Jimmy Packham
@jfpackham.bsky.social
260 followers 180 following 48 posts
Researching and writing about nineteenth-century literature and the gothic: mostly coastly, the seabed and deep ocean, blue hums, and gothic voices. Co-runs the Haunted Shores network. Senior Lecturer at University of Birmingham.
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jfpackham.bsky.social
Thanks, both! As I suspected, I was being overly worrisome. The Horsley tactic sounds wonderful!

(I had my first ever piece of student feedback this year asking if I could lecture without spoiling the plot... The plot under discussion was Moby-Dick... The least amount of available plot to spoil...)
jfpackham.bsky.social
Also: I am probably overthinking this...
jfpackham.bsky.social
A Q. for detective fiction scholars! Do people have an opinion on whether or not discussions should refrain from revealing twists/whodunnit, if they can?

I am writing about a Christie book and discussing the character who turns out to be the murderer (a fact irrelevant to my discussion!).

Thanks!
jfpackham.bsky.social
That this advice was printed in a heap of languages except English suggests we are all either profoundly multi lingual or doomed to get slimed…
jfpackham.bsky.social
Sound but unnerving advice from the evil looking toy in our eldest’s latest party bag.
Reposted by Jimmy Packham
dremilyvincent.bsky.social
Exciting update! ‘Summoned to the Séance’ is out next Thursday 12th December! 👻 Find it at @britishlibrary.bsky.social @waterstones.bsky.social @whsmithofficial.bsky.social and many more: shop.bl.uk/products/sum...
dremilyvincent.bsky.social
VERY exciting news! I’m joining the @britishlibrary.bsky.social #TalesOfTheWeird series this December with ‘Summoned to the Séance: Spirit Tales from Beyond the Veil’!👻
Join hands around the séance table for 14 classics & lost gems of fiction inspired by the spiritualism movement🕯️
Image of book cover of seance with hands around a table with candles and figure in cloak
jfpackham.bsky.social
Thank you! I hope people enjoy what we’ve put together — and that’s it’s all a spur for more conversations, and more localised weirdness.
jfpackham.bsky.social
2 days until our online seminar with Dr Isabelle Gapp: join us on Zoom at 3pm (UK) this Thursday – details below!
jfpackham.bsky.social
Please share, as Haunted Shores hasn’t quite made it to the new place yet!

The next Haunted Shores online seminar with Dr Isabelle Gapp — on reindeer, Sámi herders, & shipboard transportation in Canada — on Thursday 5 December, 3pm (UK).

Info/registration here!

haunted-shores.com/2024/11/26/h...
Haunted Shores online seminar: Dr Isabelle Gapp, 5 December 2024
Haunted Shores online seminar series 3pm (UK time) 5 December 2024 Online (Zoom): link to be circulated ahead of seminar to registered attendees. We are delighted to invite you to the Haunted Shore…
haunted-shores.com
jfpackham.bsky.social
Oh wait! Maybe email isn't a good idea if you're locked out! I'm not sure I can send a DM here yet – but let me know what's best way!
jfpackham.bsky.social
Great – will email!
jfpackham.bsky.social
Phew... Almost of all this issue is open access, and I'm very happy to share the 2 pieces (Introduction and Commentary) that aren't if anyone is interested!
Thanks again to all – and happy reading, I hope!
jfpackham.bsky.social
In a final commentary, Kyle Turakhia offers a lovely reflection on the ghost story workshops run with the National Literacy Trust, with school and adult learners in the West Midlands – thinking about new ghosts that might be populating the region.

www.tandfonline.com/doi/epdf/10....
commentary: Kyle Turakhia, 'The National Literacy Trust Haunted Birmingham Campaign: How Might 'Scary stories' Connect People to Place, Heritage and Literacy?

COMMENTARY
The National Literacy Trust Haunted Birmingham Campaign:
How Might ‘Scary stories’ Connect People to Place, Heritage
and Literacy?
Kyle Turakhia
National Literacy Trust, Birmingham, England
ABSTRACT
In the dark winter of 2023, the National Literacy Trust asked young
people and adults across Birmingham to write ‘scary stories’ set
somewhere in their home city. More than 250 residents took up
the challenge: populating local streets with monsters and ghouls,
and setting loose nightmares into their schools, shopping centres
and restaurants. In this commentary, I will introduce the National
Literacy Trust and our work in Birmingham, before explaining the
origins and delivery of the Haunted Birmingham campaign. I will
then analyse the stories submitted, exploring what emergent
themes and common settings tell us about the relevance of
‘scary stories’ to contemporary cities. Finally, I will share the results
of impact surveys measuring Haunted Birmingham and present
opportunities for readers to engage further with this work.
jfpackham.bsky.social
In the final research article, Rob Francis and Paul McDonald consider lost futures and the role of music and forms of cultural stasis in the Midlands writing of Catherine O'Flynn and Joel Lane.

