Journey Into Cinema
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journeyintocinema.bsky.social
A new newsletter from Journey Into Cinema. Unsung films from the bowels of cinema history; a much-needed antidote to the current era of forgettable streaming slop. Subscribe today!

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No More Slop! #1
Here's what you should be watching instead!
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Reposted by Journey Into Cinema
nkouhi.bsky.social
I love getting the chance to write about my favorite strand in NYFF for @journeyintocinema.bsky.social. Here are my thoughts on just a few of the showcased titles in this year's Currents.
journeyintocinema.bsky.social
"If this medium is going to survive the automisation and co-optation of artistic labour, it must prove malleable in responding to the myriad ongoing global crises."

Nick Kouhi surveys new films by Radu Jude, James Benning and Tsai Ming-liang at NYFF!

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Currents Review | New York Film Festival 2025
From Radu Jude's take on AI slop to Benning's pointedly political piece, Currents at NYFF has its experimental finger on today's disintegrating world.
journeyintocinema.com
journeyintocinema.bsky.social
"If this medium is going to survive the automisation and co-optation of artistic labour, it must prove malleable in responding to the myriad ongoing global crises."

Nick Kouhi surveys new films by Radu Jude, James Benning and Tsai Ming-liang at NYFF!

journeyintocinema.com/currents-nyf...
Currents Review | New York Film Festival 2025
From Radu Jude's take on AI slop to Benning's pointedly political piece, Currents at NYFF has its experimental finger on today's disintegrating world.
journeyintocinema.com
journeyintocinema.bsky.social
"If this medium is going to survive the automisation and co-optation of artistic labour, it must prove malleable in responding to the myriad ongoing global crises."

@nkouhi.bsky.social takes on the always entertaining and provocative Currents section at NYFF!

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Current Responses to a Degrading Status Quo
New films in New York by Radu Jude, James Benning, Sharon Lockhart and Tsai Ming-liang
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journeyintocinema.bsky.social
"The sunny, carefree Mallorca vibe clashes with the quiet pain inside the house — like life keeps moving, but you’re caught in a moment that changed everything."

TIFF feature Forastera is another instalment of a new Catalan filmmaking wave.

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Forastera by Lucía Aleñar Iglesias Review | Discovery | TIFF
Lucía Aleñar Iglesias' promising debut finds a unique angle on coming-of-age and haunted house tropes — marking her as a director to watch.
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journeyintocinema.bsky.social
"Barragán miscues by taking us from an emotionally nervy first two acts into a closing one where catharsis comes with a soft touch, rather than spiking or maintaining the tension."

David Katz reviews Orizzonti entry The Ivy from Venice!

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The Ivy by Ana Cristina Barragán Review | Venice Film Fest
Borrowing Reygadas' DOP, Ana Cristina Barragán's taboo-breaking film The Ivy doesn't satisfy, even if it keeps us curious.
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journeyintocinema.bsky.social
"How do you survive in a world that wants you gone, especially when that violence begins at home? How long can you keep turning the other cheek before something inside you breaks?"

Trans Iranian thriller Between Dreams and Hope plays at TIFF!

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Between Dreams and Hope by Farnoosh Samadi Review | TIFF
Farnoosh Samadi's blistering thriller Between Dreams and Hope captures the compromises of a young trans man navigating the difficulties of modern-day Iran.
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journeyintocinema.bsky.social
"Pablos has crafted a modern erotic drama centred on working-class men that offers a fascinating — and at times deeply disturbing — journey through Northern Mexico’s highways and truck stops.'

Queer road trip En el camino wins the Queer Lion!

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En El Camino by David Pablos Review | Orizzonti | Venice
David Pablos' riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
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journeyintocinema.bsky.social
"People get scared, turn on each other, and look for someone to blame — making it clear how easily fear and desperation can be used to keep existing power structures in place."

Coronavirus is labour oppression in Stephan Komandarev’s Made in EU.

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Made in EU by Stephan Komandarev Review | Venezia Spotlight
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe's poorest regions.
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journeyintocinema.bsky.social
"When a film leans so heavily into muscular bodies, eroticised violence, and women reduced to collateral damage — even with critical intent — it risks becoming what it claims to criticise."

Gorgonà is empty incel nonsense with a silly woke ending.

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Gorgonà by Evi Kalogiropoulou Review | Critics' Week
Evi Kalogiropoulou's deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
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journeyintocinema.bsky.social
"When he realises what’s actually happened, we’re as disoriented as he is. It’s a chilling demonstration of how convincingly the mind can rewrite reality."

Otec takes us into the mind of a frazzled father in a harrowing story of a simple, fatal mistake.

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Otec by Tereza Nvotová Review | Orizzonti | Venice Film Fest
A father makes a devastating mistake in Tereza Nvotová's Otec, bleak and hellish depiction of every parent's worst nightmare.
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journeyintocinema.bsky.social
"Part of growing up is letting go of the fantasies we’ve built — about love, friendship, identity, and belonging — and facing the future as we really are."

Fantasy is THAT GIRL. Jared Abbott reviews from Locarno.

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Fantasy by Kukla Review | Concorso Cineasti Del Presente
A transgender Macedonian woman radically transforms the lives of a group of tomboys in Kukla's assured and heartfelt Fantasy — live from Locarno!
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journeyintocinema.bsky.social
"His thesis on the artistic process is therefore a straightforward one: 'A good work is how well it depicts human sadness.'"

Joseph Owen's final review from Locarno, dives deep into a curious, yet radically empathetic Japanese competition work.

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Two Seasons, Two Strangers by Sho Miyake Review | Locarno
Two distinct, writerly stories emerge from Sho Miyake's pen in his wistful adaptation of Yoshiharu Tsuge's manga Mr. Ben and His Igloo, A View of the Seaside.
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journeyintocinema.bsky.social
"What Aljafari has managed to achieve in With Hasan in Gaza, through this edited and refashioned material, is, in many ways, astonishing."

Joseph Owen reviews With Hasan in Gaza, playing in competition at Locarno!

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With Hasan in Gaza by Kamal Aljafari Review | Locarno
Kamal Aljafari's urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Isreali regime.
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journeyintocinema.bsky.social
"That question lingers. Are we really happy in monogamy — or just too cautious (and complacent) to find out?"

Quebecois comedy Follies explores the joys — and pitfalls — of opening up your marriage, to often hilarious results.

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Follies by Éric K. Boulianne Review | Locarno Film Festival
Éric K. Boulianne's debut comedy drama Follies explores the joys — and pitfalls — of opening up a marriage, to often hilarious results.
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journeyintocinema.bsky.social
"Its demonstration of the so-called didactic method reveals an influence on one of the great unheralded films of the 21st century: Malmkrog."

Joseph Owen reviews Roberto Rossellini's 1974 history film Year One, playing in Locarno Heritage

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Year One by Roberto Rossellini Review | Locarno Heritage
A fresh restoration of Robert Rossellini's hagiography of a centrist Italian prime minister proves an unlikely forebearer for Cristi Puiu's iconic Malmkrog.
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journeyintocinema.bsky.social
"Their blurring of reality and imagination serves a more grounded purpose: to understand social relationships in periods of geopolitical crisis."

@joseph_owen_ reviews White Snail, the latest work by Space Dogs duo Elsa Kremser and Levin Peter!

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White Snail by Elsa Kremser and Levin Peter Review | Locarno
Space Dogs directors Elsa Kremser and Levin Peter's first fully fiction feature White Snail is a dark and disturbing love story set in Belarus.
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