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clydepowell.bsky.social
✨ Clyde ✨
@clydepowell.bsky.social
18K followers 19K following 2.3K posts
FUCK TRUMP When he lies, misleads, falls asleep, rambles ln a speech point it out and blame it on Old Age, Mental Decline, and just plain being delusional.

My Major PET PEEVE with DNC
https://bsky.app/profile/clydepowell.bsky.social/post/3lpy6gzolss2x
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clydepowell.bsky.social
✨ Clyde ✨ @clydepowell.bsky.social · 12d
Fuck #Trump the lying and delusional and the Cronies in #ICE 8647
Get in his Head and stay there until the #Midterms "Rent Free"
#Resist #TACO and his Clown Show on every front 24/7/365
Turn up the Volume and FILM ~ FILM ~ FILM #NoKings
This image presents a powerful and provocative political statement layered in a stark black-and-white design. The bold phrase "FUCK TRUMP" is placed prominently at the top in all caps, immediately drawing attention with its directness and emotional intensity. Below this, the iconic phrase from the U.S. Constitution, "We the People," is rendered in a script style reminiscent of the original document, evoking a sense of historical gravity and national identity. Following this script is the phrase "ARE PISSED OFF," also in capital letters, emphasizing frustration or anger from "the people." The juxtaposition of the revered constitutional phrase with blunt, modern language underscores a clash between traditional American values and contemporary political dissatisfaction. At the bottom, a quote attributed to Oscar Wilde reads, "Some men improve the world only by leaving it." This adds a layer of intellectual and somewhat sardonic commentary, suggesting that the subject of the statement (implied to be Donald Trump) has failed in a way that his absence might be an improvement. The overall effect is striking, combining patriotic symbolism with outspoken political critique. It captures a moment of dissent and uses both historical references and contemporary language to express a collective sense of discontent. The use of "We the People" ties individual frustration back to a collective civic identity, reinforcing that this anger is positioned as a democratic or societal grievance rather than a personal one.
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
A stark, high‑contrast image: plain white serif type set against a pitch‑black field. The lines are centered and stacked, each sentence broken so the eye moves down in measured beats. The font feels formal and sober — the long, narrow letters and generous leading give the short lines a punctuated, almost oratorial cadence. There are no images or decorative elements, only the words themselves, which makes the message visually blunt and unavoidable. The text reads as a direct juxtaposition: “Anne Frank hid from Nazis. In this moment, a child is hiding from ICE. The uniforms change, the cruelty doesn’t.” Using Anne Frank — a widely recognized symbol of wartime persecution and the loss of innocent life — the poster deliberately draws a line from historical atrocity to a contemporary agency (ICE). The visual minimalism and the repeated short clauses create a moral and emotional insistence: uniforms and names shift, but the human cost and the pattern of state-enabled cruelty persist. Culturally and symbolically, the piece works as a provocation and a call to memory. It leverages collective memory of the Holocaust to comment on current immigration enforcement, asking viewers to see continuity in systems of exclusion and detention. The design choice to strip away imagery leaves the analogy uncluttered and forces ethical comparison; the black-and-white palette underscores gravity and mourning. The image is a spare, high-contrast poster made of plain black type on a white field. At the top, in a larger bold face, sits the declarative headline: “Silence is Complicity.” Below that, centered and set as a compact block of verse, is the well‑known stanza often attributed to Pastor Martin Niemöller. The poem is arranged as a repeating, escalating list: “First they came for the Communists… I did not speak out,” then the same pattern for Socialists, trade unionists, and Jews, finishing on the bitter, final line that there was “no one left / To speak out for me.” A small epigraph in quotation marks and italics (visually set apart near the bottom) reads: “Some men improve the world only by leaving it.” — Oscar Wilde. Visually the piece is deliberate in its simplicity: centered text, no ornament, no imagery beyond the words. That austerity focuses the eye on rhythm and repetition; the repeated opening (“First they came…”) creates a drumbeat that mirrors the poem’s moral progression. The stark black‑on‑white palette, plenty of white space, and formal alignment give the poster the feel of a public notice or protest placard — practical, urgent, and moral rather than decorative. Culturally and symbolically, the poem is a moral parable about the costs of inaction and the way persecution proceeds by stages: when communities remain silent as others are targeted, the circle of vulnerability widens until everyone is endangered. Its structure — repetition with slight variation — is itself a device that makes the ethical lesson inevitable and cumulative. The Oscar Wilde line at the bottom adds a mordant, almost aphoristic counterpoint: a cynical aside about how some people’s absence is, to some, an “improvement,” which can be read as a comment on those who benefit from others’ removal or on the moral vacancy that allows persecution to proceed. Overall, the poster’s message is direct and uncompromising: silence in the face of injustice is not neutral; it is complicity. The fo…
November 25, 2025 at 9:58 AM
clydepowell.bsky.social
F U Feeble Minded #Trump and your Cronies in #ICE

