Jonathan Wakeham
@jonathanwakeham.bsky.social
Screenwriter at Independent Talent (UK) & Lit Entertainment (US). Mentor at Arts Emergency. Coming soon: Hollywood noir, polar science and wolves. WGGB.
It's the last week of Kerry James Marshall's marvellous, monumental THE HISTORIES at the Royal Academy of Arts. Do go if you can: it's a thrilling, challenging, beautiful show and the perfect antidote to the bleakness of both the weather and the times.
January 15, 2026 at 12:39 PM
It's the last week of Kerry James Marshall's marvellous, monumental THE HISTORIES at the Royal Academy of Arts. Do go if you can: it's a thrilling, challenging, beautiful show and the perfect antidote to the bleakness of both the weather and the times.
Wonderful to see Éric Rohmer's MY NIGHT AT MAUD'S (1969) at BFI last night. Maud (Françoise Fabian) is one of cinema's greatest characters and performances: funny, flirtatious, worldly and wise, giving Rohmer's philosophical dialogue insouciance and swing. A rich, funny, melancholic masterpiece.
January 15, 2026 at 12:33 PM
Wonderful to see Éric Rohmer's MY NIGHT AT MAUD'S (1969) at BFI last night. Maud (Françoise Fabian) is one of cinema's greatest characters and performances: funny, flirtatious, worldly and wise, giving Rohmer's philosophical dialogue insouciance and swing. A rich, funny, melancholic masterpiece.
In 1998 Peter Weir's dazzling THE TRUMAN SHOW (1998) felt like a satire of TV. Rewatching it last night it felt more like a prediction of today's rabbit hole radicalisation: the plausible, paranoid worlds that people can build around themselves, almost wilfully ignoring the clues to the contrary.
January 13, 2026 at 3:12 PM
In 1998 Peter Weir's dazzling THE TRUMAN SHOW (1998) felt like a satire of TV. Rewatching it last night it felt more like a prediction of today's rabbit hole radicalisation: the plausible, paranoid worlds that people can build around themselves, almost wilfully ignoring the clues to the contrary.
I'm having a Peter Weir rewatch before hosting a screening of WITNESS (1985). I first saw DEAD POETS SOCIETY (1989) as a teenager and thought it was a film to inspire young people. Watching it now, it feels like a prayer to parents, to help their kids to follow their own path, not the expected one.
January 9, 2026 at 12:20 PM
I'm having a Peter Weir rewatch before hosting a screening of WITNESS (1985). I first saw DEAD POETS SOCIETY (1989) as a teenager and thought it was a film to inspire young people. Watching it now, it feels like a prayer to parents, to help their kids to follow their own path, not the expected one.
What a marvel Renate Reinsve is! A reminder that the true subject of cinema is human faces and feelings, which no AI will ever replace. SENTIMENTAL VALUE (Joachim Trier, 2025) is wonderful: such a rich, kind, complex story, rooted in the world of film but with dynamics that are universal & timeless.
January 9, 2026 at 12:04 PM
What a marvel Renate Reinsve is! A reminder that the true subject of cinema is human faces and feelings, which no AI will ever replace. SENTIMENTAL VALUE (Joachim Trier, 2025) is wonderful: such a rich, kind, complex story, rooted in the world of film but with dynamics that are universal & timeless.
I am very much on board for Zazie Beetz killing bad guys in a posh apartment building.
www.youtube.com/watch?v=AqNF...
www.youtube.com/watch?v=AqNF...
They Will Kill You | Official Trailer
YouTube video by Warner Bros.
www.youtube.com
January 6, 2026 at 4:16 PM
I am very much on board for Zazie Beetz killing bad guys in a posh apartment building.
www.youtube.com/watch?v=AqNF...
www.youtube.com/watch?v=AqNF...
George Martin would have been 100 today. I love this clip of him visiting Brian Wilson and remixing God Only Knows.
www.youtube.com/watch?v=GRb_...
www.youtube.com/watch?v=GRb_...
Rhythm of Life: Sir George Martin & Brian Wilson in the Studio [previously unreleased]
YouTube video by HighQualityMusic
www.youtube.com
January 3, 2026 at 8:30 AM
George Martin would have been 100 today. I love this clip of him visiting Brian Wilson and remixing God Only Knows.
www.youtube.com/watch?v=GRb_...
www.youtube.com/watch?v=GRb_...
