Then move to an F major chord. Ok where are we going now? TWO unexpected chords in a row. Makes everything feel unstable. What is it equal to?! The music begs for an answer, for resolution.
“…the love you make.”
Ah, a strong IV-ii-V-I cadence. We’ve landed in C major, profoundly.
Then move to an F major chord. Ok where are we going now? TWO unexpected chords in a row. Makes everything feel unstable. What is it equal to?! The music begs for an answer, for resolution.
“…the love you make.”
Ah, a strong IV-ii-V-I cadence. We’ve landed in C major, profoundly.
“…the love you take…”
Then move to a G major chord, ok, maybe we’re in A mixolydian, which gives it a nostalgic feel.
“…the love you take…”
Then move to a G major chord, ok, maybe we’re in A mixolydian, which gives it a nostalgic feel.
“And in the end…”
“And in the end…”
And then the sudden stop. Piano.
And then the sudden stop. Piano.
I watched Sir Paul’s performance of Abbey Road medley for SNL 50 and it got me interested in “The End.” Why is it so great?
The Beatles were masters at subverting expectations.
I watched Sir Paul’s performance of Abbey Road medley for SNL 50 and it got me interested in “The End.” Why is it so great?
The Beatles were masters at subverting expectations.
lsidc is in.
Laughing so I don’t cry.
lsidc is in.
Laughing so I don’t cry.