Being old myself and feeling frustrated by my own mental decline hesitant to to ridicule, but If he can not do the job FUCK HIM 8647

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.thedailybeast.com/confused-tru...
Confused Trump, 79, Mistakenly Amplifies Calls to Impeach Himself
The president’s tirade against a group of Democratic lawmakers backfired.
www.thedailybeast.com
November 25, 2025 at 7:57 AM
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647

Big shout out for EDEN GATEKEEPER‬
She is taking off her earrings and coming for them all.
bsky.app/profile/chri...

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
November 25, 2025 at 3:37 AM
Reposted by ✨ Clyde ✨
angieispissed.bsky.social
✨✨✨✨✨
November 24, 2025 at 3:40 AM
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647

Well said this is our biggest tool in this fight against them.
There own incompetence. Laugh out loud, long and loud.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.ms.now/rachel-maddo...
Amateur hour: The White House keeps tripping over its own incompetence Amateur Hour: The White House keeps tripping over its own incompetence
On multiple fronts, Donald Trump and his team are failing for the most embarrassing of reasons: They don't appear to have any idea what they're doing.
www.ms.now
November 24, 2025 at 9:32 PM
clydepowell.bsky.social
F U Stupid Asshole #Trump and your Cronies at #ICE 8647

The Clowns keep the show going. No wonder this administration has got nothing done. Time is running out for them.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #PeteHegseth
www.cnn.com/2025/11/24/p...
Pentagon says it might recall Sen. Mark Kelly to military service for court martial over ‘illegal orders’ video | CNN Politics
The Pentagon said Monday that it is investigating Democratic Sen. Mark Kelly, a retired US Navy captain, in light of “serious allegations of misconduct” the department has received against him, and co...
www.cnn.com
November 24, 2025 at 8:16 PM
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647

Hire Clowns you get a Circus.
Need I say more.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.politico.com/news/2025/11...
Comey, James cases dismissed as judge disqualifies interim US attorney Lindsey Halligan
A judge concluded Halligan’s appointment violated laws that limit the ability of DOJ to install top prosecutors without Senate confirmation.
www.politico.com
November 24, 2025 at 8:05 PM
clydepowell.bsky.social
F U Wannabe #FascistPig #Dictator #Trump and #ICE 8647

Past time for blistering opinions.
Time for holding and charging them for accountability.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #QuietPiggy

www.kvue.com/article/synd...
Judge's blistering opinion details use of force in Chicago-area immigration crackdown
A federal judge’s 223-page opinion delivers a blistering account of federal agents using tear gas, rubber bullets and other force against Chicago-area protesters...
www.kvue.com
November 24, 2025 at 8:30 AM
clydepowell.bsky.social
F U Stupid Asshole #Trump and your Cronies at #ICE 8647