www.tandfonline.com/doi/epdf/10....
article: Rob Francis and Paul McDonald, 'Wave Goodbye to the Future: Haunting, Music, and Cultural Stasis in the Regional Novels of Catherine O'Flynn and Joel Lane'

ABSTRACT
Using Mark Fisher’s reconfigurations of Derrida’s Hauntology, this
article explores the interactions between these narrative features
in the works of Catherine O’Flynn and Joel Lane. Fisher reworks
hauntology in relation to the distinct features of ‘futuristic’ music
and ‘retro’ perceptions of what lay ahead. He links this psychic and
cultural trap with ideas of the weird and the eerie. Both O’Flynn
and Lane have produced eerie texts set in the off-kilter and
marginal West Midlands regions, placing their characters in literal
and symbolic haunted sites. Their respective spectres – people,
places and cultures – are caught in a perpetual liminality and
psychic looping: a hauntological position. These play out through
the motifs of melancholic landscapes, personalities and cultural
currents, most notably in music. This article interrogates these
strange conjugations and interfaces that play out in the fiction
of O’Flynn and Lane.
jfpackham.bsky.social
Thomas Knowles offers a wonderful examination of queering and melancholy in Joel Lane's West Midlands & Black Country postindustrial fiction.

www.tandfonline.com/doi/epdf/10....
article: Thomas Knowles, 'Queering the Postindustrial Landscape in Joel Lane's Short Fictions'

ABSTRACT
This article explores the under-examined short fiction of Joel Lane,
which is largely set in the postindustrial landscapes of the English
Midlands and the Black County. In so doing, it links Lane’s employ-
ment of the weird, the eerie, and the numinous to processes of
mourning and melancholia in the face of the unacceptable and
unacknowledgeable – by society at large – losses of the
Anthropocene, of industrial decline, and of the HIV AIDS crisis. It
argues that Lane’s queering of mourning and melancholia offers
modes of resistance to the recuperation of radical losses and the
transformation of storied place into homogenous space.
jfpackham.bsky.social
In my piece, I think about what the Midlands and its canal network can offer blue humanities scholarship, via case studies of Robert Aickman, Elizabeth Jane Howard, and LTC Rolt.

www.tandfonline.com/doi/epdf/10....
article: Jimmy Packham, 'Weird Waterways: Blue Humanities and Eerie Canals in the Midlands'

ABSTRACT
This article explores the eerie and uncanny qualities asso-
ciated with the Midlands canal network, with particular focus
on the gothic and weird fiction produced by three writers:
Robert Aickman, Elizabeth Jane Howard, and L. T. C. Rolt. The
article redresses the neglect canals have faced within the
field of study known as the blue humanities and argues for
the distinctive – and haunting – forms of affect and knowl-
edge that canals can bring to humanities scholarship
invested in bodies of water and their histories. Because of
the extensive size of its canal network, the Midlands makes
an excellent case study for establishing the role of the canal
in the blue humanities. At the same time, the article argues
for the value of apprehending the Midlands, particularly
Birmingham and the surrounding region, as a richly aqueous
or ‘blue’ space, a region saturated and shaped by its inland
waterways.
jfpackham.bsky.social
Then, Scott Brewster examines the connections between Bram Stoker's Lair of the White Worm and the folk horror film Penda's Fen, via their shared interest in Mercia and questions of belonging, hybridity, and insiders/outsiders.

www.tandfonline.com/doi/epdf/10....
article: Scott Brewster, 'Mercian Charms: From The Lair of the White Worm to Penda's Fen'

ABSTRACT
This essay traces the unlikely affinities between Bram Stoker’s novel
The Lair of the White Worm (1911) and David Rudkin’s television play
Penda’s Fen (1974), showing how both involve the mythopoeic rein-
vention of Anglo-Saxon Mercia as a heartland of visionary change.
These texts resist alien beliefs and defend territorial integrity, but also
extend a welcome to outsiders or incomers. Stoker and Rudkin turn
the storied landscape of ancient Mercia into a crucible of difference,
a sinuous entanglement or coiling of hybrid origins and affiliations.
Their narratives constitute intense meditations on nation and belong-
ing at different moments of imperial and post-imperial uncertainty in
the twentieth century, when the continuity of Englishness as an
identity formation is challenged by shifting relationships within and
beyond the British and Irish Isles. Whereas The Lair of the White Worm
seeks to delimit the transformative power of these middle lands,
however, Penda’s Fen unleashes its potential.
jfpackham.bsky.social
Next, Nicola Bowring explores the centrality of Nottinghamshire, especially Newstead Abbey, to the early gothic tradition: looking at Walpole, Radcliffe, Byron and Irving.

