Corné Akkers
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corneakkers.bsky.social
Corné Akkers
@corneakkers.bsky.social
93 followers 19 following 230 posts
Artist of oil paintings, pastels and drawings. Forging cubism, impressionism & surrealism.

Visit my website https://www.corneakkers.com
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Rijswijk - 04-12-15

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Drawing on paper (21 x 29.7 cm)
Artist: Corné Akkers

#artinvestment #artcollector #artcurator #rijswijk #pencildrawing #cubism
A Neat Little City This graphite pencil drawing ‘Rijswijk- 04-12-15’ explores the interplay of straight forms and curvature as its central theme. Since I find myself in the mood to draw landscapes and cityscapes I regularly set out to discover new sceneries. Often beauty lies around the corner and so is Rijswijk. It’s a neat little city glued onto the greater realm of the Haaglanden area as an integral and indispensable link. Maybe I overlooked Rijswijk in the recent past. Hence, the very reason to visit it. The centre is compact and inspired, dominated by the church smack in the middle. A New Doctrine ‘Culemborg – 21-11-15‘ as drawing was fairly good but I definitely missed something: a natural and not man-made element. That was the very reason I crafted the subsequent drawing ‘The Court’s Pound (De Hofvijver)’ - 26-11-15’ including water. Water by nature moves in mysterious ways and forms a perfect contrast with the buildings in the back. There you have it: forging a new doctrine with regard to future cityscapes to draw and paint. Everythin straight and rectangular has to be counterbalanced by something curved and organic-looking. The Lily and Solomon Such is life: when you plant an idea in your mind, it begins to attract what is kindred. Consequently, the first thing that struck me, standing in front the church, was aforementioned interplay. That would be straight contour delineations of the church and inspiring curves the tree branches took as forms. Do they state something about christianity and for that matter, any religion? Now I understand what Jesus said about the lily and Salomo better. The massive look of an impressive church can never surpass the elegant and simple beauty of nature. I like to add something to Jesus’ teachings: it’s all about the contrast. We can only enjoy nature fully, comparing it to all things man-made. They are in need of eachother and thus both play their part.
December 12, 2025 at 7:27 PM
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Ophelia – 08-12-25

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Drawing on paper (21 x 29.7 cm)
Artist: Corné Akkers

#artcollector #artcurator #artinvestment #ophelia #pencildrawing #realism
John Everett Millais This graphite pencil drawing ‘Ophelia – 08-12-25’ is my Shakespearean card up my sleeve I wanted to play for so long. Considering myself to be outside the art community and its non-crafters I always felt attracted to realism and other styles. Take the Pre-Raphaelites for example and John Everett Millais for that matter because I want to talk about him specifically. His interpretation of Ophelia I always found one of the best examples what realism may actually look like. By that I don’t mean sheer copying a photo or scenery but the kind that becomes spirited. I read his story and how long it took to craft his painting. Apparently he studied a specific brook with vegetation on its banks thoroughly in a make-shift cabin. In spite of weather conditions getting worse he kept on going. Passion That is passion indeed and it still rubs off looking at it, even after 150-odd years. This could be the kind of passion the world is in need of today. Especially on a level of counterbalancing non-creativity and the lack of skills in today’s art. Well, my passion was to match his painting. However, also adding the aspect of chiaroscuro to enhance the dramatic aspect of the theme. Perhaps that’s because I am a tonal kind of man which cannot be said of Millais. What I liked though was the dark water surrounding the fair skin complexion of the lady at hand. Taylor Swift, Nick Cave & Kylie Minogue, to Mention a Few In fact, I have been scrolling through a lot of similar paintings on the theme. Many I found not surpassing Millais level though. Even Friedrich Heyser’s didn’t match my expecations, although Taylor Swift made it popular in recent times. The painting is lush and technically not too bad. How could he have missed the the angle of refraction of light near her face! So many reasons started urging upon me to come up with an interpretation myself. Suddently I remembered ‘Where the Wild Roses Grow’ by Nick Cave and Kylie Minogue.
December 9, 2025 at 11:50 PM
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Hatertse Vennen (Hatert Meres) 09 (2014)

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Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers

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December 7, 2025 at 8:39 PM
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Hatertse Vennen (Hatert Meres) 09 (2014)

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Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers

#ArtInvestment #artcollector #artcurator #pastel #impressionism #hatertsevennen
More Light An impressionistic pastel of the sun setting through the trees at the Hatertse Vennen (Hatert Meres), Gelderland, Nederland. After the last one I wanted to show more sunlight because I felt that was missing. Landscapes can look very bland, almost greyish if there is a neutral lighting caused by a full or partial cloud cover. Monet’s Statement I fully concur with what Monet used to say: “I do not paint objects but the light around them”. Since then I prefer treescapes like these ‘contrejour’ (against daylight). The risk one faces is that the subject becomes blackened but in this particular case the sun already was setting so the landscape was not overlit. Colors For a brief moment I had the opportunity to study the color scheme of the tree trunks in the shadow, colors of the leafs and the golden light beams shining and shimmering through. Of course there was not enough time to capture it at the very spot but I remembered it and elaborated it on pastel paper in the confort of my studio. Instructional This pastel became instructional for my students to whom I can show how treetops shift in color because they do not have a lot of mass and are very thin. The light almost tends to bow around them and light in treetops becomes shattered, shining more intense than at the bottom of the tree. Therefor the trunk below is dark, shows blues, purples and greens and up in the tree you can see pinks, oranges, yellows and lilacs. Same wood, different colors. Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm) Artist: Corné Akkers
December 7, 2025 at 8:37 PM
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The Peace Pace in The Hague – 04-02-19

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drawing (Pentel 0.5 mm, 3B) on paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers

#artinvestment #artcollector #artcurator #thehague #pencildrawing #cubism
December 6, 2025 at 7:16 PM
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The Peace Pace in The Hague – 04-02-19

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drawing (Pentel 0.5 mm, 3B) on paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers

#artinvestment #artcollector #artcurator #thehague #pencildrawing #cubism
The Peace Palace Just outside the centre of The Hague (Den Haag) on the road to Scheveningen at the coast The Peace Palace is situated. It houses the The International Court of Justice of the United Nations. It is an impressive building and I had the privilige of visiting it a couple of times. I went there for business and pleasure quite some times, as a student and later as a lawyer. A little secret is that I even made love there once to my former girfriend in the past. It is one of those few landmarks that is typical for The Hague. At least it certainly ifor me. The city lacks a clear and sound cityscape but perhaps this comes close. After all, The Hague wants to brand itself as a capital of international justice for ages now. Museum Mesdag At the Laan van Meerdervoort there is this Museum Mesdag. At the first and second floor in the back you can look straight into the garden. There is this lovely view on The Peace Palace farther away. For years I wanted to sketch this view but I always forget about it. Maybe I will take my pencils and go there once more. From the Carnegieplein there was a vantage point as well, even though I had to look through the fence. So I took pictures like I am used to, biking through The Hague. Type of Rendering The reference picture I used I took last year at the brink of spring. Since this (today - 4nd February 2019) was a particularly windy and cold day I used this motif in order to evoke spring I guess. I kept the building quite vague. I also sketched with a rough edge more that I am used to in previous drawings. Maybe it is more suited to work it towards a more impressionistic look than a cubistic or roundish one. Some parts in the foreground show my initial roundism intentions though. It looks a bit like the style employed in my drawing Leidschendam 11-04-19.
December 6, 2025 at 7:14 PM
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St. James Church (Grote of St.-Jacobskerk) in The Hague - 10-03-15

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Pastel drawing on paper (47 x 63 x 0.1 cm)
Artist: Corné Akkers

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December 4, 2025 at 9:10 PM
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Hatert Meres (Hatertse Vennen) 03 (2013) (Sold)

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Pastel drawing on Canson Mi-Teintes Touch paper (63 x 47 x 0.1 cm)
Artist: Corné Akkers

#artcollector #artinvestment #artcurator #pastel #drawing #impressionism #hatertsevennen
December 3, 2025 at 9:43 AM
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Hatert Meres (Hatertse Vennen) 03 (2013) (Sold)

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Pastel drawing on Canson Mi-Teintes Touch paper (63 x 47 x 0.1 cm)
Artist: Corné Akkers