Plan ahead, Slow them down,
Help and lookout for each other.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
The image is a cropped screenshot of a social-media exchange presented on a dark background: white text blocks on black, with the familiar rounded profile circles and small blue verification marks beside two accounts. At the very top there’s a short commentary line asking, in plain text, “Anyone else tired of being lied to?” — that line sits above the embedded screenshot like an observer’s lead-in. Inside the screenshot are two stacked posts. The upper post is a formal-sounding statement from an official account tied to the Department of Veterans Affairs. Its message is proud and succinct: it says the department “are proud to have opened ten new health care facilities during the second Trump Administration!” The profile circle for that account shows a small American-flag-themed image and has a blue checkmark indicating verification. Beneath it, a reply from another verified account pushes back sharply. The reply claims the projects referenced were actually planned under the subsequent administration and accuses the department of firing roughly “almost 2,000 workers so far” with “plans to cut 86,000 more,” ending bluntly with “Get real” and a first-name address. The reply’s profile circle contains a headshot-style image and also shows a verification badge. Visually, the composition is high-contrast and direct: tiny icons (reply/retweet/like are suggested by familiar spacing), compact sans-serif type, and the layered look of a screenshot embedded in another post. The May 28 date is visible, lending a moment in time to the exchange. Interpretively, the image captures a short, pointed example of political dispute condensed into social-media form: an institutional claim of accomplishment met by a corrective (and accusatory) response about origins of projects and workforce reductions. Symbolically it’s about competing narratives — credit versus accountability — played out publicly and succinctly on a platform built for rapid rebuttal.
November 24, 2025 at 8:11 AM
clydepowell.bsky.social
F U Mentally Declining #Trump and your Cronies in #ICE 8647

People just doing as they were asked to do looking for that American dream. Plan ahead, Slow them down, Help and lookout for each other.

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.youtube.com/shorts/seoNT...
Migrants detained by ICE agents after appearing for scheduled asylum case court hearings #shorts
YouTube video by CBS News
www.youtube.com
November 24, 2025 at 8:02 AM
clydepowell.bsky.social
F U the #FascistPig #Dictator #Trump and #ICE 8647

GOP is seeing the writing on the wall for the midterms. Let them die and rot on their immigration hill. Plan ahead, Slow them down, Help and lookout for each other

#Resist 24/7/365 #NoKings #Indivisible #BlueCrew
www.politico.com/news/2025/11...
‘Is the price of doing this worth it?’: North Carolina Republicans worry about Trump immigration raids
The concerns surrounding Trump’s immigration clampdown in the Tar Heel state speak to a tension at the center of the president’s immigration agenda.
www.politico.com
November 24, 2025 at 3:25 AM
clydepowell.bsky.social
F U Feeble Minded #Trump and your Cronies in #ICE 8647

‘Bless Your Heart’
Widely understood by southerners to be a quiet way to tell someone they’re an idiot

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.theguardian.com/us-news/2025...
Charlotte activists met the immigration crackdown with ‘bless your heart’ resistance
ICE and CBP’s North Carolina operation faced an early-warning system run by thousands of volunteers
www.theguardian.com
November 23, 2025 at 5:56 PM
clydepowell.bsky.social
F U Wannabe #FascistPig #Dictator #Trump and #ICE 8647

No surprise here X is the prefect platform for this kind of activity. Can not imagine why they would stop using it

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #QuietPiggy
www.thedailybeast.com/top-maga-inf...
Top MAGA Influencers Accidentally Unmasked as Foreign Actors
A new feature on Elon Musk’s X has given deeper insight into the online “America First” movement.
www.thedailybeast.com
November 23, 2025 at 4:04 PM
clydepowell.bsky.social
F U Wannabe #FascistPig #Dictator #Trump and #ICE 8647

Plan ahead, Slow them down, Help and lookout for each other
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #QuietPiggy

www.youtube.com/shorts/c0rQo...
ICE Raids Gone Too Far?!
YouTube video by TMZ
www.youtube.com
November 22, 2025 at 8:32 PM
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647

