My heartfelt thanks to all the contributors. So much in here - will cover in future posts. The issue positions B as a major force in C20th British Gothic.
The Intro asks how we can understand Blackwood as an author both in and beyond the Gothic tradition and how his work reshapes the genre.
doi.org/10.3366/goth...
The Intro asks how we can understand Blackwood as an author both in and beyond the Gothic tradition and how his work reshapes the genre.
doi.org/10.3366/goth...
My heartfelt thanks to all the contributors. So much in here - will cover in future posts. The issue positions B as a major force in C20th British Gothic.
My heartfelt thanks to all the contributors. So much in here - will cover in future posts. The issue positions B as a major force in C20th British Gothic.
LOADS of other amazing talks available throughout the year too; check out The Last Tuesday Society!
www.eventbrite.co.uk/e/manifestin...
blog.britishnewspaperarchive.co.uk/2024/09/19/a...
blog.britishnewspaperarchive.co.uk/2024/09/19/a...
go.bsky.app/Si2MduA
go.bsky.app/Si2MduA
Spectres, Hauntings and Horrors
The series editors are Dawn Keetley, Adam James Smith @elementaladam.bsky.social and myself.
More information below.
Logo & illustrations by the fantastic Richard Wells @slipperyjack.bsky.social
Spectres, Hauntings and Horrors
The series editors are Dawn Keetley, Adam James Smith @elementaladam.bsky.social and myself.
More information below.
Logo & illustrations by the fantastic Richard Wells @slipperyjack.bsky.social
www.thebritishacademy.ac.uk/publications...
www.thebritishacademy.ac.uk/publications...