Dr Elena Cooper
@drelenacooper.bsky.social
110 followers 120 following 160 posts
Arts Editor, Law & Humanities (UK academic journal published by Taylor & Francis). Senior Lecturer, CREATe, University of Glasgow, UK. Author of 'Art and Modern Copyright: The Contested Image' (CUP, 2018).
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drelenacooper.bsky.social
Exhibition Launch: "Painting and Copyright in the Nineteenth Century"
Thurs 20 Nov, 6–8pm
Picture Gallery, Royal Holloway, Egham.
Time travel with me back to the late 19th cent, the time of the emergence of modern copyright, in the presence of one of the best collections of Victorian modern art.
drelenacooper.bsky.social
Out now in The Burlington: my review of Martinez & Roman Female Printmakers, Printsellers & Print Publishers: The Imprint of Women 1700-1830'. "pushes
back against the archival gender bias
that has informed
record creation & preservation"; important focus on prints, understudied cf to painting.
Reposted by Dr Elena Cooper
create-glasgow.bsky.social
Our colleague @drelenacooper.bsky.social will be speaking at @rhul-cvs.bsky.social where she will launch the new online exhibition 'Painting and Copyright in the Nineteenth Century' 🖼

📅 20 November
📍Royal Holloway, Picture Gallery

Learn more 👉 www.royalholloway.ac.uk/about-us/eve...
drelenacooper.bsky.social
Exhibition Launch: "Painting and Copyright in the Nineteenth Century"
Thurs 20 Nov, 6–8pm
Picture Gallery, Royal Holloway, Egham.
Time travel with me back to the late 19th cent, the time of the emergence of modern copyright, in the presence of one of the best collections of Victorian modern art.
Reposted by Dr Elena Cooper
rhul-cvs.bsky.social
Lovely to see you all here! We are a group of researchers based at Royal Holloway, University of London, a very Victorian place, studying the nineteenth century around the world, and particularly the products and legacies of Victorian Britain and its empire.
photograph of one of the two grand courtyards of Royal Holloway's Founders Building, with sculpture of Thomas and Jane Holloway.
drelenacooper.bsky.social
This fab essay is now on my desk - should be online soon in @law-and-humanities.bsky.social !
drelenacooper.bsky.social
as @create-glasgow.bsky.social academic, I like @josephowen.bsky.social's @law-and-humanities.bsky.social essay re adaptation: "Radio, theatre, & cinema each mobilise distinctive formal grammars to transpose Kafka’s textual strategies through aural dissonance, scenic abstraction, visual distortion."
drelenacooper.bsky.social
@josephowen.bsky.social's fab essay speaks to me both as @law-and-humanities.bsky.social Arts Editor: how adaptations of Kafka's The Trial, though referencing different times/places, nevertheless enable us to distil something abstract re law as "inseparable from social and sexual hierarchies" &...
drelenacooper.bsky.social
"Kafkaesque is not always an inert descriptor but a live aesthetic mode... capable of being retooled to articulate anxieties about surveillance, nationalism & the shrinking space for political dissent." Arts essay by @josephowen.bsky.social for @law-and-humanities.bsky.social on my desk. I love it 👍
drelenacooper.bsky.social
Have you ever wondered: what’s in the numerous domes of the Royal Pavilion Brighton? One houses the archive & did some digging there today also re 19th century painter Rosa Bonheur, one of the few women to infiltrate a male dominated arts elite, whose work is discussed in Gambart v Ball (1863).
drelenacooper.bsky.social
Just arriving at Royal Pavilion Brighton, which houses part of the Royal Collection, to talk to their Collections team: how can scholars help galleries navigate historic donor restrictions? I’ll be drawing on my research with Steph Scholten @hunterianglasgow.bsky.social & funded by ESRC impact grant
drelenacooper.bsky.social
As always, @create-glasgow.bsky.social at EPIP in full force …. 👇👏
create-glasgow.bsky.social
📌 Ula Furgał – Remunerating journalists: an appropriate share of the unknown.