Plan ahead, Slow them down, Help and lookout for each other
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #PhotoOfTheDay
A person stands in an outdoor, urban-park setting holding a large, hand-painted protest sign that dominates the frame. The sign’s message is written in tall, blocky letters: “NO SIGN IS BIG ENOUGH TO LIST ALL THE REASONS” in black, with the final line “I’M HERE” emphasized in pink/red and slightly larger — a visual punch that turns a long, declarative sentence into a personal statement. The lettering is clearly hand-drawn, slightly uneven, which gives it an immediate, human quality rather than a crafted commercial look. The individual wears glasses, a dark coat and scarf, and smiles gently while pointing at the sign, a small gesture that connects person and message. Behind them, leafless trees and a low institutional building suggest a chilly day and a civic or campus location — the kind of place where rallies, vigils, or demonstrations occur. The composition emphasizes solidarity and accumulation: the oversized sign and the line “no sign is big enough” suggest that the reasons for being present are many, complex, and not easily summarized. Symbolically, the image reads as a distilled protest trope — the refusal to reduce one’s motivations to a single slogan and an insistence on being physically present nonetheless. The handwritten, slightly imperfect type and the splash of color on the final phrase amplify sincerity and urgency: it’s a personal testimony in a public space. A dense outdoor crowd fills the frame, many people clustered closely together and several wearing bright red clothing. Dominating the foreground are two hand-made protest signs held high: the left sign reads “THE FUTURE OF THE WORLD IS IN MY CLASSROOM” with the word “CLASSROOM” spelled in colorful block letters; the right sign says “I WORK TO MAKE A LIVING / I TEACH TO MAKE A DIFFERENCE,” with different words emphasized in blue and red. The signs’ bold, simple lettering and use of color make their messages readable at a distance and act as focal points against a softly blurred background of trees and faces. Visually, the scene uses repetition (many heads, many signs) to convey solidarity; rhetorically, the placards set up a contrast between economic necessity and vocational purpose, underscoring teachers’ claims about the social importance of education. The overall impression is of a public demonstration centered on education and teacher advocacy, using clear, emotionally resonant slogans and collective presence to make a civic point.
November 22, 2025 at 8:25 PM
clydepowell.bsky.social
F U Mentally Declining #Trump and your Cronies in #ICE 8647
#Resist #MAGA 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew

Eyes on a Senate Seat better to leave now and start making that happen. Than a 6 month pissing match with #TACO until Midterms kick in.