I'm on a Sondheim deep dive after seeing the terrific new INTO THE WOODS at the Bridge. His annotated lyric books, Finishing The Hat & Look I Made A Hat, are characteristically witty & generous & this is a really insightful conversation with songwriter Adam Guettel. www.youtube.com/watch?v=TofC...
The Art of Songwriting with Stephen Sondheim and Adam Guettel
YouTube video by Dramatists Guild Foundation
www.youtube.com
January 3, 2026 at 7:51 AM
I'm on a Sondheim deep dive after seeing the terrific new INTO THE WOODS at the Bridge. His annotated lyric books, Finishing The Hat & Look I Made A Hat, are characteristically witty & generous & this is a really insightful conversation with songwriter Adam Guettel. www.youtube.com/watch?v=TofC...
The delightful Oscar-shortlisted short film A FRIEND OF DOROTHY, written and directed by Lee Knight and starring Alistair Nwachukwu and Miriam Margolyes, is now streaming on Disney+. My brilliant friend James Dean produced it so I am entirely biased, but I do recommend it.
January 1, 2026 at 3:59 PM
The delightful Oscar-shortlisted short film A FRIEND OF DOROTHY, written and directed by Lee Knight and starring Alistair Nwachukwu and Miriam Margolyes, is now streaming on Disney+. My brilliant friend James Dean produced it so I am entirely biased, but I do recommend it.
Halfway through the decade! What are your favourite films each year so far?
2020: First Cow (Kelly Reichardt)
2021: Bergman Island (Mia Hansen-Løve)
2022: TÁR (Todd Field)
2023: La Chimera (Alice Rohrwacher)
2024: Love Lies Bleeding (Rose Glass)
2025: The Ice Tower (Lucile Hadžihalilović)
2020: First Cow (Kelly Reichardt)
2021: Bergman Island (Mia Hansen-Løve)
2022: TÁR (Todd Field)
2023: La Chimera (Alice Rohrwacher)
2024: Love Lies Bleeding (Rose Glass)
2025: The Ice Tower (Lucile Hadžihalilović)
Halfway through the decade! What are your favourite films each year so far?
2020: Another Round
2021: Compartment No. 6
2022: Aftersun
2023: Perfect Days
2024: All Of Us Strangers
2025: Sorry, Baby
2020: Another Round
2021: Compartment No. 6
2022: Aftersun
2023: Perfect Days
2024: All Of Us Strangers
2025: Sorry, Baby
Halfway through the decade! What are your favourite films each year so far?
2020: Sylvie's Love
2021: Benediction
2022: Aftersun
2023: La Chimera
2024: Queer / Juror #2
2025: Roofman
2020: Sylvie's Love
2021: Benediction
2022: Aftersun
2023: La Chimera
2024: Queer / Juror #2
2025: Roofman
January 1, 2026 at 2:18 PM
Halfway through the decade! What are your favourite films each year so far?
2020: First Cow (Kelly Reichardt)
2021: Bergman Island (Mia Hansen-Løve)
2022: TÁR (Todd Field)
2023: La Chimera (Alice Rohrwacher)
2024: Love Lies Bleeding (Rose Glass)
2025: The Ice Tower (Lucile Hadžihalilović)
2020: First Cow (Kelly Reichardt)
2021: Bergman Island (Mia Hansen-Løve)
2022: TÁR (Todd Field)
2023: La Chimera (Alice Rohrwacher)
2024: Love Lies Bleeding (Rose Glass)
2025: The Ice Tower (Lucile Hadžihalilović)
The new films that I've loved the most this year: The Ice Tower (Lucile Hadžihalilović), Good One (Lily Donaldson), The Mastermind (Kelly Reichardt) and Peter Hujar's Day (Ira Sachs).
December 21, 2025 at 1:00 PM
The new films that I've loved the most this year: The Ice Tower (Lucile Hadžihalilović), Good One (Lily Donaldson), The Mastermind (Kelly Reichardt) and Peter Hujar's Day (Ira Sachs).
RIP Ena Collymore-Woodstock, the first woman of colour to study law at Gray's Inn and the oldest British veteran of WW2. Posted to the ATS, she wrote to the War Office to say that she had not come all that way to type and asked to be moved closer to the fighting.
www.telegraph.co.uk/obituaries/2...
www.telegraph.co.uk/obituaries/2...