#artcollector #artinvestment #artcurator #pastel #drawing #impressionism #hatertsevennen
Tucked Away This pastel drawing ‘Hatert Meres (Hatertse Vennen) 03 (2013) (Sold)’ is in honor of a great nature reserve just below Nijmegen. Tucked away between the outer skirts of my beloved city where I come from and Overasselt near the river Maas. Full of little meres, heather, swamps and forested areas. When I was a child I often visited it with my parents. Not in the last place because after a walk we went to the pancake restaurant smack in the middle. It’s managed by family members and a sort of a family meeting point for weddings, reunions and funeral after parties. Anyway, the treat was to go there after a good walk through the woods. That’s why I cherish my memories of trees: they’ve always meant something delicious was nearby. Altered Landscape That was a long time ago. I moved to the west (South Holland) to study and became a lawyer. Then a struggling artist of course which I’m not anymore, rewriting this art statement in 2025. In 2013 my dad and I went back to revisit The Hatertse Vennen (Hatert Meres) once more. He claimed there was a lot of wood chopping going on. It turns out municipal authorities wanted to restore the district to its former glory. Less wood, more heather and open spaces. My dad and I never knew this original outlook. Apparently more than a century ago it looked rather different. The result is a more various landscape you can see in the very pastel at hand. Razor Light I had it in my to do this one competely impressionistic. Last pastel I made on the subject was a quite alright but I prefer this one. That’s because the sun razors through the leafy structures and that’s always nice, creating a more dramatic look. Blueish structures in the back, warmer colors and more definition of the heather in the front. The pastel almost drew itself. Fun to make and I sold it quickly. Pastel drawing on Canson Mi-Teintes Touch paper (63 x 47 x 0.1 cm) Artist: Corné Akkers
December 3, 2025 at 9:38 AM
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Sheer Beauty - 28-11-25

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Drawing on paper (21 x 28.5 cm)
Artist: Corné Akkers

#printableart #printables #art #impressionism #femaleform #graphite #pencildrawing #realism #artcollector #clairobscur #chiaroscuro
Sheer Joy To me, this graphite pencil drawing ‘Sheer Beauty – 28-11-25’ was nothing but sheer joy to create. Maximal tonal tension: hefty and subtle combined. That was my very aim doing this one. Also to test a new paper I got my hands on. I had never used Clairfontaine Ingres paper before, and its delicate grain offered surprising control over graphite diffusion. The Faber Castell Pitt 14B pencil’s softness allowed me to push contrast without losing subtlety. This experiment became a meditation on light - how it touches, hides, and reveals. Why not better do this by employing sheer structures? Lately I have become intrigued by these and I recall how fun it was to create ‘Sheer Deco Nude – 14-10-22’. It empowers me to push my limits and kick that tonal can down the road even further. As to the subject: I found the perfect model to do the job. Great session! Broken Tonal Play of Light and Dark Well, time to also honor Seurat’s broken tonal compositions whose meritable attempts on paper I had the pleasure to see. Many times of course and I remember last time when there was a big exhibition in the Kröller Muller Museum. There you have it. Two sound reasons motivating to experiment with sheer curtains filtering light into a fractured play of light and shadows. The Clairfontaine Ingres paper has a nice tooth and offers great tonal response. Its surface surprised me with subtle depth, even though one can scratch very hard into its grain without destroying. On an average, I think its quality is similar to Fabriano’s Ingres paper. One downside though, the paper doesn’t come with a score line to tear it off. Well, a small disadvantage but that’s when a right angle, pencil and scissors come in handy.
December 1, 2025 at 8:37 PM
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Mariahoeve – 03-05-24

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Drawing on paper (10.5 x 14.8 x 0.1 cm)
Artist: Corné Akkers

#artprint #art #Artinvestment #artcurator #artcollector #impressionism #pencildrawing
Mariahoeve – 03-05-24 - Corne Akkers Art
This drawing ‘Mariahoeve – 03-05-24’ is a next landscape sketch after ‘Den Haag – Nassaulaan – 01-05-24’. This time it’s my own neighborhood.
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November 27, 2025 at 6:50 PM
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Model Session – 18-11-25 – 1

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Pastel on paper (48 x 62,5 cm)

Artist: Corné Akkers

#art #cubism #maleform #pastel #pastels #realism #impressionism #artcollector #collectingart #drawingsession #clairobscur #lifemodeldrawing #lifemodel
A Davy Crockett Hat This pastel drawing ‘Model Session – 18-11-25-1’ is a special one. Imagine a young man wearing a Davy Crockett hat. Such a coonskin cap to use the proper word , is a sight to see indeed. Never saw it in real life though, only in movies. Well, not in The Netherlands, that’s for sure. Our male model didn’t come from here but from Denmark but I’n not sure if it’s common over there either. Anyway, we had this young man over last year and we kept him on our list to invite him once more. He could sit perfectly still and that’s always a great quality we life model sketchers and painters admire in models. Then one of the participants asked me if could ask him to keep on this most impressive headgear. He was happy to oblige and there it was: our first pose would become a sitting one. Hairy Business At the same time my initial plan to apply my bit of cubism ran straight down the drain. With all these lush and thin hairs cubism simply wouldn’t do justice to the hat. By its very nature it was the focal point. To render all these protruding hairs spiky was not something I was looking forward to. Besides that, The hairs on the cap and his own hairdo underneath were intriguing enough. See, if I could try to capture them in a realistic way. They almost seemed to flow into each other. The rest was easy. His features I managed to capture immediately and concisely. How wonderful this blueish gray Ingres paper is. Basically, the only thing I had to focus on: the hairy structures and the highlights. The midtones were already present. Back home I elaborated the hairs a bit. Great session!
November 25, 2025 at 8:37 AM
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Arendsdorp – 17-05-24