www.cnbc.com/2025/11/22/t...
Trump on Marjorie Taylor Greene's resignation: She 'went BAD'
Rep. Marjorie Taylor Greene on Friday said she would resign in early January, after saying President Donald Trump unfairly criticized her.
www.cnbc.com
November 22, 2025 at 6:06 PM
clydepowell.bsky.social
F U Wannabe #FascistPig #Dictator #Trump and #ICE 8647
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew #QuietPiggy
A bold, high‑contrast graphic: white, all‑caps text on a black field frames a stylized U.S. flag that ripples across the center. The top line reads “WHEN TYRANNY BECOMES LAW” in a heavy, slightly distressed sans‑serif; the bottom line, equally emphatic, declares “REBELLION BECOMES DUTY.” The flag’s red, white and blue are saturated against the dark background and the whole piece has a weathered, poster‑or‑T‑shirt aesthetic—rough edges and a worn texture that suggest urgency and long‑standing conviction. Symbolically it fuses patriotic imagery with a revolutionary message: the American flag ties the sentiment to notions of national identity and the founding era, while the wording frames resistance as a moral obligation rather than mere dissent. The sentence is a conditional moral claim—if “tyranny” is institutionalized, then “rebellion” is not optional but a duty—which makes it rhetorically powerful and also potentially provocative. Historically, similar phrases are often linked in popular culture to Revolutionary rhetoric and are sometimes misattributed to figures like Thomas Jefferson, although clear documentary evidence for that attribution is lacking. Overall, the image functions as a compact, declarative call to oppose perceived governmental overreach, packaged in familiar national iconography to heighten its emotional and cultural resonance. A small street protest caught mid-afternoon: people stand on a sidewalk under a green street sign, each holding bold, hand-made placards. Foreground center is a large, rectangular sign in stark black, white and red reading "RESIST FASCISM / FIGHT OLIGARCHY" in heavy block type — the contrast and short imperative phrases give it the feel of a rallying cry. Above and slightly behind it is a patriotic red-white-and-blue placard that reads "PRO-AMERICA / ANTI-TRUMP," and nearby is a stylized, posterized portrait rendered in flat blues and reds with high-contrast highlights, evoking propaganda or pop-art poster aesthetics. On the right an older person in a straw hat and sunglasses speaks into a microphone or megaphone while holding another sign whose text is partially visible; their posture and open mouth add urgency and sound to the otherwise still photograph. The composition leans on American colors and bold typography to communicate political allegiance and opposition; the language evokes anti-authoritarian and anti-elitist themes common to contemporary protest movements. There’s no technical diagram or scientific system to solve here — it’s a direct visual statement and a slice of civic expression.
November 22, 2025 at 11:40 AM
clydepowell.bsky.social
F U Perverted Old Man #Trump and your Cronies in #ICE 8647
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
A bright, punchy comic: on the left, a young woman with brown hair in a ponytail, wearing a purple hoodie and jeans, stands with closed eyes and a casual, shrugging gesture as if dismissing or explaining something. Dominating the right side is a large, very yellow wood‑chipper rendered with bold black outlines and flat color—its feed hopper and chute have been given a cute, anime‑style face (blushing cheeks, simple smiling eyes), which makes the machine look unnervingly friendly. Above them, hand‑lettered text reads: “Whether you’re being inappropriate with an 8‑year‑old, or a 15‑year‑old, the ‘Chippy 5000’ doesn’t discriminate.” The artist’s signature and a date appear in the lower left. Visually the piece trades on contrast: cheerful, kawaii anthropomorphism and saturated color versus a dark, punchy caption about harm. That tension creates black humor and a satirical bite—the smiling machine and the woman’s nonchalance make the violent implication feel both absurd and chilling. Interpreted culturally, it reads as a blunt, ironic comment on wrongdoing and consequence (and on how society sometimes treats serious abuses with indifferent or flippant attitudes): the cute, impartial machine “doesn’t discriminate,” obliterating any excuse or nuance. The style—clean lines, simple palette, exaggerated expressions—keeps the image readable and sharp while amplifying the unsettling juxtaposition.
November 22, 2025 at 10:45 AM
Reposted by ✨ Clyde ✨
cissybgood67.bsky.social
What Nazi mess did Musk get himself into now?

www.dailykos.com/stories/2025...
What Nazi mess did Musk get himself into now?
� France has opened an investigation into billionaire Republican financier Elon Musk’s company after his AI chatbot Grok promoted Holocaust denial. Officials in the French government told the ...
www.dailykos.com
November 22, 2025 at 7:37 AM
Reposted by ✨ Clyde ✨
clydepowell.bsky.social
Fuck #Trump the Wannabe #Fascist #Dictator and #ICE 8647
Get in his Head and stay there until the #Midterms "Rent Free"
#Resist #TACO and his Clown Show on every front 24/7/365
#NoKings Turn up the Volume and FILM ~ FILM ~ FILM
In this image, the central focus is a brightly decorated sign prominently held up in a crowd. The sign reads "FIGHT FASCISM" in bold, black uppercase letters on a white background. The edges of the sign are framed with a vivid red border, which is further adorned with shiny blue tinsel-like decorations at the corners, adding a visually striking and festive touch that contrasts with the serious message. The person holding the sign is positioned in the foreground and is wearing a yellow T-shirt, but their face is obscured by the sign, making the message the unmistakable focal point. Behind this individual, a crowd of people is gathered, some with serious or focused expressions, suggesting a protest or rally atmosphere. The attire of the people and overall scene conveys a sense of casual unity and shared purpose. Symbolically, the sign's message—"FIGHT FASCISM"—is a powerful political statement calling for resistance against authoritarian and oppressive regimes or ideologies. Its decorative framing might symbolize the importance and celebration of freedom, solidarity, and activism. The colors red, white, and blue could indirectly evoke themes connected to national identity or democratic values, though this depends on cultural context. Overall, this image captures a moment of civic engagement where individuals band together to voice opposition to fascism, emphasizing both the urgency and collective spirit of the cause. The image presents a powerful and direct protest sign held aloft by a person whose face is only partially visible, with eyes peeking just above the sign. The sign itself uses bold, black uppercase letters on a plain white background framed by a light wooden border, making the message stark and unambiguous: "WE AREN'T BEING GOVERNED WE'RE BEING LOOTED" TRUMP 2.0 The choice of words evokes a strong criticism of the current state of governance, suggesting the idea that instead of fair leadership and service to the public, those in power are exploiting or taking advantage of the people—a sense of betrayal and corruption. The mention of "TRUMP 2.0" ties the sentiment explicitly to a modern political context, likely referencing a continuation or resurgence of the political style or ideology associated with former U.S. President Donald Trump. This phrase suggests the belief that policies or actions under a current or future administration branded as "Trump 2.0" will perpetuate or exacerbate this perceived exploitation. The visual composition—just the eyes showing above the sign—adds a human element to the protest, symbolizing perhaps the voice of the people or the citizenry standing up to express frustration and demand accountability. Overall, the image encapsulates a moment of political dissent, sharing an evocative message that blends protest art with concise political commentary.
November 12, 2025 at 6:09 AM
Reposted by ✨ Clyde ✨
clydepowell.bsky.social
Fuck lying and delusional #Trump and all in the #EpsteinFiles