📌 Arthur Ehlinger, Martin Kretschmer & Amy Thomas – Copyright earnings and labour markets in creative industries: what have we learned from a series of UK surveys since 2006. 🧵2/3
drelenacooper.bsky.social
“the UK curator, gallerist & video essayist James Payne …details how Blake’s worldview was shaped by … the principles of the French Revolution, particularly the concept of liberty” re Songs of Innocence & Songs of Experience. 👇From one of my favourite blogs: @psyche.co

shorturl.at/KlRjj
Embrace conflict, reject authority – William Blake’s radical vision of a meaningful life | Psyche Videos
Moved by mystical visions and the French Revolution, William Blake crafted a radical blueprint for living with purpose
shorturl.at
drelenacooper.bsky.social
Thanks to Dan, Charlotte and Amanda for another fab legal history gathering! 👍
drelenacooper.bsky.social
Why was bigamy a crime of mobility in 18th cent? How was 19th cent public nuisance impacted by tech change/railways? What can 19th cent depositions tells us re marginalised communities? How did Stoker protect Dracula against ‘dramatic pirates’? All answered @nationalarchives.gov.uk.web.brid.gy today
drelenacooper.bsky.social
“Deafness passes through us like a police-whistle”.👇In time of tyranny, what if regime is fighting to be heard & people can’t hear them & declare a ‘Deaf Republic’. What depths of human understanding do we discover in a Republic formed by a basic form of human resistance. At @royalcourt.bsky.social
drelenacooper.bsky.social
Looking forward to seeing this at @royalcourt.bsky.social this weekend. “More than a straightforward anti-war parable, the piece interrogates the challenges of truly understanding another person’s experiences, driving home the point that peace can never be achieved without empathy.” 👇
thestage.co.uk
★★★★ Review: Deaf Republic - Dreamlike, conceptually ambitious adaptation of Ilya Kaminsky’s poems of occupation and resistance 👇
Deaf Republic review at the Royal Court, London: powerful and pertinent
www.thestage.co.uk
drelenacooper.bsky.social
And both the account of Cosway (in Martinez & Roman) and McNulty's reading of Austen, linked to impact of ideas of Mary Wollstonecraft.
drelenacooper.bsky.social
Maria Cosway's proto-feminist prints 'A Progress of Female Dissipation' & 'A Progress of Female Virtue' were published in 1800. That's contemporary with Austen. Recalling Dr Nichola McNulty's paper at @law-and-humanities.bsky.social roundtable: Austen's literary works as proto-feminist activism...
drelenacooper.bsky.social
Out in The Burlington soon: my review of Martinez & Roman 'Female Printmakers in 18th cent'. I ask if art of Maria Cosway (1760-1838) is forerunner to art as activism explored in Tate's 'Women in Revolt' reviewed in @law-and-humanities.bsky.social by @sophiedoherty.bsky.social here shorturl.at/UKZ1n
Framing Women in Revolt! as a feminist expression of women’s lived experiences of law
Published in Law and Humanities (Vol. 18, No. 2, 2024)
shorturl.at
drelenacooper.bsky.social
I will indeed check this out as should all who were at ECS hosted by @create-glasgow.bsky.social earlier this year…
zvirosen.bsky.social
Our webinar on the Library of Congress / Copyright Office and the Constitution is available for viewing - check it out! www.youtube.com/watch?v=WHCE...
drelenacooper.bsky.social
Forthcoming Event at IALS: 'How do we Dance law?' S Mulcahy, M Moscati and R Viswanath. I just might make it... ials.sas.ac.uk/events/how-d...
How do we dance law?
ials.sas.ac.uk
drelenacooper.bsky.social
Dialogue on justice sparked by art: "art commenting on legal scholarship that commented on copyright law’s regulation of protest art on public art.  …kaleidoscope of law & creative practice, ever shifting into new arrangements & each time, new angles, new depth." In @law-and-humanities.bsky.social 👇
drelenacooper.bsky.social
A very good reason to do a couple of monograph peer reviews for @bloomsburyacad.bsky.social : you could get a free copy of the Cultural History of Law series (gen ed Gary Watt) which usually costs over £400. Great to have a copy on my bookshelf 🌟
drelenacooper.bsky.social
“The essay also considers how legal frameworks, cultural protection policies,& arts funding impact… ability to sustain creative work”;“structural barriers – such as limited access to funding or recognition – that shape these artists’ opportunities & visibility”; “the process of making & sharing art”