Ena Collymore-Woodstock, oldest surviving British Army veteran of the Second World War
She wrote to the War Office to say that she had not come all that way to type – and was posted to an AA gun battery and then a radar truck
www.telegraph.co.uk
December 21, 2025 at 11:21 AM
RIP Ena Collymore-Woodstock, the first woman of colour to study law at Gray's Inn and the oldest British veteran of WW2. Posted to the ATS, she wrote to the War Office to say that she had not come all that way to type and asked to be moved closer to the fighting.
www.telegraph.co.uk/obituaries/2...
www.telegraph.co.uk/obituaries/2...
Every Christmas show needs spectacular songs, sensational jokes, unforgettable characters & your husband's late wife embalmed in the dining room. So don't miss @shittheatre.bsky.social EVITA TOO at Southbank Centre, the misteremembered story of Isabel Perón. www.southbankcentre.co.uk/whats-on/sht...
Sh!t Theatre: EVITA TOO | Southbank Centre
www.southbankcentre.co.uk
December 17, 2025 at 3:20 PM
Every Christmas show needs spectacular songs, sensational jokes, unforgettable characters & your husband's late wife embalmed in the dining room. So don't miss @shittheatre.bsky.social EVITA TOO at Southbank Centre, the misteremembered story of Isabel Perón. www.southbankcentre.co.uk/whats-on/sht...
The new SUNSET BOULEVARD (1950) restoration is dazzling: sharper, darker & more unsettling than ever. I was struck by DeMille & von Stroheim's performances: they both have such empathy for Norma's trauma, while struggling to help her. And Betty's realisation of Joe's corruption is heartbreaking.
December 9, 2025 at 1:39 PM
The new SUNSET BOULEVARD (1950) restoration is dazzling: sharper, darker & more unsettling than ever. I was struck by DeMille & von Stroheim's performances: they both have such empathy for Norma's trauma, while struggling to help her. And Betty's realisation of Joe's corruption is heartbreaking.
PETER HUJAR'S DAY is enchanting: a wonderfully warm, wry and intimate look at the art life in 1970s New York. Ben Whishaw and Rebecca Hall are spellbinding company in Ira Sachs' film, which hums with truth and glows with sadness: part portrait, part premonition, lit by the autumnal Manhattan sun.
December 8, 2025 at 3:09 PM
PETER HUJAR'S DAY is enchanting: a wonderfully warm, wry and intimate look at the art life in 1970s New York. Ben Whishaw and Rebecca Hall are spellbinding company in Ira Sachs' film, which hums with truth and glows with sadness: part portrait, part premonition, lit by the autumnal Manhattan sun.
Celebrate 30 glorious, groundbreaking years of @camdenpt.bsky.social this Christmas with two smash hit Edinburgh shows, House of Life and The Green Knight (But It's Gay) cptheatre.co.uk. Or you can support them for the Big Give, which will double your donation: donate.biggive.org/campaign/a05...
Building Community with Emerging Artists – Big Give
For 30+ years, we have championed emerging artists, amplified diverse voices, and built community through bold new theatre. In 2026, we’ll commission and programme powerful new work exploring urgent s...
donate.biggive.org
December 2, 2025 at 12:53 PM
Celebrate 30 glorious, groundbreaking years of @camdenpt.bsky.social this Christmas with two smash hit Edinburgh shows, House of Life and The Green Knight (But It's Gay) cptheatre.co.uk. Or you can support them for the Big Give, which will double your donation: donate.biggive.org/campaign/a05...
Patrick Marber's beautiful, intimate tribute to Stoppard is so vivid that you feel he's there in the room with you.
www.theguardian.com/stage/2025/d...
www.theguardian.com/stage/2025/d...
‘There was rage and pain and iron in him’: Patrick Marber on the great hits – and fond smokes – he had with Tom Stoppard
The director worked with theatre colossus Tom Stoppard on two smash hits. Here, he remembers their heated rehearsals, the night they stayed up watching Jaws – and the last four cigarettes they smoked ...
www.theguardian.com
December 2, 2025 at 10:18 AM
Patrick Marber's beautiful, intimate tribute to Stoppard is so vivid that you feel he's there in the room with you.
www.theguardian.com/stage/2025/d...
www.theguardian.com/stage/2025/d...
“If there is to be hope we must all betray our country. We have to save each other because all victims are equal, and none is more equal than others. It's everyone's duty to start the avalanche.”
Tom Stoppard’s screenplay for The Russia House (Fred Schepisi, 1990) from the novel by John le Carré.
Tom Stoppard’s screenplay for The Russia House (Fred Schepisi, 1990) from the novel by John le Carré.
November 30, 2025 at 6:54 PM
“If there is to be hope we must all betray our country. We have to save each other because all victims are equal, and none is more equal than others. It's everyone's duty to start the avalanche.”
