kevin davey
@kvind.bsky.social
160 followers 140 following 75 posts
author English Imaginaries, Moscow Gold?, Playing Possum, Radio Joan, and most recently TOOTHPULL OF ST DUNSTAN (2025) / works mostly at Eastside People / lives and writes in Whitstable
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kvind.bsky.social
for some reason Alfred Jarry crossed my mind when I saw Morland’s cartoon in today’s Times
kvind.bsky.social
a really impressive account of Linton Kwesi Johnson’s development politically and as a poet, the watershed of 1981 and the importance of John la Rose and New Beacon - though it really should have made more of Race Today, Railton Road, CLR James and Darcus Howe… but it’s a keeper of a piece
lrb.co.uk
‘He made white British readers recognise Jamaican patois. Most readers need to articulate the poems in order to understand their meaning: glancing at the page isn’t enough.’

Mendez on Linton Kwesi Johnson: www.lrb.co.uk/the-paper/v4...
Mendez · Burning Age of Rage: On Linton Kwesi Johnson
Linton Kwesi Johnson​ has maintained that ‘writing poetry or making music ... is not a substitute for hardcore...
www.lrb.co.uk
kvind.bsky.social
a really impressive account of LKJ’s development politically and as a poet, and the watershed of 1981 and the importance of John la Rose and New Beacon - tho should have made more of Race Today, Railton Road, CLR James and Darcus Howe… but it’s an impressive keeper of a piece
kvind.bsky.social
A seriously impressive review in the LRB which hasn’t sent me to the title, but headfirst back into the 73 hours of David Lynch’s ten movies and three series of Twin Peaks. I know Godard didn’t like him but Godard wasn’t always on point. The soundtracks are almost as good as JLG’s.
kvind.bsky.social
hmm. An accurate description, maybe. But would ethnic coding of bylines be something you’d approve of?
kvind.bsky.social
No longer Manga and Murakami. Prospect surveys the boom in fiction translated from Japanese. I guess I should take a look at Murata
kvind.bsky.social
Thinking, as always, I should read at least one I worked my way down the list. And then went back to the top. And then a second time also…
kvind.bsky.social
Thinking I should read at least one I worked through the list. And then started again….
kvind.bsky.social
thanks Rónán! appreciated
kvind.bsky.social
Many thanks! to Rónán Hession for his appreciation of TOOTHPULL in the Irish Times this weekend
kvind.bsky.social
I can’t help but read the latest Maggie Nelson as a flipside to Toothpull, my recent memoir of a troubled dentist. Pathemata, dis-Latined, is a Book of Suffering. Death is in the air. It’s a COVID era narrative. “Pain pretends urgency” she says, “one has to become cold-hearted to its entreaties.”
kvind.bsky.social
as i think (in fact hope) you aren’t likely to be readers of the remote right monthly The Critic,
here’s a kiss and tell feature you might otherwise miss - an author’s step by step account of the collapse of Unbound
kvind.bsky.social
I’m impressed and also disappointed that the centre right/FT appears to understand the contested and intricate links between literary form, imagination and politics better than the left.
kvind.bsky.social
Thank-you Will Davies for reviewing Toothpull of St Dunstan - the memoir of a Canterbury dentist tugging and plugging at the gate to the city for 700 years - in today’s Times Literary Supplement.
kvind.bsky.social
and before long the cold microbes will evolve AI swarms of nanobot jamming phlegm
Reposted by kevin davey
henninghampress.bsky.social
A 700 year old dentist. This is a fantastic book. Ambitious idea, dazzling at the sentence level, entertaining in-between. If there's a type of novel you love that you think people "don't publish anymore," it's probably this one.

For readers of #AlanMoore and #modernism. Let's call it Mooredernism
kvind.bsky.social
OutCalvino-ing Calvino in ‘89! This and The Lay of Sir Tristram - and the musicological expertise of Griffiths’ work on the Second Viennese and Darmstadt schools - are the seedbed for the revoiced Ophelias of LET ME TELL YOU and LET ME GO ON, now combined by NYRB. Republish the backlist, someone.
kvind.bsky.social
he certainly is / I’m reading (and recommend) part 3 of Joseph Koerner’s latest, ART IN A STATE OF SIEGE, on how Kentridge has shored up hope, image-making and truth-telling in South Africa
kvind.bsky.social
“Literature is becoming culturally marginal”; “the subject is cowed, apologetic and shrinking”; its “prestige has declined precipitously.” This week’s New Statesman includes a lamentable Jeremiad by James Marriott, name-checking no writers after Trilling and Auden. Though he does have a point.
kvind.bsky.social
Philip Hensher self-puffs his forthcoming history of the novel in this week’s Spectator, trashing Eimear McBride as he goes. Not a volume I’ll be pre-ordering.
kvind.bsky.social
oh f&”k! / just when one had already thought the worst