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Drawing on paper(10.5 x 14.8 cm)
Artist: Corné Akkers

#artcurator #artcollector #artinvestment #pencildrawing #impressionism #printableart
November 19, 2025 at 10:03 PM
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The Infinite Waves of Eternity – 06-02-24

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Oil on linen (60 x 80 cm)
Artist: Corné Akkers

#artinvestment #cubism #artdeco #artcollector #artcurator #oilpainting
November 16, 2025 at 1:46 PM
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Nieuwe Veenmolen – 18-11-17

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Pastel on Canson Mi-Teintes board (47 x 67 x 0.2 cm)
Artist: Corné Akkers

#artcurator #artinvestment #artcollector #cubism #pastel #drawing
November 14, 2025 at 10:56 PM
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Louise Brooks – 04-11-25

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Available as original (if not sold), prints & printable

Colored pencil drawing on paper (21 x 29.7 cm)
Artist: Corné Akkers

#artcollector #artcurator #artinvestment #louisebrooks #coloredpencil #pencildrawing #realism #impressionism
Louise Brooks Revisited This colored pencil drawing ‘Louise Brooks – 04-11-25’ pays homage to a cinematic icon whose beauty and presence transcend time. Her features keep on enchanting me. They almost look like chiseled, the likes of which you long to see in a styled art deco statue. Perhaps she represents what I’m striving for: to create timeless art. Basically, I considered myself not to be fashionable at all. Never was, never will be. Always headstrong and I always knew what I wanted to pursue with my own art. Hence my reluctance to have social criticism appear in my artworks because it is so time-bound. Well, once in a while but then subtlely processed and not to the detriment of a sound composition. Therefor I hope in the long run my art will not be considered old fashioned just as LB won’t. Color versus Tonality Louise and I go back a long time together. The first time I drew her was back in 2014. Already in my hatched strokes style. The one before my last one was executed in color. Since my last colored pencil drawing was ‘De Smorenhoek – 15-12-24’ I thought I’d do another one. At least to keep my pencil techniques in color in good shapes. Many see color as mere pigments. Yet something stirs in the shadows: something literal, something alive. That is the realm of tonality. Even people like Johannes Itten reitterates the phrase ‘color tones’ and all that jazz. Colours are nice but always will be an extra on top of tonal values. For years now I teach my students to distinguish color from tones. Well, you don’t have to believe me. The tones speak for themselves. At least I hope did a good job. Your’s to decide.
November 6, 2025 at 10:10 PM
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Marlot – 24-09-20

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Available as original (if not sold), prints & printable

Colored pencil drawing on paper (21 x 29.7 cm)
Artist: Corné Akkers

#artinvestment #ArtCollector #artcurator #cubism #cow #coloredpencil
November 4, 2025 at 6:58 PM
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Berg en Dal – 30-12-23

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Pastel drawing on Clairfontaine Pastelmat paper (69.4 x 49.8 x 0.1 cm)
Artist: Corné Akkers

#artinvestment #artcollector #artcurator #cubism #Pastel #drawing
October 31, 2025 at 9:10 PM
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Neo Deco - 10-03-25

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Graphite pencil drawing Talens Bristol paper (21 x 29.7 cm)
Artist: Corné Akkers

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October 30, 2025 at 9:38 AM
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Psyche & Amor – 23-05-23

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Available as originals, print & printable

Oil on linen (100 x 150 x 2 cm)
Artist: Corné Akkers

#artinvestment #artcollector #realism #surrealism #oil #oilpainting
October 28, 2025 at 8:45 PM
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Model Session – 18-10-25 – 2

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Pastel on paper (48 x 62,5 cm)
Artist: Corné Akkers