www.tandfonline.com/doi/epdf/10....
article: Nicola Bowring, 'Recapturing History: Newstead Abbey and Romantic-Gothic Interpretation'

ABSTRACT
Newstead Abbey, in Nottinghamshire, is widely known as the
ancestral home of the Romantic poet Lord Byron. Its connections
to Romantic-era literature and its influence on the early Gothic
tradition, however, run much further than this. Horace Walpole,
the ‘father’ of the Gothic genre, Ann Radcliffe, ‘mother’ of the
Gothic romance, and Washington Irving, a key figure in the rise
of the American Gothic, all visited the abbey, which inspired their
Gothic tastes and writing. This essay explores their connections to
this East Midlands site, arguing for its significance to the Gothic
tradition. Newstead helped to cement what would become one of
the key themes of Gothic fiction: engagement with the past and
history through material remains, primarily the written text and
the ancient building. The Nottinghamshire abbey thus played a
key role in the development of the Gothic tradition in the eighteenth and nineteenth centuries.
jfpackham.bsky.social
The first research article by Imogen Peck is on the ghosts of Britain's Civil Wars and their place in the Midlands as well as the gothic literature and spiritualism.

www.tandfonline.com/doi/epdf/10....
article: Imogen Peck, 'Edgehill, Naseby, and the Ghosts of the Civil Wars'

ABSTRACT
This article explores the shifting significance of the spectres of
Britain’s Civil Wars from the seventeenth to the mid-twentieth
century. Focusing on the supernatural stories that have adhered
to various Midlands sites, and to the battlefields at Edgehill and
Naseby in particular, it illuminates the ways in which the ghosts of
Britain’s domestic conflicts have been used to interrogate and
express contemporary anxieties about the impact and aftermath
of conflict across several centuries. In so doing, it draws attention
to the significant – but often overlooked – role that the Civil Wars
have played in the Gothic tradition. It also establishes the signifi-
cance of Midlands sites as loci of Civil War memory, engendering a
multi-layered reading of land and memory in which spectres of
war, both past and present, might enter into dialogue over the
meaning of conflict and the enduring presence of the past.
jfpackham.bsky.social
The Introduction to the special issue does some critical set-up around gothic regionalism and the Midlands, mostly via short close readings of 6 key authors –and the Commonwealth Games...

www.tandfonline.com/doi/full/10....
Introduction: Towards the Haunted Midlands by Jimmy Packham

ABSTRACT
The English Midlands is home to a rich and distinctive gothic tradi-
tion: vast landscapes with nebulous borders disorient the traveller
spatially as well as temporally, the unsettled legacies of ancient
Mercia seep into the present day, and the ghosts – and ecological
repercussions – of industrialisation haunt regions such as the Black
Country. Yet this cultural tradition is largely underexplored. This
introduction to the ‘Haunted Midlands’ special issue of Midland
History begins to elaborate the ways in which the Midlands can be
productively placed within, and complicate, critical frameworks asso-
ciated with regionalist literary studies. It does so with specific refer-
ence to a selection of key Midlands gothic texts, all of which evidence
a fascination with place, placelessness, and the relationship between
the Midlands and the nation of which it forms a significant part.
jfpackham.bsky.social
Midland History is a history journal, so I'm really grateful for the editorial board for allowing us this foray into literary and cultural studies!

They're keen for more in this vein, too! So, lit folks, do reach out to them – and I'm happy to chat about the experience, as well.
jfpackham.bsky.social
Hi everybody: I’m excited to be able to share a new special issue from the Midland History journal on the ‘Haunted Midlands’ – all articles open access! Thanks to all involved!
Please share with anyone who might enjoy spooky Midlands!

www.tandfonline.com/toc/ymdh20/4...
Midland History
Haunted Midlands. Volume 49, Issue 3 of Midland History
www.tandfonline.com
jfpackham.bsky.social
I might be able to help out with this!
jfpackham.bsky.social
A trysteratops for the ages!