Mike Barthel
@mikebarthelauthor.com
1.9K followers 810 following 3.6K posts
Writer/critic/researcher/musician in DC. Fiction lotsa places. Writing a speculative novel and a book for DUP “Singles” about “Party in the USA.” mikebarthelauthor.com Making music as APOPHRA https://apophra.bandcamp.com/
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There’s not! What is this country coming to
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Is there a “Pink Pony Dub” there has to be
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This is especially true of stuff that has all the juice sucked out of it and becomes déclassé to mention, so it never gets cited as an influence, even though it’s there.
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For me it’s been the 00s stuff becoming dated—all 70s things I experienced as a fun window to what my parents were like before I came around!
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And so it may very well work its way into the things they make or say, but since it’s at a remove, they’d likely never make a direct homage like Burton did, so it’ll be almost impossible to trace to the source. A detail of gesture or visual flair or plot.
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Burton is playing off the Boomers’ shared childhood moviegoing experience, which I was familiar with because my dad shared it with me and it was all over pop culture. Now my kids are getting bits of it, but not the whole—unlikely they’ll ever watch the Lugosi Dracula unless they’re goths or cinastes
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Watched Frankenweenie and the kids had a lot of “why is this like this” questions—the black and white, the old monster movie references—and it’s a great example of how a particular time-bound shared cultural experience can jump, fractured, forward in time.
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Which made me think about how art, as a permanent thing captured in a piece of media but also an unsettled thing in terms of what it means to an individual, is a kind of vehicle for time, and becomes one of the ways we experience time through our limited window of consciousness.
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Ended up with two Draculas and a glow in the dark skeleton, not too bad.
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Watched four movies today and now we’re going to the Halloween store
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“If I hate this enough they’ll let me run it” is the true secret heart’s desire of every single blogger in the 00s
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Your success is their doom, and I for one welcome it with open arms
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Super excited for this next chapter at an entity whose very existence is an affront to God
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If only I’d known you could get a leadership position somewhere by being such a huge, visible hater of it that its enemies force them to hire you, I could’ve been the lead singer of U2 years ago
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I would not bet against Bari Weiss in the same way I would not bet against any highborn courtier who clearly enjoys the King’s favour
Reposted by Mike Barthel
eeeeaaaa.bsky.social
Now listening to the new album from Lebanese composer Yara Asmar. It’s oblique and highly experimental ambient music. I definitely recommend it, and I recommend reading her account of the making of the album on the Bandcamp page.
everyone I love is sleeping and I love them so so much, by Yara Asmar
11 track album
yaraasmar.bandcamp.com
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Tootin, but perhaps not rootin.
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I thought I’d turned on a The Other Ones episode!
mikebarthelauthor.com
Turned on SNL and genuinely thought the Role Model performance was a skit at first.
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I thought Mare of Easttown would be better prep but also I didn’t see it.