#printableart #printables #art #cubism #henriettesibie #femaleform #pastel #pastels #realism #impressionism #artcollector #collectingart #drawingsession #clairobscur
Henriëtte Sibie’s Portrait This pastel drawing ‘Model Session – 18-10-25 – 2’ shows Henriëtte Sibie’s portrait. A bit of cubism but realist as well. My first session’s pastel showed a reclined position but we like the variety of it all. Therefor we already decided in advance to have her pose in two different poses. The second one she stood right up and we had her lean on an easel comfortably. After all, she had to take this pose for one hour at one stretch. Well, leave that to Henriëtte. She’s a great professional model and she can stand perfectly still. Ideal to draw her portrait. Which was my very aim to be honest. Measuring out Proportions Not the first time I did a portrait of her beautiful features though. In fact, quite some time ago, in 2013 I painted one. After that I hired her as model a couple of times but mostly as model for students to pose. However, this time I felt this was my chance to do another portrait. My view on her from the room and the very lighting were perfect. First, measuring out proportions wich was a bit of a drag. The reason is she has a great yet lush hairdo with lots of individual hairs and locks sticking out. Consequently, one cannot compare height and width to establish a clear ratio for defining spatial boundaries on paper. Luckily I could get hold of the length from chin to the scalp just below the hairline. From there to the end of the hairdo way up was equal in length. Cubist Planes The initial goal was to keep it cubist looking and I think I did a good job. Especially some cubist planes in her chest do their abstract magic. These areas can be bothersome to depict. Her clavicles weren’t showing to much because of the overexposure. Nevertheless, by styling some light planes into more abstract ones I got a beautiful contrast with her head. The play of light and dark on her face are cubist too yet more refined. A lovely live session and I got her likeness within that hour.
October 26, 2025 at 6:43 PM
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Anaglyphical Roundism – 27-07-22

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Oil on linen (70 x 100 cm)
Artist: Corné Akkers

#artcollector #artprint #Art #artcollection #artcurator #cubism #oilpainting #oil
October 25, 2025 at 8:30 PM
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Model Session – 18-10-25 – 1

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Pastel on paper (48 x 62,5 x 0.1 cm)
Artist: Corné Akkers

#art #cubism #henriettesibie #femaleform #pastel #pastels #realism #artcollector #collectingart #drawingsession #clairobscur #print #poster #chiaroscur
Henriëtte Sibie This pastel drawing ‘Model Session – 18-10-25 – 1’ is a continuation of my cubist endeavours during live model drawing sessions. Henriëtte Sibie was our model this time. She came to visit us again in community center ‘De Blauwe Tram’. However, not the first time. Last time was about a year ago and in the past I worked with her at Brugman Art in Voorburg. Those who consider themselves live model draftsmen and painters matter once they had the pleasure to meet her. Surely, there are a lot of models around. They flock academies throughout the Netherlands and groups like ours but Henriëtte is knows by all. Also yours truely and my painting of her portrait I made back in 2013 got even sold. Time to extend my series of artworks with her beautiful features and personality as theme. A Reclining Posee A reclining pose was the first one whe had her struck this afternoon. Luckily I had a good view on her front with a slightly slanted mattress she reclined on. Regularly it strikes me people during a live drawing session often tend to begin right away. Not me though because I take my time to thoroughly think through a fine composition. Rule number one I learnt in the past: when someone is lieing flat in a full frontal vision, be alarmed! Trying to capture a model from head to toe is useless. It’ll only deliver you a slender sausage on a paper with more than 75% negative space. That was the reason to skip the lower leg of Jelco in my last pastel drawing by the way. Impressionist Cubism In order to avoid such mishaps I decided not to include her lower legs. From elbow to the upper side of the head formed about 2/3rd of the total height of the paper. The mattress forms were also fun and a good excuse to fill up the negative space. Not to much though, merely a supportive detail to support the body structures. Personally, I like these angular types of impressionist cubism. They serve me well in my search for capturing the model’s forms quickly.
October 23, 2025 at 7:31 PM
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Nude - 28-08-15

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drawing on paper (21 x 29.7 cm)
Artist: Corné Akkers

Available as original (if not sold) prints & printable

#artinvestment #artdeco #cubism #pencildrawing #artcollection #artcollector #femaleform
October 21, 2025 at 8:31 PM
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Neo Deco – 15-01-24

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Available as original, print & printable

Oil on linen (60 x 80 x 2 cm)
Artist: Corné Akkers

#artinvestment #artcollection #artdeco #artcollector #cubism #oil #oilpainting
October 20, 2025 at 8:16 PM