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Steve Bowbrick @bowbrick.bsky.social · 7h

If you want a preview of the world imagined for us by the monarchists, accelerationists, integralists and AI oligarchs look no further than the Dune movies…

GROSS: Villeneueve's Dune - aristocratic excess: bit.ly/48EhUCq

Steve Bowbrick @bowbrick.bsky.social · 1d

That's splendid! We have one and sometimes two foxes in a den down the garden. We've noticed they're not here so much these days - the camera will sometimes capture nothing for days. Kind of hard to figure out what they're up to! Elusive critters.

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Steve Bowbrick @bowbrick.bsky.social · 3d

Is there such a thing as SPEED SUMO?

Steve Bowbrick @bowbrick.bsky.social · 6d

Emotions and a kind of approximate sense of what time it is

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Steve Bowbrick @bowbrick.bsky.social · 14d

Thing is I'm pretty sure that, when it comes to it, when you're allowed a second to rise from your work and look along the line of toiling miners, one of them is going to be Mr. Bezos himself.

This is from a post I've called 'Paragraphs about AI', where I keep all this nonsense: bit.ly/3XpHiVU

Words by Steve Bowbrick, from his post 'Paragraphs about AI': Some say we shouldn't be polite to the AIs - no 'pleases' and 'if you don't minds' - but some of us are worried that, come the singularity, there'll be an accounting and those of us who weren't sufficiently deferential in the early years will be rounded up and shipped off-planet to work in one of Mr. Bezos's mines.
5 October

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Steve Bowbrick @bowbrick.bsky.social · 19d

When America’s only free-form independent radio station - not part of the American public radio system - feels the need to send physical mail to a fan who’s 3,000 miles from the transmitter on another continent. Must be tough times!

leaflet asking for donations from New Jersey radio station WFMU

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Steve Bowbrick @bowbrick.bsky.social · 20d

Makes your head spin - a kind of fable of human development - that you could take this little, 200 year-old locomotive and run it without modification on practically any railway in the world, including the TGV to Marseille and the 50,000km of Chinese high-speed rail.

RailAdvent @railadvent.bsky.social · 20d

Locomotion No. 1 was welcomed into Darlington station by London North Eastern Railway (LNER) yesterday (28th September). https://www.railadvent.co.uk/2025/09/locomotion-no-1-pulls-into-darlington-next-to-lner-azuma.html #darlington #lner #LnerAzuma #locomotion

Locomotion No.1 Pulls Into Darlington Next To LNER Azuma

Locomotion No. 1 was welcomed into Darlington station by London North Eastern Railway (LNER) yesterday (28th September).

www.railadvent.co.uk

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Steve Bowbrick @bowbrick.bsky.social · 21d

"Money begets money, my dear…" Mercantile capitalism explained by a shifty-looking old gent during the Restoration. Honestly, Forever Amber is a brilliant movie - wildly silly - essentially the first bonkbuster and the biggest movie of 1947. bit.ly/4cjF001

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Steve Bowbrick @bowbrick.bsky.social · 23d

It's forty years since i first saw My Dinner with Andre. I keep changing my mind. Last night I think I did so again, thanks to David Runciman and the @ppfideas.bsky.social crew who put on a screening at the Regent Street Cinema

I used to revere My Dinner with Andre. I thought it was some kind of high point for cerebral New Hollywood introspection, for downtown Manhattan intellectual self-confidence. The kind of cool New Yorker dialogue that the rest of us were just meant to admire. Then, a few years ago I decided, in a flash, watching it again, that actually it was a terrible, pretentious, involuted mess. The worst of American intellectual hubris. A dreadful, contemptible work of art. And it was kind of a relief (I gave it one star on Letterboxd and moved on). Then, last night, I went to see it again, at a live event put on by David Runciman for his Past Present Future podcast, and now I’m all over the place. I might have to write a proper review. Runciman’s guest, playwright Lee Hall, opened up the movie’s complexities, providing historical, theatrical and biographical context that gives the bloody thing a new validity for me. Blimey. Might have to revise that Letterboxd rating too.

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Steve Bowbrick @bowbrick.bsky.social · Sep 15

Eddington is Ari Aster's dark COVID Western: its culture war themes are becoming more relevant daily. Tomorrow, on the GROSS Substack, I'll be discussing the movie with influential @UCIrvine film studies Prof Catherine Liu at 11am PDT/7pm UK. Free and open to all: open.substack.com/live-stream/...

