Tadd Adcox
@inauthenticity.bsky.social
1.5K followers 950 following 950 posts
work in X-R-A-Y, 3:AM, Granta, n+1 // website jamestaddadcox.com // editor @alwayscrashing.bsky.social // DENMARK: Variations now available https://www.hempressbooks.com/shop/p/denmark-variations Also, obviously & ever: Nazi punks fuck off
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inauthenticity.bsky.social
Damn y'all, we got a kid and a dog killed in the first ten minutes, Barbara Peeters is not fucking around
This woman is not going to find her dog
Reposted by Tadd Adcox
inauthenticity.bsky.social
Oct 10 is Humanoids from the Deep AKA Monster (1980), executive produced by Roger Corman, directed by Barbara Peeters and an uncredited Jimmy T. Murakami
Some plants, underwater, nicely lit
inauthenticity.bsky.social
Jimmy T. Murakami, as I'm sure I don't need to tell any of *you*, was the one of the founders of animation company Murakami Wolf Dublin, responsible for the original Teenage Mutant Ninja Turtles show
inauthenticity.bsky.social
Oh, and starring Troy McClure's nephew
Text: "Starring Doug McClure"
inauthenticity.bsky.social
Oct 10 is Humanoids from the Deep AKA Monster (1980), executive produced by Roger Corman, directed by Barbara Peeters and an uncredited Jimmy T. Murakami
Some plants, underwater, nicely lit
inauthenticity.bsky.social
I'm going to need like a 2000 word backstory, minimum, on how this particular band ended up playing the Cheerleader Camp gig
Punk punks, very punk Punk band in background; in foreground, dancers, including a guy with a hat made out of beers with tubes going into his mouth
inauthenticity.bsky.social
I am 100% rooting for the mascot in this movie, and obviously that goes double if she turns out to be the killer
Mascot girl, head off, staring daggers at blonde cheerleader counselor lady; various mascots wearing their heads attempt fruitlessly to drink from straws in the foreground
inauthenticity.bsky.social
"You're a mascot. *Not* a human. So I suggest you get with the spirit, and put the head *back on*."
Showdown between a mascot (in green) and the blonde head cheerleader councilor
inauthenticity.bsky.social
Gotta have one of these guys in any self-respecting slasher movie
"It's okay, I'm Bob. Handyman. Creepy, sure, but definitely not a red herring. Absolutely not."
inauthenticity.bsky.social
Oh hey, my man Leif Garrett is in this one!
My man Leif Garrett!
Reposted by Tadd Adcox
inauthenticity.bsky.social
Oct 9 is Cheerleader Camp AKA Bloody Pom Poms (1988), directed by John Quinn

Thanks to @crabmoney.bsky.social for suggesting this one!
Poster for Cheerleader Camp, featuring a cheerleader with a skull for a head jumping and waving pom poms
inauthenticity.bsky.social
Oct 9 is Cheerleader Camp AKA Bloody Pom Poms (1988), directed by John Quinn

Thanks to @crabmoney.bsky.social for suggesting this one!
Poster for Cheerleader Camp, featuring a cheerleader with a skull for a head jumping and waving pom poms
Reposted by Tadd Adcox
inauthenticity.bsky.social
Oct 8 is the original 1956 Invasion of the Body Snatchers, directed by Don Siegel and produced by Walter Wanger
Man in suit, poking a pod
inauthenticity.bsky.social
Not that I think Invasion of the Body Snatchers is necessarily the best example of bad art--but it does share this quality of "generative incoherence" with many works of interesting bad art
inauthenticity.bsky.social
I want to say there's something like a generative incoherence to the movie; and this might be the seed, pardon the pun, for a larger theory about the interest and strange power of B movies: the idea of a generative incoherence that's often at work--often though not always accidentally--in "bad" art
inauthenticity.bsky.social
...Freudian (obvs), feminist, various identity questions. None of which feel like things that need to be *read into* the movie--from moment to moment the movie feels generative of these at times contradictory readings
inauthenticity.bsky.social
Similar to Eco's contention that what makes Casablanca work is how many other movies it echoes, I suspect part of what makes Invasion work is the sheer number of readings it opens itself to: Cold War allegory, protest against mid-20th century conformity, meditation on Derridian differance...
Mob running towards our protagonists
inauthenticity.bsky.social
There's a lot of plant imagery in this movie about pod people, continuing one of this month's accidental themes ("plants are scary, I guess")
Car pulling into a carport covered in vines
inauthenticity.bsky.social
"Whose face is it? Tell me that! Whose face?"
A body in the foreground opens its eyes; a woman turns towards it with a look of growing horror
inauthenticity.bsky.social
However! Turns out Halloween III also features a Santa Mira

(and there's an airline by that name in Sharknado 2)
inauthenticity.bsky.social
Calling the town "Santa Mira" honestly feels a little on the nose
Shot of the train station, sign: "Santa Mira"
inauthenticity.bsky.social
The terror here, in the first minutes, is the inexplicable, the difference which in itself is nothing: "That's just it, there is no difference... he looks, sounds, acts, and remembers just like Uncle Ira."
Woman explaining that she cannot explain the difference between the man mowing the lawn and her uncle Ira Man mowing the lawn, who looks, sounds, acts, and remembers like Uncle Ira
inauthenticity.bsky.social
This is absolutely the correct haircut to have if you're going to convincingly yell at a psychiatrist that you're not insane
Man with rumpled clothes, extremely sane haircut
inauthenticity.bsky.social
Oct 8 is the original 1956 Invasion of the Body Snatchers, directed by Don Siegel and produced by Walter Wanger
Man in suit, poking a pod
Reposted by Tadd Adcox
inauthenticity.bsky.social
Oct 7 is The Deadly Spawn, 1983, directed by Douglas McKeown & produced by Ted A. Bohus. Shot in New Jersey, the patron state of B movies!