Damien Seguin
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dmnsgn.me
Damien Seguin
@dmnsgn.me
260 followers 160 following 26 posts
Applied Computational Thinking. Computational Designer, Generative Artisan, Cheese Enthusiast. Co-creator of https://nodes.io/ with https://variable.io/. Links: https://dmnsgn.me/links
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Some permutations of the Halton sequence. The bases are supposed to be co-prime numbers to yield quasi-random looking distributions but look at these repeating patterns if they are not.
Günter Fruhtrunk
1958, Composition

Source: www.wikiart.org/fr/gunter-fr...
Reposted by Damien Seguin
How will the flower bloom in 2100?

We collaborated with artist Annelie Berner to create a generative web tool that visualizes how the Circaea Alpina flower might evolve in response to future climate conditions.
variable.io/plant-futures/
Paul Klee
1929, In the Current Six Thresholds (In der Strömung sechs Schwellen)

Source: www.guggenheim.org/artwork/2169
Josef Albers
1927, Interlocked

Source: www.guggenheim.org/artwork/126
Lyonel Feininger
1933, Sardine Fisherman (Sardinenfischer)

Source: www.guggenheim.org/artwork/1225
Composition 13478 / 15
1937, Georges Vantongerloo

Source: www.guggenheim.org/artwork/4129
Incredible and disorienting :) Not only the wallpaper but also what's in the frames.
Seven Corridors
2015

© François Morellet : ADAGP, Paris, courtesy MAC VAL, Vitry-sur-Seine
π strip-teasing, 1=90º
2005
François Morellet: G.R.A.V (Groupe de Recherche d’Art Visuel) founding member, abstract painter, “inspired artist” demystifier. Used the phonebook as a PRNG.

6 répartitions aléatoires de 4 carrés noirs et blancs d’après les chiffres
1958
Centre Pompidou
Composition No. 96
1935, Friedrich Vordemberge-Gildewart

Source: https://www.guggenheim.org/artwork/3779
Some permutations of the Halton sequence. The bases are supposed to be co-prime numbers to yield quasi-random looking distributions but look at these repeating patterns if they are not.
For UK: “Radiance” by Haberdashery Studio
A quick look back at the 2018 Design Biennale in the Somerset House

For Sweden: “Coal: Post-Fuel” by Jesper Eriksson.
Tecelar
1955, Lygia Pape
Book of Time
1961, Lygia Pape
Lygia Pape: founding member of Grupo Frente and co-founder of the Neo-Concrete Movement. Broke the artwork frame, the opposition between form and background. Talked about “the devouring of the culture of the other” all under a dictatorial regime.

Relief in Orange and Blue
1956, Lygia Pape
Axonométrie de la maison Schröder de Gerrit Rietveld à Utrecht
1924, Gerrit Rietveld

Source: Bibliothèque nationale de France (@laBnF) http://passerelles.essentiels.bnf.fr/fr/image/94b8183c-a61f-467c-87f9-9ce0421f4a5a-axonometrie-la-maison-schroder-gerrit-rietveld-utrecht-1924
© Tate, London 2025
Reabracadabra
1985, Eduardo Kac

Currently on display at the Tate, "Electric Dreams, Art and Technology Before the Internet".

#minitel
"what's the point & who's the audience exactly" is what I think of the band though.
Regarding the tech debt, isn't that inherent to such cross-platform projects?
I see a parallel with "0°<->45° Dance Notation" from Analivia Cordeiro.

From the exhibition currently at the Tate, "Electric Dreams, Art and Technology Before the Internet".
Just need some frustum culling now, for extra magic 🎩 🐇