Joaquin Phoenix and Pedro Pascal face off in an empty New Mexico street. Text overlaid reads: "EDDINGTON Catherine Liu, author of Virtue Hoarders discusses Eddington with Steve Bowbrick, editor of GROSS, live on Substack 11am PDT (2pm EDT, 7pm BST Tuesday 16 September 2025"

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Steve Bowbrick @bowbrick.bsky.social · Sep 10

I'm using this as an index for the weakness of most film criticism - almost all the reviews just assume this information is present throughout. As if it's not material that it's withheld until the very end, in the weird, discontinuous Venice bit.

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Steve Bowbrick @bowbrick.bsky.social · Sep 10

It is a kind of numbing thing isn't it. I wrote it all down here, in case you have nothing on for the next ten minutes lol
bowbrick.substack.com/p/gross-dist...

GROSS DISTRACTION - The Brutalist - holocaust as plot twist

I'm struggling to phrase this without sounding like an idiot (I mean more like an idiot than usual).

bowbrick.substack.com

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Steve Bowbrick @bowbrick.bsky.social · Sep 10

Gave me weird feels around 'holocaust as plot twist'

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Reposted by Steve Bowbrick

Diane Coyle @dianecoyle1859.bsky.social · Sep 10

I have two tickets to the BBC Prom tomorrow night that we can’t use - would anybody be able to go despite the tube strike? Free to a music lover

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Steve Bowbrick @bowbrick.bsky.social · Sep 8

Amen. And the potboiler it was based on too - it was called 'an apostolic work'! Pauline Kael, who hated the movie, called it: "…the biggest recruitment poster the Catholic church has had since the sunnier days of 'Going My Way' and 'The Bells of St Mary's'"

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Steve Bowbrick @bowbrick.bsky.social · Sep 8

The Exorcist isn’t a horror movie, it’s a Catholic evangelical text. The film’s muscular Jesuit priests send the demon packing and heroic Father Karras sacrifices his own life in saving Regan’s, as a true priest should. The Exorcist is the next review in GROSS, the cinema history newsletter gross.ly

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Steve Bowbrick @bowbrick.bsky.social · Sep 4

Are they in the woods?

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

GROSS is a serious project - political and economic context, some world history, some comparison with other art forms - some unorthdox views about the classics and the great directors. Plus the jokes. Always the jokes. Join me! bit.ly/48GG5N3

GROSS - cinema history and criticism | Steve Bowbrick | Substack

A materialist critique of the immaterial joys of the cinema and a chronological journey through the biggest movies of all time. Click to read GROSS - cinema history and criticism, by Steve Bowbrick, a...

bit.ly

Steve Bowbrick @bowbrick.bsky.social · Sep 2

And yes, that is a working URL: gross.ly - I bought the domain from the Libyan registrar - I'm pretty sure they're not sanctioned any more so no one's going to break my door down.

GROSS - cinema history

GROSS.LY

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

I've adopted Fredric Jameson's phrase 'always historicize!' for the logo! bit.ly/4lXh8DI

"GROSS: always historicize" Classic T-Shirt for Sale by bowbrick

Fredric Jameson, literary critic, philosopher and political theorist, said 'always historicize'. At GROSS, the cinema newsletter, it's what I aim to do. • Millions of unique designs by independent art...

bit.ly

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

There's also a YouTube channel on the drawing board (do people still say that? Do people still have drawing boards?). Short video essays using footage from the movies discussed. I'm trying out an AI editing tool called Descript to speed up the assembly. Hmm.

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

There'll be other stuff between the main posts: last week it was Zach Cregger's Weapons as genre hoarding. I'm going to write about Eddington next. There'll be online chats and other fun gimmicks - plus some stuff that's outside the paywall for the hoi poloi.

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

What I'm doing is switching up GROSS from a happy hobby to a more organised affair. A fixed weekly post about a movie from Hollywood history (I'm writing about the top-grossing movie of every since 1913 and I'm up to 1973 - The Exorcist!)

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Steve Bowbrick @bowbrick.bsky.social · Sep 2

It's the third part of my essay about The Godfather and, incidentally, it's the first one that you'll need a subscription to read in full. I'd be thrilled if you'd let me know what you think - about this post and about the subscription offer! bit.ly/4mGBYbm

GROSS/63 1972, part three - is The Godfather conservative?

More to the point: is it a melodrama?

bit.ly

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Steve Bowbrick @bowbrick.bsky.social · Aug 31

The Godfather is a melodrama and The Long Good Friday is an epic. Not going to argue about this. GROSS is cinema history with a bit of politics, a bit of historic context, sometimes some gags. bit.ly/4mGBYbm

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