible because she screams. You don’t enter the film the same way. I wrote it very quickly, but I was sure that it would stay in the film.

December 22, 2024 at 8:53 PM

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Léa Seydoux wins Best Actress for ‘THE BEAST’ at the 2024 Florida Film Critics Circle Awards.

December 21, 2024 at 7:33 PM

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this léa seydoux picture

December 16, 2024 at 6:40 PM

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Léa Seydoux has been nominated as Best Actress at the Seattle Film Critics Society for “The Beast”.

December 7, 2024 at 5:28 PM

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Seattle Film Critics

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The 2024 SFCS nominees for BEST LEAD ACTRESS:
* Cynthia Erivo - WICKED
* Marianne Jean-Baptiste - HARD TRUTHS
* Mikey Madison - ANORA
* Demi Moore - THE SUBSTANCE
* Léa Seydoux - THE BEAST

December 6, 2024 at 6:20 PM

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Film Updates

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2024 Seattle Film Critics Society - Nominations

Best Actress

Cynthia Erivo, Wicked
Marianne Jean-Baptiste, Hard Truths
Mikey Madison, Anora
Demi Moore, The Substance
Léa Seydoux, The Beast