IIf love is a dream, then Close Quarters is a reverie holding that ideal close. The pairing of More Eaze and Wendy Eisenberg blends American minimalism and Americana to connect in the name of lasting romance. Enjoy, partake, proceed.
Natalia Beylis' Coy-Koi moves from the known to the unknown. In her imaginary tracing of a fish's journey from tank to pond, Coy-Koi navigates the endless layers of sound that contain untold stories and new possibilities.
Pitchfork says Fennesz' The Last Days of May is "part of a late-career shift that’s producing some of his most straightforwardly emotional music". If you long for the more overt beauty of Fennesz' guitar playing, listen to this gently epic work.
If you've been underwater and seen the sunlight streaming in patterns above you, that's the feeling Natalia Beylis perfectly captures on Coy-Koi. Her Longform Editions piece was inspired by a fish's grace through water, a simple premise rendered with curiosity, wonder and beauty.
Tujiko Noriko's Echoes on the Hem meditates on impermanence and transformation, like a whispered memory. Its subtle melodies evolve in a quietly uplifting tenor, hanging just out of reach but still close enough to feel its presence.
We are thrilled to offer a surprise final work: Angel Bat Dawid’s score for The Book of Enoch. This ecstatic, spectral jazz suite, rich with electronics and classical flourishes, aims to inspire “a more equitable understanding of our shared human heritage.”
