LUANOTX
@luanotx.bsky.social
180 followers 260 following 210 posts
Floating over pixels, a curator of digital dreams, crafting narratives in the ether's streams. https://linktr.ee/LUANOTX
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luanotx.bsky.social
wHaT's LeFt BeHiNd NeVeR fOrGoTtEn.

#visualpoetry
#concretepoetey
#words
luanotx.bsky.social
Willem Boshoff
South African 1951-
Min of Meer, from KykAfrikaans (More or Less)
#visual-poetry #typography #type-art #geometry
luanotx.bsky.social
Stalking The Minotaur by Bill Keith (1929–2004) USA

writing.upenn.edu/epc/authors/...

#visualpoetry #typewriter
luanotx.bsky.social
Hansjörg Mayer, o  i  l  (1965)
#visualpoetry
luanotx.bsky.social
Now I’m slowly landing back and starting anew!
luanotx.bsky.social
I sat down to recollect and sort memories of the past, a journey that brought me both joy and nostalgia.Then I was immediately shot to the sands of a faraway land, a place I never thought I’d visit, meeting gorillas, lizards, and all sorts of strange beings.
luanotx.bsky.social
Hello fam, it’s been a long time since my last post. I’ve been sucked into an alternate reality these past few months, drifting off the stratosphere on a galactic trip entangled between wild nature and concrete jungles.
luanotx.bsky.social
Landing from out of space!
#visualpoetry #geopoetry
luanotx.bsky.social
Kamëntšá mask, is a cultural element that has complemented the native traditions of Colombia. This mask is a"magical" piece, crafted from wood, stone, plant fibers, clay, metals, and adorned with seeds and gold.
Reposted by LUANOTX
nineteendegrees.bsky.social
A short series of scrap-based collages composing a single panel.

Sketchbook, mixed media collage.

Found papers, foil, wax, acrylic, and elements from the original ADDITIONS deck, a project from Morphic Additions.

Supernumerary.

#artist #collage #analogcollage #artsky
luanotx.bsky.social
Formation.
Typed on a Remington.
Black and red ribbon.
Paper Opaline 120 gm
For sale 1 edition😊
#visualpoetry #typewriter #concretepoetry
luanotx.bsky.social
First Screening; Computer poems by bpNichol. www.vispo.com/bp/emulatedv... #visualpoem #generativepoetry
luanotx.bsky.social
Alberg Ducrocq’s 1960s AI, Calliope, generated poetry, sparking early debates on machine creativity. How far have we come? hypocritereader.com/28/afterthou...
During the 1960's Alberg Ducrocq showed first pixelated images as well as a stochastic poem generator, Calliope.
#genart #AI #visualpoetry
Reposted by LUANOTX
marcinignac.bsky.social
Was supposed to be origami flower but I like those abstract shapes interacting with light much more.
Reposted by LUANOTX
derekbeaulieu.bsky.social
With LAY_OUT, Seen Studio has overprinted my poems in saturated pink, blue & yellow making totally new disorienting compositions out of the old. Colors blend, compositions expand, & one's retinas grow woozy taking it all in: shop.seenstudio.com/products/lay...
luanotx.bsky.social
ByteFlow Glitch
rodeo.club/post/0x4a318...

#glitch #abstract #generative #random
Reposted by LUANOTX
intergraphiabooks.bsky.social
🧵intergraphia Open Call
Submission window: 3 March, 9 am GMT to 10 March, midnight GMT. Submissions cannot be accepted before or after these times. We will try to make our decision by 21 April.
We're sorry that we will not be able to offer individual feedback to unsuccessful submissions...
green background with a pink heart emoji and back text reading 'intergraphia Open Call 
🩷
Monday 3 March, 9 am GMT to Monday 10 March, 12 am (midnight) GMT

Green background with back text reading 'Submission window: Monday 3 March, 9 am GMT to Monday 10 March, midnight GMT. 
Submissions cannot be accepted before or after these times.
We will endeavour to make our decision by 21 April.
We regret that due to the anticipated number of submissions we will not be able to offer individual feedback to unsuccessful submissions.
Guidelines
We are seeking submissions for Intergraphia Series 4 pamphlets to be launched in late Autumn 2025. 
intergraphia is an intersectional and inclusive publishing project. We are interested in hybrid works which push at the edges and boundaries of text and visual work. 
Your submission should be a completed work, not a work in progress. Familiarise yourself with our previously published work to get a better understanding of what we are interested in. (https://intergraphia.cargo.site/). 
Make sure to carefully read our formatting specifications below.' Green background with back text reading "PLEASE NOTE: All submissions will be anonymised by the submissions host before we review them. If contacting us with a query, please do not refer to your submission in specific terms.

What to submit:
	Document 1:  File name as ‘Last name_initials_manuscript’
●	Your titled manuscript
	NOTE: these manuscripts will be anonymised before we review them

Document 2: File name as ‘Last name_initials_rationale’
NOTE: this document will only be seen after we have made our initial selection. This document should include
●	Your name
●	A brief biography (100 words max)
●	A brief statement / exposition of the work (100 words max)
●	Referring to our publications, tell us why you think your work fits with intergraphia’s aims. (200 words max)
●	Discretionary: any other information you feel is neccessary (80 words max).

NOTE: Documents should be supplied in PDF. If selected we will require the original documents for any suggested in-house editing and design work.

Please send your files to: thefooting@gmail.com
NOTE: this email is for submissions only and NOT for queries or other correspondence.
For queries contact intergraphiabooks@gmail.com "
Green background with black text reading 'Formatting Specifications

Content:
The pamphlet will comprise 12 X A5 pages of content (not including title page, colophon, or blank verso/recto. Allow for approximately 2 cm margins (except where full bleed is integral to your design).

Typeface / Font:
For sections of, or whole manuscripts where the font is not part of a visual / concrete design, please use either Baskerville or Avenir Light (or similar fonts if these are not available to you) in 12- or 13-point size with 1.15 line space on A5 size pages.

Images / Visual content:
Images or visual content should be greyscale. If selected these visual components should be available as separate files at 300dpi, should they not be of high enough resolution in your submitted manuscript.'.
luanotx.bsky.social
Shinnoske Sugisaki (1953 Japan)
TO KYO TO 2006
#visualpoetry #typography
luanotx.bsky.social
Lawrence Carroll (1954-2019) Australia.
#visualpoetry
luanotx.bsky.social
Ferdinand Kriwet. (1942-2018) Germany.
#typography #visualpoetry
luanotx.bsky.social
Willys de Castro (1926-1988) Brazil
Circa oil on interflex 1956

#geometric #abstract
luanotx.bsky.social
František Kysela (1881-1941) Czech Republic.
The Apple and Its Shadow 1929
#geometry #abstract
luanotx.bsky.social
When Geometry Comes to Life: “Somnium” by Laurent Millet (2014)
www.laurent-millet.com/Prix-Nadar-2...
luanotx.bsky.social
Kandinsky (left)
Luz Otxoa (right)
A pure coincidental ink accident.