Kevin P. Gilday
@kevinpgilday.bsky.social
150 followers 130 following 82 posts
Poet. Theatre Maker. Arts Educator. Stirling Makar. Kevin P. Gilday & The Glasgow Cross. Probably on holiday. www.kevinpgilday.com
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kevinpgilday.bsky.social
I was really taken with how dark and mysterious the building looked for its purpose. It could have just as easily been a nightclub or government agency. The tiles and bannisters all hinted at a very unified aesthetic, typical of the time.
kevinpgilday.bsky.social
Building #15 is Folimanka Sports Complex. Completed in 1979, the hall is home to various sports clubs and classes - from amateur judo practitioners to USK Praha, the city’s pro basketball team.
kevinpgilday.bsky.social
Both buildings sit in the shadow of the hulking Strahov stadium giving the whole area a really alien feel. If this was closer to town it’d be overrun by tourists but its location is largely hidden from view at river level, keeping it a brutalist secret at the top of Petrin hill.
kevinpgilday.bsky.social
Building #14 is the Strahov Tunnel Control Room and Ventilation Tower. Technically three structures but all connected and unified in function. Both designed by Jiří Trnka, the control centre opened in the 80s and the ventilation tower joined in the 90s.
kevinpgilday.bsky.social
When I first visited in 2009 one of my abiding memories was the art design of the A Line stations with their futuristic mounds hinting at some misplaced utopian present. It’s been fun to try to capture the different designs across the stations.
kevinpgilday.bsky.social
Building #13 isn’t a building at all, it’s the iconic A Line of the Prague Metro. First opened in 1978 and last expended in 2015, it’s latitudinal spine connecting the city.
kevinpgilday.bsky.social
Would have loved to have seen the reaction at the time. Still feels transgressive to this day.
kevinpgilday.bsky.social
RIP Tony Harrison. V stands as one of the great poems of the modern canon.
kevinpgilday.bsky.social
The utopian nature of the concrete feels very at odds with the exclusive nature of the hotel which houses a few swish restaurants and bars inside also. Maybe it’s my inherent class scepticism but its refurbishment seems to have shored up its snooty reputation rather than extend a welcome.
kevinpgilday.bsky.social
Building #11 is Fairmont Golden Prague. Opened in 1974 the former Intercontinental hotel was the first international five star hotel in old Czechoslovakia. It reopened this year as the Fairmont Golden Prague after undergoing a major overhaul.
kevinpgilday.bsky.social
Somehow both dramatic and welcoming, I was struck by how suited it felt to its function. It seemed to be a place that centred the human aspect while still expressing itself through the varied materials and sculptural flourishes.
kevinpgilday.bsky.social
Building #10 is The Urology Clinic of the General University Hospital. Completed in 1976, it sits in the extended grounds of the hospital amongst buildings of a far more classical style and vintage.
kevinpgilday.bsky.social
It is also home to the ‘hall of shame’ where those caught with the incorrect ticket can plead their case and pay any fines accrued in person. A common occurrence for tourists if the google reviews for the building are to be believed.
kevinpgilday.bsky.social
Building #9 is the Central Dispatch Office of the Prague Public Transit Company. Completed in 1978, it is the control centre for Prague’s mammoth interlinking public transport system (imagine having one of those).
kevinpgilday.bsky.social
I especially loved the walkway to the entrance that creates a moat over the simple gardens which themselves house a concrete tulip sculpture which I think might have originally operated as a fountain.
kevinpgilday.bsky.social
Building #8 is Koospol / The Cube. Designed by Czech architects but completed in 1977 by an Austrian company (rare for the era) it is one of the most striking examples of pure brutalism in the city.
kevinpgilday.bsky.social
I was really taken with this one. The colours, yes, but also those curves and the little details in the concrete. Everything comes together into a wonderful building that feels like it stands out or blends in depending on how much attention you give it.
kevinpgilday.bsky.social
Building #7 is the wonderful Teplotechna Building. Completed in 1984, it hosted the admin offices of the Teplotechna company and is now mixed use - including a lovely Italian on the ground floor where I had lunch.
kevinpgilday.bsky.social
I adore seeing the tower from different vantage points around town but like all celebrities it was a wee bit awkward up close - a weird tourist attraction that had seen better days. I still loved the view from the top of course, even if it left me a little existential (what doesn’t?).
kevinpgilday.bsky.social
Building #6 is the iconic Žižkov TV Tower. A divisive figure standing imperious over the city, the tower was completed in 1992 and is 709 feet high. David Černý‘s baby sculptures were added later in 2000, a creepy addendum apparently beloved by the locals.
kevinpgilday.bsky.social
I was more impressed by the sheer size of it. A proper brutalist slab held up at the front by four concrete legs welcoming you in. Its side profile, a perfect mirror reflecting back the city. I also loved the personality of the concrete, grainy and textured.
kevinpgilday.bsky.social
Building #5 is Mama Shelter, formerly the Park Hotel. The first luxury communist-era accommodation in the city when it opened in 1967, the hotel has undergone a significant rebrand and become a cool, ‘offbeat’ lifestyle abode with lots of clashing patterns and arcade machines.
kevinpgilday.bsky.social
I was really surprised by the heft of it, such an uncompromising building with a really powerful design that impresses beyond the novelty factor.
kevinpgilday.bsky.social
Building #4 is the Hotel Pyramida, a building that opened in 1987 as the central recreation house of the revolutionary trade movement - a communist era retreat for union officials.
kevinpgilday.bsky.social
The building is a triplet of cubic structures linked by a central atrium. Each one standing tall but linked to the centre, a wee bit like being a human being ❤️

I especially loved the perilous overhangs that gave the impression that the cubes might topple over like concrete mushrooms.