Nothing worst than having a rabid dog cornered. 8647

Get in his Head and stay there until the #Midterms Rent Free
#Resist #TACO and his Clown Show on every front 24/7/365
Turn up the Volume and FILM #NoKings #Indivisible #VoteBlue
The image is a stark, bold graphic set against a solid black background, emphasizing contrast and directness. The word "NOPE" is written in large, white, capital letters, commanding immediate attention. Intriguingly, the letter "O" is stylized with a red tie hanging down from its bottom center, evoking a certain figure known for wearing a red tie—a clear visual nod to Donald Trump. Above the word "NOPE," a sweeping, stylized golden wave mimics Trump's distinctive hairstyle, rendered in a simple yet unmistakable form of three curved lines that suggest motion and personality without the need for finer detail. Beneath "NOPE," the phrase "FUCK TRUMP" appears in all caps, white font, delivering an unambiguous, explicit political message. This composition employs minimalist design elements to powerfully express dissent and rejection. The use of the word "NOPE" combined with visual cues—hair and the red tie—encapsulates a negative response toward Trump in a way that blends humor, sharp critique, and graphic simplicity. Culturally, this image taps into the tradition of protest art and political satire, leveraging visual shorthand that is immediately recognizable without needing direct mention of the name. The design's angry tone complements the broader conversation about political discourse and public reaction to leadership styles, policies, and persona. This image features a raised fist—a powerful and widely recognized symbol of resistance, solidarity, and empowerment. The fist is composed entirely of numerous small peace signs, each in various vibrant colors such as red, yellow, blue, green, purple, and pink. This clever visual fusion blends the themes of peace and protest, suggesting a movement that advocates for change through peaceful but determined resistance. The background is a deep, intense blue that fades to black, creating a sense of depth and focus around the fist. Surrounding the fist are several small, glowing star-like sparkles, which add a magical or hopeful quality to the image. At the bottom, the word "RESIST" is boldly written in green, with a brush-stroke texture that adds an organic, urgent feel to the message. Symbolically, the raised fist has been used globally to represent unity and strength in the face of oppression, often tied to civil rights, labor movements, and social justice causes. The incorporation of multicolored peace signs expands the meaning toward a vision of peaceful resistance—a call for sustained nonviolent action to achieve justice and equality. Additionally, the small crown in the lower left corner next to a stylized eye hints at themes of awareness, vigilance, and perhaps empowerment through knowledge or insight. The overall composition effectively conveys a message of vibrant, peaceful defiance, encouraging viewers to stand firm and resilient in their convictions.
November 14, 2025 at 7:31 PM
clydepowell.bsky.social
F U Old Man #Trump and your Cronies in #ICE 8647
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
A glossy, black-furred cat fills the frame, its fur rendered with sharp highlights that emphasize a plush, almost velvety texture. The cat’s eyes are a striking, narrowed amber—half-lidded, intensely focused—and its expression reads as sardonic and unamused. With one paw curled around a plain, cream-colored mug held up to its muzzle, the cat seems deliberately humanized: the posture and the cup suggest a moment of caffeinated sarcasm. The mug bears bold, block-letter text: “TRUMP” on the first line and beneath it, in smaller type, “Is he dead yet?” The typography is straightforward and confrontational, designed to be read immediately. The background looks like a soft, neutral fabric (this appears to be a print on a cup), which mutes distraction and keeps attention on the cat and the slogan. Visually and emotionally the image leans on dark humor and satire. The black cat—an animal often associated with superstition, mischief, or independence—serves as a sly mouthpiece, turning human political animus into a compact, provocative visual gag. As an artifact it blends pop-culture parody, political provocation, and merchandising design: simple composition, high-contrast imagery, and a pithy, shocking caption meant to provoke a reaction.
November 22, 2025 at 5:09 AM
clydepowell.bsky.social
F U Mentally Declining #Trump and your Cronies in #ICE 8647

