Matt Cipolla
banner
cipollamatt.bsky.social
Matt Cipolla
@cipollamatt.bsky.social
850 followers 230 following 1.1K posts
Was a film critic for seven-ish years (Bright Wall/Dark Room, The Spool, Ebert Voices, The Film Stage, so on). Now I guess I’m just critical. Tail-end millennial trash. Music, motorcycles, etc. #MeToo Mostly on Instagram @Cipolla.Matt cipollam926@gmail
Posts Media Videos Starter Packs
Pinned
Suffice it to say that I'm on Instagram far, far more than here or anywhere else.

@ cipolla.matt
Saw BUGONIA. Chuckled at times, Robbie Ryan continues to be one of the most reliable cinematographers working today, and Stone and Plemons are obviously very good, but I really needed this script to go farther, not just louder. My love for KINDS OF KINDNESS continues to surprise me. boxd.it/bwfV6V
A ★★★ review of Bugonia (2025)
I didn't have time to watch Save the Green Planet! before this, so I can't speak to how this works in relation to the original. And frankly, I do wonder if I'd have even the sort of passive engagement...
boxd.it
Suffice it to say that I'm on Instagram far, far more than here or anywhere else.

@ cipolla.matt
To Wong Foo, Thnks fr th Mmrs! Julie Newmar
Got a *ton* of writing done on another screenplay, then went for a motorcycle ride at around 11:45 pm. Rode past a stranger with a nice Heritage Softail, circled back around to say hi to him, and then we rode around the city for over an hour and chatted at a gas station. What a good day.
The last two days have really been making me think of “The Misery Chick” from DARIA, easily one of my favorite episodes.
Random inspirations: MYSTERIOUS SKIN, LAST DAYS, PARANOID PARK, THE VIRGIN SUICIDES, WILD STRAWBERRIES, CHILD'S PLAY 2, AUTUMN SONATA, NEAR DARK; the music of Rilo Kiley, Broken Social Scene, Wilco, and Shellac; and... getting an autism diagnosis in my late 20s! #scriptsky
Logline: "A troubled seven-year-old grapples with his identity and post-9/11 life as he and his family take a trip from their suburban Detroit home during the infamous Northeast blackout of 2003."

A playlist I made and wrote a bunch to: open.spotify.com/playlist/2O0... #scriptsky
Mexican Wine
open.spotify.com
Fun! A screenplay of mine, MEXICAN WINE, is a Second Rounder in Austin Film Festival's Drama Feature competition. It also got a 9 on a Black List evaluation a few months back, which about 0.5 percent of all projects get, so if anyone's interested in reading it... or buying it from me... #scriptsky
Saw LURKER. A script this rushed and staccato against such emotionally passive direction would be nice if the film actually used its conceit to any (a)moral purpose, but it’s too rushed and just sort of… there. boxd.it/aXgW4X
A ★★½ review of Lurker (2025)
It's hard to tell to what degree its staccato, all-too-quick screenplay is a feature and not a bug, but it can't help but feel inherently broad either way. It essentially plays like things happening o...
boxd.it
So… has anyone else’s electricity bill been skyrocketing lately?
72 degrees, rode up and down Lakeshore Drive past midnight, putted around the city, filled up my tank. I feel cleansed.

Also, I bought this bike with faaar past 9,000 miles on it, but yay, a nice round number!
I had a nightmare last night that I was at a SCREAM marathon and someone told me that Jonathan Glazer used AI for THE ZONE OF INTEREST.
Glad I was able to get a quick ride in today before the sky completely opened up.
Pleasantly surprised to see a Criterion release for perhaps the best movie ever. When they didn’t do anything when it turned 25 last summer, I just figured it wouldn’t get anything ever.
I’m sure the feeling will come back. I tend to hyperfixate on interests, but that doesn’t mean interests can’t still ebb and flow. Writing about movies could not pay less, so it’s not like I ever really did it for money.

Anyway, here’s James Benning’s TEN SKIES to watch: youtu.be/dnBGr6VsDVU?...
Ten Skies (James Benning) - 2004
YouTube video by accochamps
youtu.be
I currently learn less from new films than I did before. Perhaps it’s because I already spent so many years dissecting my own taste. Maybe it’s because movies used to be more of a social vessel for me, but now that I’ve learned more about myself elsewhere, I get more from other things in my life.
So, do I still love movies? Yes. That’s about 90 percent of what I write about, or what I write, as an author. But as a projectionist in my life once said regarding new releases, “No, I don’t hate movies. I love movies; I just don’t love any of *these* movies.”
I recently watched James Benning’s TEN SKIES and was blown away by it. 98 minutes, ten different shots of skies, and nothing else. Its life is overpowering and I’m still digesting it. If there were more stuff like that in theaters, I guess I’d be more excited, but that’s a pipe dream.
I guess it makes sense that I pivoted to screenwriting about a year and a half ago. I figured I’d write stuff I’d like to see: stuff with wavering, sometimes lackadaisical plots; occasionally bleak work; scripts where things just continue to happen because the world somehow doesn’t ever end.
If there were more movies out there that toyed with internalization and lyricism—what Omnes Films is doing is a great example—I’d be more into contemporary film. But with a few precious exceptions (e.g. THE BEAST, EEPHUS), this is the least I’ve ever cared about new movies in my life. It’s weird.
If I think about what art form I consume the most on a quantitative level, it’s music. The form is inherently less literal than film because it lacks visuals, and it also happens to be an art I can often consume while doing other things without compromising my digestion or perception of it.