MENT Magazine
@mentmagazine.bsky.social
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A Korean pop culture magazine featuring critical and creative work.
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mentmagazine.bsky.social
Yes absolutely! We are open to pitches from all!
mentmagazine.bsky.social
🚨RAFFLE ALERT🚨

We’re giving away an #ATEEZ album and autographed postcard by #Wooyoung or #Yunho to THREE lucky winners.

See here for details on how to enter: linktr.ee/mentmagazine

Enter by October 6th. Good luck! 🍀🫰
mentmagazine.bsky.social
🧨 It’s a MENT double feature! 🧨
This Sat 9/27, find us in 2 cities at once: the Bay Area Chuseok Festival in SF (11am-4pm)+ Line Friends K-Pop Square in LA (11am-6pm).
Come meet our editors + grab a copy of our limited edition inaugural issue before it’s gone.
Graphic for MENT’s double feature on Sept 27: K-Pop Square at LINE Friends LA and Chuseok Festival in San Francisco, with MENT’s logo and airplanes linking the two cities.
mentmagazine.bsky.social
At MENT, we believe that attending to silenced histories can transform the present. If that resonates, join our conversation.

Pitch us for issue 003 by 9/30. See detailed pitch guidelines here: docs.google.com/document/d/1...

#KPOP #WritingCommmunity
mentmagazine.bsky.social
#KPOP is more than just sound–it tells stories of selfhood, culture, and connection. How might collage art help us uncover these layers and build new ones around the idols we love?

Mixed media artist izumo explores this in MENT Issue 002. Learn more at mentmagazine.com/issue002.
mentmagazine.bsky.social
Pitch your ideas for Issue 003 now. See pitch guidelines here: docs.google.com/document/d/1...

For pitches, please note we encourage full draft submissions but continue to accept shorter pitches as well.
Phone line background image with digital glitch overlay and text that reads, “Submit to Issue 003”
mentmagazine.bsky.social
Currently, issue 3 rate is $100/contribution!
mentmagazine.bsky.social
Currently, issue 3 rate is $100/contribution!
mentmagazine.bsky.social
Currently, issue 3 rate is $100/contribution!
mentmagazine.bsky.social
At MENT, we believe that adoration carries agency, and fandom can function as critique. If that resonates, join our conversation.

Pitch us for Issue 003 by 9/30. See detailed pitch guidelines here: docs.google.com/document/d/1...
Screenshot from “K-pop Demon Hunters” with text overlay
mentmagazine.bsky.social
One week later, and we’re still buzzing from the amazing panels, connections, and K-pop dance lessons at our Issue 001 launch event! ✨🫰

Thank you to everyone who came out and created with us. Swipe through to relive some of the best moments here, and stay tuned for more exciting things to come.
mentmagazine.bsky.social
🚨TODAY🚨

Join us at dublab LA to celebrate our first print issue. The issue will be available for purchase exclusively at this event!

This event will also include conversational panels, a #KPOP dance workshop led by Team BUK, and boba!

givebutter.com/bangtanremixed
mentmagazine.bsky.social
🚨 Join us THIS WEEKEND on August 17th at dublab LA to celebrate our first print issue. The issue will be available for purchase exclusively at this event, so reserve your spot now: givebutter.com/bangtanremixed
mentmagazine.bsky.social
As we lead up to our Issue 001 launch event, we want to continue to celebrate the rich history of Korean Media 💿📺

Today, we’re focusing on #ShippingCulture and its origins in #KPOP.

Have you ever shipped two of your favorite idols?

Read more: mentmagazine.com/issue002
Glitch color background with icon of K-pop group H. O. T. overlaid
mentmagazine.bsky.social
🚨 Join us on August 17th at dublab LA to celebrate our first print issue. The issue will be available for purchase exclusively at this event, so reserve your spot now: givebutter.com/bangtanremixed
mentmagazine.bsky.social
🚨 Join us on August 17th at dublab LA to celebrate our first print issue. The issue will be available for purchase exclusively at this event, so reserve your spot now: givebutter.com/bangtanremixed
mentmagazine.bsky.social
Izumo’s mixed media art recasts the dynamism and color of #TAEYONG into a new visual language. Check out this and other artworks in MENT Issue 002 available to read now:
mentmagazine.com/issue002
mentmagazine.bsky.social
🚨 Join us, the BTS Critical Reader, and GYOPO on August 17th in LA to celebrate our first print issue!

✨Stop by for boba, snacks, panels, a dance workshop, and the opportunity to purchase our inaugural issue in print! RSVP now to save your spot: givebutter.com/bangtanremixed
mentmagazine.bsky.social
#Shinee Onew’s solo album undergoes a mixed-media transformation in Izumo’s artwork. How do fanworks re-interpret K-pop media in new directions? How might K-pop offer a new visual language for our modes of self-expression?

Watch this video and others like it at mentmagazine.com/issue002
mentmagazine.bsky.social
🚨 Join us, in collaboration with the BTS Critical Reader and GYOPO, on August 17th in LA to celebrate our first print issue!

✨Stop by for boba, snacks, panels, a dance workshop, and the opportunity to purchase our inaugural issue in print! RSVP now to save your spot: givebutter.com/bangtanremixed
mentmagazine.bsky.social
If the visuals of #KPOP have ever sparked your own creative imagination, don’t miss our conversation with mixed media artist Izumo.

Join us as we reflect on artistic growth, fan art as resistance, and why imperfections in art still matter in the age of AI.
Still from Izumo’s mixed media video artwork, “Blame It on My Youth” (2023).
mentmagazine.bsky.social
From the experience of diaspora to #StrayKids Camille Chong (@camiscribbles.bsky.social) explores the implications of “strayness” and how being a #KPOP fan helped her with her Singaporean identity.

When does community inspire us to connect beyond our normal boundaries?
Image by Amber Lee. Adapted from images of “Stray Kids Special Zine” included in Social Path / Super Bowl (Japanese Ver.) limited edition B; Prime Ministers Plane to Fly Inter City (132335129), April 21, 2006, by Sheba_Also 43,000 photos (Wikimedia Commons); and Torn Ripped Wrinkled Damaged Paper Free High Resolution Texture Creative Commons (8077074905), October 11, 2012, by D Sharon Pruitt (Wikimedia Commons). Original artwork background with quote from piece overlay