Another huge lost for ICE which we need all we can get. Lets see if it holds
Plan ahead, Slow them down, Help and lookout for each other

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.politico.com/news/2025/11...
Judge halts IRS sharing of taxpayer info for immigration crackdown
Taxpayer advocacy group, unions are challenging the agency's deal with the Department of Homeland Security, saying it violates taxpayer confidentiality laws.
www.politico.com
November 22, 2025 at 12:21 AM
clydepowell.bsky.social
F U lying and delusional #Trump and your Cronies in #ICE 8647
#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
The image is a square graphic with a soft, cloudy background that fades from pale yellow at the top left into gray, then to bluish tones and white toward the bottom. The edges are slightly darker and more textured, giving a vignette effect that draws the eye toward the center text. At the top left there is a stylized quotation mark in dark gray, signaling that the text is a quote. The main message is centered and uses two contrasting colors to emphasize urgency: In bold black capital letters: “IT’S IMPORTANT TO VOTE IN THE MIDTERMS.” Directly beneath, in bold red capital letters, a more dramatic statement: “IF DEMOCRATS WIN, PRESIDENT TRUMP WILL BE IMPEACHED.” Below this, in smaller, italicized black type, is the attribution: “Karoline Leavitt.” Visually, the design employs a common rhetorical technique: neutral or serious information in black, followed by a high-stakes warning in red. Red, culturally associated with danger, alarm, or urgency, underscores the implied threat of impeachment. The mix of soft, almost watercolor-like background with stark, blocky text creates contrast between a calm visual field and a heated political message. Culturally and politically, the quote references U.S. midterm elections and uses the prospect of impeachment as a motivator to vote, reflecting partisan campaign rhetoric. It encapsulates a broader theme in modern political communication: framing electoral outcomes in terms of existential consequences for a favored leader, thereby turning routine civic participation into a high-drama event.
November 22, 2025 at 12:07 AM
clydepowell.bsky.social
F U #UnionBusting #Trump and your Cronies in #ICE 8647

Time will tell they both have to work with each other. TACO has less than a year till midterms. As of now he is losing them badly. He has to pivot

#Resist 24/7/365 Turn up the Volume
#NoKings #Indivisible #BlueCrew
www.cnn.com/2025/11/21/p...
Trump and Mamdani bond over affordability issues, love of New York and winning in surprisingly collegial meeting | CNN Politics
That collegial interaction was nearly unthinkable in the lead-up to the meeting, but the leader of the MAGA movement and the self-described democratic socialist made clear their conversation was a pro...
www.cnn.com
November 22, 2025 at 12:03 AM