Author | Lightnews

monster but sweet @monsterbutsweet.bsky.social · May 14

..ain't it so?...

#ecosystem #overpopulation #pollution #ecology #nature #conservation

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monster but sweet @monsterbutsweet.bsky.social · May 12

..some words...

#beautifulwords #language #literature

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monster but sweet @monsterbutsweet.bsky.social · May 8

"Nuage en échec / Cloud of Setback" 1956
by #georgesbraque #art

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monster but sweet @monsterbutsweet.bsky.social · May 1

Artist: Gülsün Karamustafa, "1977 First of May" (Woman constantly sewing red flags with her sewing machine)
Sanatçı: Gülsün Karamustafa, "1977 1 Mayıs" (Dikiş makinesiyle devamlı kızıl bayrak diken kadın)
#1mayis #may1st #labourday #emek

archives.saltresearch.org/handle/12345...

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monster but sweet @monsterbutsweet.bsky.social · Apr 27

..be on your own side...

#photo by Franck Gerard

#photography #art #surrealism

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Cemil Çiçek @avcemilcicek.bsky.social · Apr 23

Ankara'da 1. Meclis'ten Anıtkabir'e yürümek isteyen yurttaşlar barikatı aştı. Mahmut Tanal bariyerlere takılan plastik kelepçeleri pense ile kesti! Hak, hukuk, adalet!

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Sözcü @sozcugazete.bsky.social · Apr 23

Yılmaz Özdil yazdı: Çocuk www.sozcu.com.tr/cocuk-p165656

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DW Türkçe @turkce.dw.com · Apr 23

İstanbul Barosu, İmamoğlu eylemlerinde gözaltına alınan ve tutuklananlara yönelik hak ihlallerini raporladı:

▪️Çocuklara ters kelepçe

▪️Kadınlara çıplak arama

▪️Avukatlara darp

İmamoğlu eylemlerinde neler yaşandı?

Baro: İmamoğlu eylemlerindeki tutuklamalar hukuka aykırı – DW – 22.04.2025

İstanbul Barosu Ekrem İmamoğlu eylemlerinde gözaltına alınan ve tutuklanan kişilere yönelik hak ihlallerini rapor haline getirdi. Rapor, yüz yüze görüşmeler sonrası hazırlandı.

www.dwturkce1.com

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monster but sweet @monsterbutsweet.bsky.social · Apr 22

..sayesinde köle ve çocuk işçi olmadık, çocukluğumuzu yaşadık...
#23NisanKutluOlsun #Ataturk #MustafaKemalAtaturk

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monster but sweet @monsterbutsweet.bsky.social · Apr 21

..especially on mondays...
#coffee #mondayblues

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Gazete Oksijen @gazeteoksijen.com · Apr 21

DİSK, TÜİK'e açtığı davayı kazandı
gazeteoksijen.com/ekonomi/disk...

DİSK, TÜİK'e açtığı davayı kazandı

Gazete Oksijen

gazeteoksijen.com

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monster but sweet @monsterbutsweet.bsky.social · Apr 20

..with age comes wisdom...
• Silence is a response
• Being unbothered is a skill
• No is a full sentence
• Most "urgent" things can wait
• Respect > Attention
• Apologies are empty without change
• Movement is medicine
• You're not for everyone, and that's fine #artofliving
#art by #kacperkiec

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monster but sweet @monsterbutsweet.bsky.social · Apr 19

..your progress is nobody's business...
#art #painting

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monster but sweet @monsterbutsweet.bsky.social · Apr 18

..my silence is disobedient
so that time may forgo my existence...

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monster but sweet @monsterbutsweet.bsky.social · Apr 16

"..here is a man without any hair. he suggests nothing."

Facial hair guide published in the Daily Mirror, England, January 22, 1909.

#philosophy #cartoons

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monster but sweet @monsterbutsweet.bsky.social · Apr 16

..my kind of people...
#stayweird #selfcare #lovenature

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Nicolas Teyssandier @teyssand31.bsky.social · Apr 15

Plongée dans le quotidien des humains de la Préhistoire, il y a 40 000 ans theconversation.com/plongee-dans...
@umr5608traces.bsky.social @cnrsecologie.bsky.social

Plongée dans le quotidien des humains de la Préhistoire, il y a 40 000 ans

Loin du cliché d’individus errant au hasard, les « Homo sapiens » ont constitué des sociétés complexes, faites de réseaux de relations à grandes distances, d’outils et d’art.

theconversation.com

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The Partial Historians 🏺 @partialhistorians.bsky.social · Apr 16

The relief panels from the Sebasteion in Aphrodisias are incredible on their own but seeing them in context truly strengthens their impact. The central panel here shows Aeneas carrying his father away from Troy.

#AncientBluesky🏺

Description from the Aphrodisias Excavations website: “The armored figure of Aineias moves to the right, carrying his aged father on his shoulder and leading his young son Iulus by the hand. Old Anchises carries a round base or box that held images of Troy’s ancestral gods. These three figures constituted the regular iconographic scheme of Aineias’ flight from Troy, on his way to Italy, which was widespread in the early imperial period. The local designers have added a floating figure of Aphrodite behind to give the scene a more specific, local meaning. The relief was carved from a large block that contained serious flaws in the stone, resulting in the oblique brown-stained breaks; they represent the fault-lines.”

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monster but sweet @monsterbutsweet.bsky.social · Apr 16

..power of thoughts...
#photography #noir #dailyfun

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monster but sweet @monsterbutsweet.bsky.social · Apr 15

"The sexiest people are thinkers. Nobody's interested in somebody who's just vain with a hole in their head, talking about the latest thing- there is no latest thing- It's all rubbish."
#viviennewestwood #punk

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mahirgra @mahirgra.bsky.social · Apr 14

'Normal doğum' demişken.

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monster but sweet @monsterbutsweet.bsky.social · Apr 13

#Philosophy #Philosophie #music #music
bit.ly/4cFydis

Christoph Türcke denkt nach über den Ursprung der Musik.

Für den Philosophen Christoph Türcke waren einst Musik und Sprache untrennbar miteinander verbunden.

bit.ly

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Serkan Altuniğne @serkanaltunigne.bsky.social · Apr 12

Hugug... @turkce.dw.com

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The Atlantic @theatlantic.com · Apr 12

"One word of truth shall outweigh the whole world": Aleksandr Solzhenitsyn's Nobel Prize lecture has an urgent message for contemporary readers.

One Word of Truth Shall Outweigh the Whole World

The Russian author’s Nobel Prize lecture contains an urgent message for contemporary audiences.

bit.ly

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DER SPIEGEL @spiegel.de · Apr 12

Dem Louvre droht Verfall. Nun will Direktorin Laurence des Cars das Pariser Museum grundlegend erneuern. Dazu gehört auch, jüngere Leute anzuziehen und das Gedränge zu verringern – auch vor dem berühmtesten Gemälde.

Paris: Louvre-Direktorin Laurence des Cars über die Anforderungen an ein Museum in digitalen Zeiten

Dem Louvre droht Verfall. Nun will Direktorin Laurence des Cars das Pariser Museum grundlegend erneuern. Dazu gehört auch, jüngere Leute anzuziehen und das Gedränge zu verringern – auch vor dem berühmtesten Gemälde.

www.spiegel.de

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