Tom Stoppard’s screenplay for The Russia House (Fred Schepisi, 1990) from the novel by John le Carré.
Tom Stoppard’s screenplay for The Russia House (Fred Schepisi, 1990) from the novel by John le Carré.
@ArtsEmergency.bsky.social helps young people without connections into arts education & careers. Our programme graduates are already making their industries more open, representative and accessible, but there’s so much more still to do: can you help? Thank you ❤️🚨
🌟 This winter, we have a chance to make something extraordinary happen - and we’re looking for 27 people to help us do it. 🌟
Join our Bursar Club 👉 bit.ly/4p6Xqrw
Join our Bursar Club 👉 bit.ly/4p6Xqrw
November 27, 2025 at 11:43 AM
@ArtsEmergency.bsky.social helps young people without connections into arts education & careers. Our programme graduates are already making their industries more open, representative and accessible, but there’s so much more still to do: can you help? Thank you ❤️🚨
Ambika Mod is phenomenal in Sophia Chetin-Leuner's Porn Play at the Royal Court: funny, smart, tough & achingly vulnerable across its multiple scenes. Josie Rourke's direction brings a confident swing & a lovely transparency to the acting, particularly in a sleepover scene. A bold, beautiful play.
November 18, 2025 at 1:07 PM
Ambika Mod is phenomenal in Sophia Chetin-Leuner's Porn Play at the Royal Court: funny, smart, tough & achingly vulnerable across its multiple scenes. Josie Rourke's direction brings a confident swing & a lovely transparency to the acting, particularly in a sleepover scene. A bold, beautiful play.
Louise Hémon's THE GIRL IN THE SNOW stars Galatéa Bellugi as a young teacher sent to a remote Alpine village in 1899. Modernity meets superstition with dangerous consequences in a spellbinding, sensual fable shot on location with a largely nonprofessional cast. At @frenchinstituteuk.bsky.social.
November 17, 2025 at 11:01 AM
Louise Hémon's THE GIRL IN THE SNOW stars Galatéa Bellugi as a young teacher sent to a remote Alpine village in 1899. Modernity meets superstition with dangerous consequences in a spellbinding, sensual fable shot on location with a largely nonprofessional cast. At @frenchinstituteuk.bsky.social.
Valéry Carnoy's WILD FOXES is a remarkable debut: a taut, tender teen boxing movie that's also a deep reflection on male friendship, sexuality and vulnerability, set at an elite sports academy. Playing at the @frenchinstituteuk.bsky.social French Film Festival. www.institut-francais.org.uk/cinema/#/
November 17, 2025 at 10:50 AM
Valéry Carnoy's WILD FOXES is a remarkable debut: a taut, tender teen boxing movie that's also a deep reflection on male friendship, sexuality and vulnerability, set at an elite sports academy. Playing at the @frenchinstituteuk.bsky.social French Film Festival. www.institut-francais.org.uk/cinema/#/
“I think those of us who live with great fame have to say that it is a trick of survival, and that a lot of us don’t like it.”
A powerful, poignant obituary for Maria Riva, Marlene Dietrich's daughter, whose childhood reads like a Hollywood horror story: www.nytimes.com/2025/11/02/a...
A powerful, poignant obituary for Maria Riva, Marlene Dietrich's daughter, whose childhood reads like a Hollywood horror story: www.nytimes.com/2025/11/02/a...
November 4, 2025 at 11:59 AM
“I think those of us who live with great fame have to say that it is a trick of survival, and that a lot of us don’t like it.”
A powerful, poignant obituary for Maria Riva, Marlene Dietrich's daughter, whose childhood reads like a Hollywood horror story: www.nytimes.com/2025/11/02/a...
A powerful, poignant obituary for Maria Riva, Marlene Dietrich's daughter, whose childhood reads like a Hollywood horror story: www.nytimes.com/2025/11/02/a...
Sydney Sweeney is terrific in David Michôd's CHRISTY, which kept me on the edge of my seat for 2 hours. It's a powerful, visceral, sometimes harrowing film that's as much about gender, class & relationships as it is about boxing, with fearless support from Ben Foster & an incandescent Katy O’Brian.
October 28, 2025 at 1:28 PM
Sydney Sweeney is terrific in David Michôd's CHRISTY, which kept me on the edge of my seat for 2 hours. It's a powerful, visceral, sometimes harrowing film that's as much about gender, class & relationships as it is about boxing, with fearless support from Ben Foster & an incandescent Katy O’Brian.